Conceived while his father, Bear, cavorted around Rome in the 1950s, Pinch learns quickly that Bear's genius trumps all. After Bear abandons his family, Pinch strives to make himself worthy of his father's attention --- first trying to be a painter himself; then resolving to write his father's biography; eventually settling, disillusioned, into a job as an Italian teacher in London. But when Bear dies, Pinch hatches a scheme to secure his father's legacy --- and make his own mark on the world.

Born and bred in a small town a train ride away from Dublin, John Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And though, when he came of age and took up residence there, and the city became a frequent backdrop for his dissatisfactions, it remained in some part of his memory as fascinating as it had been to his seven-year-old self. And as he guides us around the city, delighting in its cultural, architectural, political and social history, he interweaves the memories that are attached to particular places and moments.

Arranged into five sections --- In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free --- Zadie Smith’s new collection poses questions we immediately recognize. What is The Social Network --- and Facebook itself --- really about? Why do we love libraries? What will we tell our granddaughters about our collective failure to address global warming? Gathering in one place for the first time previously unpublished work, as well as already classic essays such as "Joy" and "Find Your Beach," FEEL FREE offers a survey of important recent events in culture and politics, as well as Smith's own life.

In WINTER, we rejoin Karl Ove Knausgaard as he waits for the birth of his daughter. In preparation for her arrival, he takes stock of the world, seeing it as if for the first time. He writes about the moon, water, messiness, owls, birthdays --- to name just a handful of his subjects. He fills these oh-so-familiar objects and ideas with new meaning, taking nothing for granted or as given. New life is on the horizon, but the earth is also in hibernation, waiting for the warmer weather to return, and so a contradictory melancholy inflects his gaze.

Winter. Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. And now Art’s mother is seeing things. Come to think of it, Art is seeing things himself. When four people, strangers and family, converge on a 15-bedroom house in Cornwall for Christmas, will there be enough room for everyone? Winter. It makes things visible. Ali Smith’s shapeshifting WINTER casts a warm, wise, merry and uncompromising eye over a post-truth era in a story rooted in history and memory and with a taproot deep in the evergreens, art and love.

Ursula K. Le Guin took readers to imaginary worlds for decades. In the last great frontier of life, old age, she explored a new literary territory: the blog, a forum where she shined. The collected best of Ursula’s blog, NO TIME TO SPARE presents perfectly crystallized dispatches on what mattered to her late in life, her concerns with the world, and her wonder at it: “How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.”

The 1968 U.S. Presidential election was the young Lawrence O’Donnell’s political awakening, and in the decades since it has remained one of his abiding fascinations. For years he has deployed one of America’s shrewdest political minds to understanding its dynamics, not just because it is fascinating in itself, but because in it is contained the essence of what makes America different, and how we got to where we are now. PLAYING WITH FIRE represents O’Donnell’s master class in American electioneering, embedded in the epic human drama of a system --- and a country --- coming apart at the seams in real time.

An appreciation of wine --- along with a plummy upper-crust accent, expensive suits, and an encyclopedic knowledge of Western literature --- was an essential element of Clifton Fadiman’s escape from lower-middle-class Brooklyn to swanky Manhattan. But wine was not just a class-vaulting accessory; it was an object of ardent desire. THE WINE LOVER’S DAUGHTER traces the arc of a man’s infatuation from the glass of cheap Graves he drank in Paris in 1927; through the Château Lafite-Rothschild 1904 he drank to celebrate his 80th birthday, when he and the bottle were exactly the same age; to the wines that sustained him in his last years, when he was blind but still buoyed, as always, by hedonism.

Overlooked by his father and overshadowed by his war-hero brother, Bobby Kennedy was the perpetual underdog. When he had the chance to become a naval officer like Jack, Bobby turned it down, choosing instead to join the Navy as a common sailor. It was a life-changing experience that led him to connect with voters from all walks of life. They were the people who turned out for him in his 1968 campaign. RFK would prove himself to be the rarest of politicians --- both a pragmatist who knew how to get the job done and an unwavering idealist who could inspire millions. Drawing on extensive research and interviews, Chris Matthews pulls back the curtain on the public and private worlds of Robert Francis Kennedy.

While at Donnelly’s for his usual pint, Victor Forde is approached by a man in shorts and a pink shirt. He seems to know Victor’s name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, and also dislikes the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers. He prompts other memories --- of Rachel, his beautiful wife who became a celebrity, and of Victor’s own small claim to fame, as the man who would say the unsayable on the radio. But it’s the memories of school, and of one particular brother, that Victor cannot control and that eventually threaten to destroy his sanity.