Fifteen months ago, Detective Lindsay Boxer's life was perfect --- she had a beautiful child and a doting husband, Joe, who helped her catch a criminal who'd brazenly detonated a bomb in downtown San Francisco. But Joe wasn't everything that Lindsay thought he was, and she's still reeling from his betrayal as a wave of mysterious heart attacks claims seemingly unrelated victims across San Francisco. As if that weren't enough, the bomber she and Joe captured is about to go on trial, and his defense raises damning questions about Lindsay and Joe's investigation. Lindsay must connect the dots of a deadly conspiracy before a brilliant criminal puts her on trial.

The beheading of 17-year-old Lady Jane Grey for high treason in the year 1554 sent shockwaves through the Tudor world, and served as a gruesome reminder to all who aspired to a crown that the axe could fall at any time. Set at the time of Jane’s downfall and following her journey through to her trial and execution, each chapter in CROWN OF BLOOD moves between the past and the “present,” using a rich abundance of primary source material (some of which has never been published) in order to paint a vivid picture of Jane’s short and turbulent life.

The Battle of Culloden in 1746 has gone down in history as the last major battle fought on British soil: a vicious confrontation between the English Royal Army and the Scottish forces supporting the Stuart claim to the throne. But this wasn't just a conflict between the Scots and the English; the battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion. In CULLODEN, we are drawn into the ranks, on both sides, alongside doomed Jacobites fighting fellow Scots dressed in the red coats of the Duke of Cumberland's Royal Army. And we meet the Duke himself, a skilled warrior who would gain notoriety because of the reprisals on Highland clans in the battle's aftermath.

In the spring of 1944, Ernest Hemingway traveled to London and then to France to cover World War II for Colliers magazine. Obviously he was a little late in arriving. Why did he go? He had resisted this kind of journalism for much of the early period of the war, but when he finally decided to go, he threw himself into the thick of events and so became a conduit to understanding some of the major events and characters of the war. HEMINGWAY AT WAR is also an investigation into Hemingway’s subsequent work --- much of it stemming from his wartime experience --- which shaped the latter stages of his career in dramatic fashion.

The five centuries between the end of Roman Britain and the death of Alfred the Great have left few voices save a handful of chroniclers, but Britain's "Dark Ages" can still be explored through their material remnants: architecture, books, metalwork and, above all, landscapes. Max Adams explores Britain's lost early medieval past by walking its paths and exploring its lasting imprint on valley, hill and field. Each of his 10 walking narratives form free-standing chapters as well as parts of a wider portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.

"Edward Hopper is surely the greatest American narrative painter. His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within." So says Lawrence Block, who has invited 17 writers to join him in an unprecedented anthology of brand-new stories. Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Joe R. Lansdale, Jonathan Santlofer, Jeffery Deaver and Lee Child.

Between the hallucinogenic, weird, imaginative wordplay and the brilliant mathematical puzzles and social satire, ALICE IN WONDERLAND has been read, enjoyed and savored by every generation since its publication. Ellen Datlow asked 17 acclaimed writers to dream up stories inspired by all the strange events and surreal characters found in Wonderland. MAD HATTERS AND MARCH HARES features stories and poems from Seanan McGuire, Jane Yolen, Catherynne M. Valente, Delia Sherman, Genevieve Valentine, Priya Sharma, Stephen Graham Jones, Richard Bowes, Jeffrey Ford, Angela Slatter, Andy Duncan, C.S.E. Cooney, Matthew Kressel, Kris Dikeman, Kaaron Warren, Ysbeau Wilce and Katherine Vaz.

A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and the sway of an incarcerated father. A monk in 16th-century England suffers the dissolution of his monastery and the loss of all that he held sacred. The characters in Chanelle Benz's debut share a thirst for adventure that sends them rushing full-tilt toward the moral crossroads, becoming victims and perpetrators along the way.

During a heavy rainstorm in England, a driver loses control on a twisting road and is killed in the crash. Was it an accident due to the hazardous conditions? Or premeditated murder? Investigating this perplexing case, Scotland Yard Inspector Ian Rutledge discovers that the truth is elusive --- and that the villages on the South Downs, where the accident happened, are adept at keeping secrets, frustrating his search. Determined to remain in the shadows, this faceless killer is willing to strike again to stop Rutledge from finding him. This time, the victim he chooses is a child, and it will take all of Rutledge’s skill to stop him before an innocent young life is sacrificed.

Rosa Ostreech, a pseudonym for the novel’s beautiful but self-conscious narrator, carries around a trilingual edition of Aristotle’s METAPHYSICS, struggles with her thesis on violence and culture, sleeps with a bourgeois former guerrilla, and pursues her elderly professor. Elsewhere on campus, Pabst and Kamtchowsky tour the underground scene of Buenos Aires, dabbling in ketamine, group sex, video games and hacking. And in Africa in 1917, a Dutch anthropologist named Johan van Vliet begins work on a theory that explains human consciousness and civilization by reference to our early primate ancestors --- animals, who, in the process of becoming human, spent thousands of years as prey.

The people in Tim Gautreaux’s latest collection of short stories wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities. They are primarily of the working class, proud and knowledgeable about the natural or mechanical world. Their lives are marked by a prized stereo or a magical sewing machine retrieved from a locked safe, boats and card games and casinos, grandparents and grandchildren and those in between, their experiences leading them to the ridiculous or the scarifying or the sublime. Most of them are striving for what's right and good, others tearing off in the opposite direction.

Piet Barol was a tutor before he came to South Africa, his wife, Stacey, an opera singer. In Cape Town they are living the high life, impersonating French aristocrats --- but their lies are catching up with them. The Barols’ furniture business is on the verge of collapse, and they need cheap, top-quality wood. Piet enlists two Xhosa men to lead him into a vast forest, in search of a fabled tree. He’s sure he’ll be able to buy what he needs for a few glass trinkets. But he’s underestimating the Xhosa, who believe the spirits of their ancestors live in this sacred forest. Battle lines are drawn. When Piet’s powers of persuasion fail him, he resorts to darker, more dangerous talents to get what he is determined to have.

Siri Hustvedt has always been fascinated by biology and how human perception works. She is a lover of art, the humanities and the sciences. She is a novelist and a feminist. Her lively, lucid essays in A WOMAN LOOKING AT MEN LOOKING AT WOMEN begin to make some sense of those plural perspectives. There has been much talk about building a beautiful bridge across the chasm that separates the sciences and the humanities. At the moment, we have only a wobbly walkway, but Hustvedt is encouraged by the travelers making their way across it in both directions.