In early 1955, Colonel Tom Parker heard that an unknown teenager from Memphis had just drawn a crowd of more than 800 people to a Texas schoolhouse and headed south to investigate. Within days, Parker was sending out telegrams and letters to promoters and booking agents: “We have a new boy that is absolutely going to be one of the biggest things in the business in a very short time. His name is ELVIS PRESLEY.” Later that year, after signing with RCA, the young man sent a telegram of his own: “Dear Colonel, Words can never tell you how my folks and I appreciate what you did for me.... I love you like a father.” The close personal bond between Elvis and the Colonel has never been fully portrayed before. Featuring troves of previously unpublished correspondence, THE COLONEL AND THE KING provides a unique perspective on not one but two American originals. 

After Baz Luhrmann’s movie, Elvis, hit theaters, audiences and critics alike couldn't help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In BEFORE ELVIS​, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them. Within these pages, Lauterbach examines the lives, music, legacies and interactions with Elvis of the four innovative Black artists who created a style that would come to be known as Rock ’n’ Roll: Little Junior Parker, Big Mama Thornton, Arthur “Big Boy” Crudup, and mostly unknown eccentric Beale Street guitarist Calvin Newborn.