When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother or even her five-year-old daughter, Tru. Beating with the pulse of a long-withheld confession, PATSY gives voice to a woman who looks to America for the opportunity to choose herself first --- not to give a better life to her family back home.

ON EARTH WE’RE BRIEFLY GORGEOUS is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born --- a history whose epicenter is rooted in Vietnam --- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

From the acclaimed author of STORIES OF YOUR LIFE AND OTHERS --- the basis for the Academy Award-nominated film Arrival --- comes a groundbreaking new collection of short fiction. These are tales that tackle some of humanity’s oldest questions along with new quandaries only Ted Chiang could imagine. In “The Merchant and the Alchemist’s Gate,” a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In “Exhalation,” an alien scientist makes a shocking discovery with ramifications that are literally universal. In “Anxiety Is the Dizziness of Freedom,” the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.

Young Emmett Farmer is working in the fields when a strange letter arrives summoning him away from his family. He is to begin an apprenticeship as a Bookbinder --- a vocation that arouses fear, superstition and prejudice amongst their small community. Bookbinding is a sacred calling, Seredith informs her new apprentice, and he is a binder born. Under the old woman’s watchful eye, Emmett learns to hand-craft the elegant leather-bound volumes. Within each one, they will capture something unique and extraordinary: a memory. But just as Emmett begins to settle into his new circumstances, he makes an astonishing discovery: one of the books has his name on it. Soon, everything he thought he understood about his life will be dramatically rewritten.

Ana Falcón, along with her husband Lucho and their two young children, has fled the economic and political strife of Peru for a chance at a new life in New York City in the 1990s. Being undocumented, however, has significantly curtailed the family’s opportunities: Ana is indebted to a loan shark who calls herself Mama, and is stretched thin by unceasing shifts at her factory job. To make matters worse, Ana also must battle both criticism from Lucho’s cousin --- who has made it obvious that the family is not welcome to stay in her spare room for much longer --- and escalating and unwanted attention from Mama’s husband. As the pressure builds, Ana becomes increasingly desperate.

Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality and, of course, love.

By day, Mary Ballard is dutiful lady’s maid to Charlotte Walden, a wealthy and accomplished belle of New York City high society. But on her nights off, Mary sheds this persona to reveal her true self: Irish exile Maire O’Farren. She finds release from her frustration in New York’s gritty underworld --- in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of a barkeeper and members of a dangerous secret society. Meanwhile, Charlotte has a secret of her own --- she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences.

Tracker is known far and wide for his skills as a hunter. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. As Tracker follows his scent, he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?

Kin Stewart is an everyday family man. But his current life is a far cry from his previous career…as a time-traveling secret agent from 2142. Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives --- 18 years too late. Their mission: return Kin to 2142, where another family is waiting for him. A family he can’t remember. Torn between two lives, Kin is desperate for a way to stay connected to both. But when his best efforts threaten to destroy the agency and even history itself, his daughter’s very existence is at risk.

Samanta Schweblin haunts and mesmerizes in this extraordinary collection featuring women on the edge, men turned upside down, the natural world at odds with reality. We think life is one way, but often it’s not --- our expectations for how people act, love and fear can all be upended. Each character in MOUTHFUL OF BIRDS must contend with the unexpected, whether a family coming apart at the seams or a child transforming or a ghostly hellscape or a murder. Schweblin’s stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blurs.