Bonnie Jo Campbell is a keen observer of life and trouble in rural America, and her working-class protagonists can be at once vulnerable, wise, cruel and funny. The strong but flawed women of MOTHERS, TELL YOUR DAUGHTERS must negotiate a sexually charged atmosphere as they love, honor and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone.

Joan Didion lived a life in the public and private eye with her late husband, writer John Gregory Dunne. They became wildly successful writing partners and co-wrote screenplays and adaptations together. Didion is well-known for her literary journalistic style in both fiction and nonfiction. Tracy Daugherty takes readers on a journey back through time, following a young Didion in Sacramento, through to her adult life as a writer interviewing those who know and knew her personally, while maintaining a respectful distance from the reclusive literary great.

It’s high summer in the Mojave Desert, and Kristine Rush and her fiancé, Daniel, are en route from Las Vegas to Lake Arrowhead, California, for the July Fourth holiday weekend. But when Daniel is abducted from a desolate rest stop, Kristine is forced to choose: return home unharmed, but never to see her fiancé again, or plunge forward into the searing desert to find him…where a killer lies in wait.

Mazie Phillips is the truth-telling proprietress of The Venice, the famed New York City movie theater. When the Great Depression hits, she opens the doors of The Venice to those in need, becoming the beating heart of the Lower East Side. More than 90 years after Mazie began her diary, it is discovered by a documentarian in search of a good story. Who was Mazie Phillips, really? A chorus of voices from the past and present fill in some of the mysterious blanks of her adventurous life.

In a future America that feels increasingly familiar, you are your credit score. Extreme wealth inequality has created a class of have-nothings: Subprimes. Their bad credit ratings make them unemployable. Fugitives who must keep moving to avoid arrest, they wander the globally warmed American wasteland searching for day labor and a place to park their battered SUVs for the night. THE SUBPRIMES follows the fortunes of two families whose lives reflect this new dog-eat-dog, survival-of-the-financially-fittest America.

The summer after university, Emma Woodhouse returns home to the village of Highbury to prepare for the launch of her interior design business. Soon she befriends Harriet Smith, the naïve but charming young teacher’s assistant at an English-language school run by the hippie-ish Mrs. Goddard. Harriet is Emma’s inspiration to do the two things she does best: offer guidance to those less wise in the ways of the world and put her matchmaking skills to good use.

Vincent Crapanzano’s memoir recaptures meaningful moments from his life: as his childhood on the grounds of a psychiatric hospital, his psychiatrist father’s early death, his years at school in Switzerland and then at Harvard in the 1960s, his love affairs, his own teaching, and his far-flung travels. Taken together, these stories have the power of a nothing-taken-for-granted vision, fighting those conventions and ideologies that deaden the creative and inquiring mind.

On a sweltering day in August 1942, Frankie Washburn returns to his family’s rustic Minnesota resort for one last visit before he joins the war as a bombardier. But before the homecoming can be celebrated, the search for a German soldier, escaped from the POW camp across the river, explodes in a shocking act of violence, with consequences that will reverberate years into the future for all of them and that will shape how each of them makes sense of their lives.

Will has never been outside, at least not since he can remember. And he has certainly never gotten to know anyone other than his mother, a fiercely loving yet wildly eccentric agoraphobe who drowns in panic at the thought of opening the front door. But Will’s thirst for adventure can’t be contained. Clad in a protective helmet and unsure of how to talk to other kids, he finally ventures outside and is thrust headfirst into the throes of early adulthood and the dangers that everyday life offers.

Raymond Chandler never wrote a memoir or an autobiography. The closest he came to writing either was in --- and around --- his novels, shorts stories and letters. There have been books that describe and evaluate Chandler’s life, but to find out what he himself felt about his life and work, Barry Day has chosen from Chandler’s writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illuminating narrative that reveals the man, the work and the worlds he created.