Coming Soon

When 276 schoolgirls are abducted from their school in Nigeria, Fidelis Ewerike, a former POW of the Nigerian Civil War, begins to go mad. He is consumed by memories of his younger sister, Ugochi, who went missing during that conflict. Fearful that the same fate awaits Amara, his 16-year-old daughter who bears an uncanny resemblance to Ugochi, Fidelis locks her in her bedroom, offering no words of explanation. Amid that singular action, the Ewerike family spirals into chaos. Amara is hungry for her life to be hers, so the moment she is able to escape her imprisonment, she falls in love --- not with the Aba-born engineer-in-training her mother envisages, but with Maksym Kostyk, the son of the town drunk. Before long, the two have concocted a plan to run away from the trappings of their familial traumas.

Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball. In A TIME FOR REFLECTION, Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners.” Her Life Ruiner, Toni Morrison’s THE BLUEST EYE, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?

Although Birdie gets a little hungover sometimes and has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for. She finds herself falling for Arthur and the land he knows so well. Against the warnings of those who care about them, Birdie and Emaleen move to his isolated cabin in the mountains. But soon Birdie discovers that Arthur is something much more mysterious and dangerous than she ever could have imagined.

SHE’S NOT THERE was the first bestselling work written by a transgender American. Since its publication 20 years ago, Jennifer Finney Boylan has become the go-to person for insight into the impact of gender on our lives. But CLEAVAGE is more than a deep dive into gender identity; it’s also a look at the difference between coming out as trans in 2000 --- when many people reacted to Boylan’s transition with love --- and the present era of blowback and fear. How does gender affect our sense of self? Our body image? The passage of time? The friends we lose --- and keep? Boylan considers her womanhood, reflects on the boys and men who shaped her, and reconceives of herself as a writer, activist, parent and spouse.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, GLIFF explores how and why we endeavor to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data --- something easily categorizable and predictable --- Ali Smith shows us why our humanity, our individual complexities, matter more than ever.

In 1919, high school teacher Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife nor their 14-year age difference can keep the two apart. Amidst rumors of their tumultuous affair, Jessie is determined to prove herself. She attacks the challenge of discovering young writers with fervor. Under her leadership, The Crisis thrives. When her first novel is released to great acclaim, it’s clear that Jessie is at the heart of a renaissance in Black music, theater and the arts. But as she strives to preserve her legacy, she’ll discover the high cost of her unparalleled success.

When Kate Gies was four years old, a plastic surgeon pressed a synthetic ear to the right side of her head and pulled out a mirror. He told her he could make her “whole” --- could make her “right” --- and she believed him. From the ages of 4 to 13, she underwent 14 surgeries, including skin and bone grafts, to craft the appearance of an outer ear. Many of the surgeries failed, leaving permanent damage to her body. In short, lyrical vignettes, Kate writes about how her “disfigured” body was scrutinized, pathologized and even weaponized. She describes the physical and psychic trauma of medical intervention and its effects on her sense of self, first as a child needing to be fixed and, later, as a teenager and adult navigating the complex expectations and dangers of being a woman.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act --- one that rouses Minnie’s spirit from the grave, tethered to this world unless Junie can free her. She enlists the aid of Caleb, the guests’ coachman, and their friendship soon becomes something more. Yet as long-held truths begin to crumble, she realizes Bellereine is harboring dark and horrifying secrets that no longer can be ignored.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz, collapsed and died on a Washington, D.C. sidewalk. After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two boys on Martha’s Vineyard. But their happy life ended abruptly when, on Memorial Day 2019, Geraldine received the phone call we all dread. Nearly four years later, she booked a flight to a remote island off the coast of Australia with the intention of finally giving herself the time to mourn. There, she pondered the various ways in which cultures grieve and what rituals of her own might help to rebuild a life around the void of Tony’s death.

When Vivian Lesperance meets Oscar Schmidt, a middle manager at a soap company, at the turn of the 20th century, she finds a partner she can guide to build the life she wants --- not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women. But Vivian's plans require capital, so the two pair up with Squire Clancey, scion of an old American fortune. Together they found Clancey & Schmidt, a preeminent manufacturer of soap, perfume and candles. When Oscar and Squire fall in love, the trio form a new kind of partnership. Vivian reaches the pinnacle of her power, building Clancey & Schmidt into an empire of personal care products while operating behind the image of both men. But exposure threatens, and all three partners are made aware of how much they have to lose.

During the Nazi occupation, Etta Shiber and Kate Bonnefous --- an American widow and an English divorcée --- find themselves unexpectedly plunged into the whirlwind of history. With the help of a French country priest and others, they set out to rescue British and French soldiers trapped behind enemy lines --- some of whom they daringly smuggle through Nazi checkpoints hidden inside the trunk of their car. Ultimately the Gestapo captures them both. After 18 months in prison, Etta is returned to the United States in a prisoner exchange. Back home, hoping to bring attention to her friend’s bravery, she publishes a memoir about their work, which becomes a publishing sensation. Meanwhile, Kate spends the rest of the war in a Nazi prison, entirely unaware of the book that has been written about her --- and the deeds that have been claimed in her name.

