Liesl Weiss long ago learned to be content working behind the scenes in the distinguished rare books department of a large university. But when her boss has a stroke and she's left to run things, she discovers that the library's most prized manuscript is missing. Liesl tries to sound the alarm and inform the police about the missing priceless book, but is told repeatedly to keep quiet, to keep the doors open and the donors happy. But then a librarian unexpectedly stops showing up to work. Liesl must investigate both disappearances, unspooling her colleagues' pasts like the threads of a rare book binding as it becomes clear that someone in the department must be responsible for the theft.

For eight years, Cooper and his young daughter, Finch, have lived in isolation in a remote cabin in the northern Appalachian woods. Finch has been raised on the books filling the cabin’s shelves and the beautiful but brutal code of life in the wilderness. But she’s starting to push back against the sheltered life Cooper has created for her --- and he’s still haunted by the painful truth of what it took to get them there. The only people who know they exist are a mysterious local hermit named Scotland, and Cooper's old friend, Jake, who visits each winter to bring them food and supplies. But this year, Jake doesn't show up, setting off an irreversible chain of events that reveals just how precarious their situation really is.

Rick and Frank are recovering addicts and accomplished house thieves. They do not steal randomly --- they steal according to order, hired by a mysterious handler. The jobs run routinely until they’re tasked with taking a seemingly worthless trophy: an object that generates interest and obsession out of proportion to its apparent value. Just as the robbery is completed, the two are involved in a freak car accident that sets off a chain of events, and Frank disappears with the trophy. As Rick tries to find Frank, he is forced to confront his past, upending both his livelihood and his sense of reality.

Three Black women are linked in unexpected ways to the same influential white man in Stockholm. Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury and privilege as the object of his unhealthy obsession. And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny's office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home.

In the summer of 1973, Ruth and her four friends were obsessed with pre-Raphaelite paintings. Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and 17-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary?

Maeve Martin arrives at the High Water Center for the Arts, a gorgeous lodge nestled deep in the Rocky Mountains, determined to do one thing: begin her own dance company. A retired performer and mother of two, time is running out for her to find her feet again after the collapse of her disastrous --- and violent --- marriage. But when an avalanche strikes, Maeve finds herself trapped with six other guests. At first, there’s a sense of camaraderie. But as the days pass and the storm rages on outside, tensions start to run high. Then the first guest meets an unspeakable death. Followed by another. Soon Maeve must admit how little she knows about these strangers --- and how useless a locked door is if the darkness is already inside.

Aubrey, the title character of Gerry Andersen’s most successful novel, Dream Girl, is so captivating that Gerry’s readers insist she’s real. Gerry knows she exists only in his imagination. So how can Aubrey be calling Gerry, bed-bound since a freak fall? A virtual prisoner in his penthouse, Gerry is dependent on his incurious young assistant and a dull, slow-witted night nurse. Could the cryptic caller be one of his three ex-wives playing a vindictive trick after all these years? Or is she Margot, an ex-girlfriend who keeps trying to insinuate her way back into Gerry’s life? Aubrey is threatening to visit him, suggesting that Gerry owes her something. Is the threat real or a sign of dementia? Then he wakes up to a woman’s dead body next to his bed and the terrifying uncertainty of whether or not he is responsible.

Phoebe Hayes is in search of excitement and adventure. But the recent death of her father has so devastated her that her mother wants her to remain home in Baltimore to recover. Phoebe wants to return to New York, not only to chase the glamorous life she so desperately craves but also to confront Ivan, the older man who wronged her. With her best friend Carmen, she escapes to the East Village, disappearing into an underworld haunted by artists, It Girls and lost souls. Carmen juggles her junkie-poet boyfriend and a sexy painter, while, as Astrid the Star Girl, Phoebe tells fortunes in a nightclub and plots her revenge on Ivan. When the intoxicating brew of sex, drugs and self-destruction leads Phoebe to betray her friend, Carmen disappears, and Phoebe begins an unstoppable descent into darkness.

Set in the fictional African village of Kosawa, HOW BEAUTIFUL WE WERE tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made --- and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests. Left with few choices, the people of Kosawa decide to fight back. Their struggle will last for decades and come at a steep price.

No surprise is a good surprise. At least according to 34-year-old Daisy Richardson. So when it’s revealed in dramatic fashion that her esteemed father had been involved in a public scandal before his untimely death, Daisy’s life becomes complicated --- and fast. For one, the Richardsons must now sell the family home in Georgetown they can no longer afford, and Daisy’s mother is holding on with an iron grip. Her younger sister, Wallis, is ready to move on to bigger and better things but falls fast and hard for the most inconvenient person possible. And then there’s Atlas, Daisy’s best friend. She’s always wished they could be more, but now he’s writing an exposé on the one subject she’s been desperate to avoid: her father.