An anonymous tip about a crime in Upper Manhattan proves to be a setup. An officer is taken down --- and, despite the attackers' efforts, it's not Michael Bennett. New York's top cop is not the only one at risk. One of Bennett's children sustains a mysterious injury. And a series of murders follows, each with a distinct signature, alerting Bennett to the presence of a professional killer with a flair for disguise. Bennett taps his best investigators and sources, and they fan out across the five boroughs. But the leads they're chasing turn out to be phantoms. The assassin takes advantage of the chaos, enticing an officer into compromising Bennett, then luring another member of Bennett's family into even graver danger.

Seven-year-old Hanna is a sweet-but-silent angel in the eyes of her adoring father Alex. He’s the only person who understands her. But her mother Suzette stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good. Suzette loves her daughter, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. She’s also becoming increasingly frightened by Hanna’s little games, while her husband Alex remains blind to the failing family dynamics. Soon, Suzette starts to fear that maybe their supposedly innocent baby girl may have a truly sinister agenda.

When Shaun Bythell first thought of taking over The Bookshop, it seemed like a great idea: The Bookshop is Scotland's largest second-hand store, with over 100,000 books in a glorious old house with twisting corridors and roaring fireplaces, set in a tiny, beautiful town by the sea. It seemed like a book-lover's paradise. Until Bythell did indeed buy the store. In THE DIARY OF A BOOKSELLER, he tells us what happened next --- the trials and tribulations of being a small businessman; of learning that customers can be, um, eccentric; and of wrangling with his own staff of oddballs. And perhaps none are quirkier than the charmingly cantankerous bookseller Bythell himself turns out to be.

Louis Thorn and Harry Yamada are boyhood friends divided by family differences. But their childhood camaraderie reignites when they are convinced to perform death-defying tricks as Eagle & Crane in Earl Shaw’s Flying Circus --- until their mutual attraction to Shaw’s stepdaughter, smart and beautiful Ava Brooks, complicates things anew. Then Pearl Harbor is bombed in December 1941, and Harry is imprisoned in a Japanese American internment camp. When a Shaw stunt plane crashes soon after Harry and his father leave the camp without permission, the two bodies discovered are assumed to be theirs. But the details don’t add up, and no one involved seems willing to tell the truth.

Harry Tabor is about to be named Man of the Decade. Gathering together in Palm Springs for the celebration are his wife, Roma, and their children: Phoebe, Camille and Simon. But immediately, cracks begin to appear in this smooth façade: Simon hasn’t been sleeping through the night, Camille can’t decide what to do with her life, and Phoebe is a little too cagey about her new boyfriend. Roma knows her children are hiding things. What she doesn’t know --- what none of them know --- is that Harry is suddenly haunted by the long-buried secret that drove him to relocate his young family to the California desert. As the ceremony nears, the family members are forced to confront the falsehoods upon which their lives are built.

When Alison's beloved daughter Amalie drowns, her world turns impenetrably dark. Alison tries to hold it together throughout the bleak Fall, but in the darkest days of the Norwegian Winter, she completely falls apart. In another family, Amalie's passing is a new beginning. After years of severe health problems, young Kaia receives a new heart on the morning after Amalie drowns. Her mother Iselin has struggled to raise Kaia on her own, and now things are finally looking up. She's even made an affluent new friend who's taken a special interest in her and her daughter. As her grief transforms into a terrifying obsession, Alison won't let anything stop her from getting back what she has lost.

Charlotte was supposed to be looking after the children, and she swears she was. But when her three kids are all safe and sound at the school fair, and Alice, her best friend Harriet’s daughter, is nowhere to be found, Charlotte panics. Harriet, devastated by this unthinkable, unbearable loss, can no longer bring herself to speak to Charlotte again, much less trust her. Now more isolated than ever and struggling to keep her marriage afloat, Harriet believes nothing and no one. But as the police bear down on both women trying to piece together the puzzle of what happened to this little girl, dark secrets begin to surface --- and Harriet discovers that confiding in Charlotte again may be the only thing that will reunite her with her daughter.

Detective Sergeant Gemma Woodstock finds herself lost and alone after a recent move to Melbourne, brokenhearted by the decisions she's had to make. Her new workplace is a minefield, and Detective Sergeant Nick Fleet, the partner she has been assigned, is uncommunicative and often hostile. When a homeless man is murdered and Gemma is put on the case, she can't help feeling a connection with the victim and his lonely, isolated existence. Then Sterling Wade, an up-and-coming actor filming his breakout performance in a closed-off city street, is murdered in the middle of an action-packed shot, and Gemma and Nick have to put aside their differences to unravel the mysteries surrounding the actor's life and death.

At 12 years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father’s job at a silent film theater in New York’s East Village. Five years later, following his father’s death and his mother’s disappearance, Cornelius sets about reinventing himself --- as Professor John Woman, a man who will spread Herman’s teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman and who might know something about the facts of his hidden past.

KATERINA is a sweeping love story alternating between 1992 Paris and Los Angeles in 2018. At its center are a young writer and a young model on the verge of fame --- both reckless, impulsive, addicted and deeply in love. Twenty-five years later, the writer is rich, famous and numb, and he wants to drive his car into a tree, when he receives an anonymous message that draws him back to the life, and possibly the love, he abandoned years prior.

Former detective Charlie Waldo now lives in solitude deep in the woods. He has left behind his career and his girlfriend, Lorena, to pay self-imposed penance for an awful misstep on an old murder case. But the old ghosts are about to come roaring back. Alastair Pinch is a onetime Royal Shakespeare Company thespian who now slums it as the "wise" Southern judge on a tacky network show. He's absurdly rich, often belligerent and typically drunk --- a damning combination when Alastair's wife is found dead on their living room floor and he can't remember what happened. Waldo's old flame Lorena, hiding peril of her own, draws him toward the case, and Alastair's greedy network convinces Waldo to take it on.

A century and a half of family secrets are written on Judas Stammers’ body, painted purple by a birthmark that covers half his face and abdomen. Judas is the last descendant of a 19th-century robber baron who made his fortune off the slaves who died in his coal mines. The money is gone, but the legacy lives on in the form of an all-male, all-black private school founded by the family patriarch in atonement for his sins. Ostracized for his name as much as his appearance, Judas’ lust for his classmates is matched only by their contempt for him, until finally he’s driven to seek out sex in places where his identity means nothing to the anonymous men he gives himself to. Hovering over everything is Judas’ mother, Dixie, an acclaimed potter whose obsession with creating the perfect vessel over and over again leaves her son that much more isolated.

Liz Kendall wouldn't hurt a fly. Even when times get tough, she's devoted to bringing up her two kids in a loving home. But there's another side to Liz --- one that's dark and malicious. She will do anything to get her way, no matter how extreme. And when this other side of her takes control, the consequences are devastating.

The year is 1901, and the death of Britain’s longest-reigning monarch has sent the entire British Empire into mourning. But for Lady Emily and her dashing husband, Colin Hargreaves, the grieving is cut short as another death takes center stage. A body has been found in the Tower of London, posed to look like the murdered medieval king Henry VI. When a second dead man turns up in London's exclusive Berkeley Square, his mutilated remains staged to evoke the violent demise of Edward II, it becomes evident that the mastermind behind the crimes plans to strike again. With the killer leaving a trail of dead kings in his wake, will Edward be the next victim?

On the day the government decrees that women are no longer allowed more than 100 words per day, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. Soon women are not permitted to hold jobs. Girls are not taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words each day, but now women have only 100 to make themselves heard. For herself, her daughter and every woman silenced, Jean will reclaim her voice.