After the transformative six months spent with Will Traynor, Louisa Clark is struggling without him. When an extraordinary accident forces Lou to return home to her family, she can’t help but feel she’s right back where she started. Thanks to the members of the Moving On support group, Lou meets strong, capable Sam Fielding, a paramedic whose business is life and death, and the one man who might be able to understand her. Then a figure from Will’s past appears and hijacks all her plans, propelling her into a very different future.

Four years ago, Kara Goshay believed a vicious lie about Virgil Bougard and ended their relationship. And even after her apology, Virgil is still bitter. He doesn’t intend to make things easy for Kara when his family’s firm hires her PR company to revamp his playboy image. But faking a liaison with Kara for the media backfires when the line between fantasy and reality is blurred by strong sexual attraction. Kara wanted forgiveness. Instead she’s deep into a heated affair with the powerful, charismatic man she can’t resist. The man who claims he’ll never forgive her, especially when a secret enemy puts her professional reputation in jeopardy.

Royce Dillard doesn't remember much about the day his parents --- and 123 other souls --- died in the 1972 Buffalo Creek disaster. He was only two years old when he was ripped from his mother's arms. But now Dillard, who lives off the grid with only a passel of dogs for company, is fighting for his life one more time: He's on trial for murder. Prosecutor Bell Elkins faces her toughest challenge yet in this haunting story of vengeance, greed and the fierce struggle for social justice.

Josephine Buck runs a trading post just off the Navajo Reservation. Widow Leigh Ann Vance is Jo's right-hand woman, filling the emptiness in her own life. Shortly after her husband, Kurt, was killed, Leigh Ann discovered he had been having a string of affairs. Leigh Ann's trust issues affect her feelings for blind sculptor Melvin Littlewater. Kurt's business partners accuse Leigh Ann of helping Kurt embezzle, and the police wonder if Leigh Ann killed him. When she turns to Melvin for help, she finds him fighting his own demons, haunted by memories of a young girl he saw moments before the car crash that cost him his sight.

Paris, 1917. The notorious dancer Mata Hari sits in a cold cell awaiting freedom…or death. Alone and despondent, she is as confused as the rest of the world about the charges she’s been arrested on: treason leading to the deaths of thousands of French soldiers. As she waits for her fate to be decided, she relays the story of her life to a reporter who is allowed to visit her in prison. Beginning with her carefree childhood, Mata Hari recounts her father’s cruel abandonment of her family as well her calamitous marriage to a military officer. Taken to the island of Java, she refuses to be ruled by her abusive husband and instead learns to dance, paving the way to her stardom as Europe’s most infamous dancer.

Written in the form of a standardized test, MULTIPLE CHOICE invites the reader to respond to virtuoso language exercises and short narrative passages through multiple-choice questions that are thought-provoking, usually unanswerable and often absurd. It offers a new kind of reading experience, one in which the reader participates directly in the creation of meaning, and the nature of storytelling itself is called into question. At once funny, poignant and political, MULTIPLE CHOICE is about love and family, authoritarianism and its legacies, and the conviction that, rather than learning to think for ourselves, we are trained to obey and repeat.

Anthony Marra’s collection introduces a cast of remarkable characters whose lives intersect in ways both life-affirming and heartbreaking. A 1930s Soviet censor painstakingly corrects offending photographs, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape that is unremarkable except for the almost incomprehensibly peaceful past it depicts.