Drawing on her background --- her father's abuse, her complicated dynamic with her disabled mother, the death of her child, her sexual relationships with men and women --- and her creative life as an author and teacher, Lidia Yuknavitch has come to understand that by using the power of literature and storytelling to reframe her memories, she can loosen the bonds that have enslaved her emotional growth. Armed with this insight, she allows herself to look with the eye of an artist at the wounds she suffered and come to understand the transformational power this has to restore her soul. By turns candid and lyrical, stoic and forgiving, blunt and evocative, READING THE WAVES reframes memory to show how crucial this process can be to gaining a deeper understanding of ourselves.

Chief of Police Jesse Stone is on his way home from a long shift when a call comes in for a welfare check on an elderly resident of the wealthy seaside town of Paradise, Massachusetts. Inside a house packed with junk and trash is a man’s dead body. It’s a sad, lonely end, but nothing criminal…until Jesse finds the photos of murder victims strewn around the corpse, on top of a treasure trove of $2 million in cash. Jesse takes on the case and finds a trail leading to an aging mobster who will do whatever it takes to keep the past from coming to light. Before long, Jesse has a price on his head as hit men converge on Paradise to take back the cash and destroy any remaining evidence. But the real danger might be coming from inside his own department.

In 2018, poverty and domestic violence cast Evelyn and her children into the urban wilderness of Los Angeles, where she avoids the family crisis network that offers no clear pathway for her children to remain together and in a decent school. For the next five years, Evelyn works full time as a waitress yet remains unable to afford legitimate housing or qualify for government aid. All the while she strives to provide stability, education, loving memories and college aspirations for her children, even as they sleep in motels and in her car, living in fear of both her ex and the nation’s largest child welfare agency. Eventually Evelyn encounters Wendi Gaines, a recently trained social worker who decades earlier survived her own abusive marriage and housing crisis. Evelyn becomes one of Wendi’s first clients, and the relationship transforms them both.

SOURCE CODE is not about Microsoft or the Gates Foundation or the future of technology. It’s the human, personal story of how Bill Gates became who he is today: his childhood, his early passions and pursuits. It’s the story of his principled grandmother and ambitious parents, his first deep friendships and the sudden death of his best friend; of his struggles to fit in and his discovery of a world of coding and computers in the dawn of a new era; of embarking in his early teens on a path that took him from midnight escapades at a nearby computer center to his college dorm room, where he sparked a revolution that would change the world.

A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, SWEET NOTHINGS is made up of 100 illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites --- and least favorites --- are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals. An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And in THE LION, THE WITCH AND THE WARDROBE, how could Edmund sell out his siblings for, of all things, Turkish delight?

In the final months of World War II, a clandestine group known as The Choir successfully smuggles thousands of escapees out of Nazi-occupied Rome via a secret route known as the Escape Line. When an unidentified airman falls wounded from the sky, The Choir is plunged into danger, and the survival of the Escape Line itself is threatened. The Escape Line’s collapse would leave thousands stranded. Monsignor Hugh O’Flaherty, its architect and the acknowledged leader of The Choir, broods inside the Vatican, paralyzed by the perils of keeping his Roman underground railroad functioning. Meanwhile, SS Commander Paul Hauptmann has been tasked with destroying the entire operation, and the price of failure is high --- his wife and children are under Gestapo lock-and-key in Berlin.

Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine and keeps them warm. Then she satisfies her burning appetite by picking apart their bodies. But Mama’s want is stronger than her hunger sometimes. And when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her bid for freedom.

No one is more sympathetic than a mother whose child faces a life-threatening illness. But what if the mother is the cause of the illness? What if the sympathy is the point? Munchausen by proxy (MBP) has fascinated and horrified both professionals and the general public since this disturbing form of child abuse was first identified. But even as the public has been captivated by these tales of abuse and deception, there remains widespread misinformation and confusion about MBP. Are these mothers unfeeling psychopaths, or sick women who need help? And how can we protect the children whose lives are at stake? THE MOTHER NEXT DOOR offers a groundbreaking look at MBP from an unlikely duo: a Seattle novelist whose own family was torn apart by it, and the Texas detective who has worked on more medical child abuse cases than anyone in the nation.

A couple for 30 years, Kim and Grant’s "separate but together" partnership is running up against the realities of late middle age: Grant’s mother has died, the college where he taught philosophy was shuttered, and their twin girls are grown and gone. Escaping the bitter cold of a Midwestern winter for the hot desert sun of Palm Springs seems as good a solution as any to the more intractable problems they face. When they arrive at Le Desert, a quirky condo community, Kim immediately embraces the opportunity to make new friends and explore a more adventurous side of her personality. Meanwhile, Grant struggles to find his footing in this unfamiliar landscape. When Grant goes missing on a hike in the Palm Springs mountains, Kim is forced to consider two terrifying outcomes: either Grant is truly lost, or this time, he has really left her.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess. She’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family. Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze. Compounded with her disdain for the entitled Pounds children, Winifred finds herself struggling at every turn to stifle the violent compulsions of her past. Patience. Winifred must have patience, for Christmas is coming, and she has very special gifts planned for the dear souls of Ensor House.

At every death scene, NYPD Detective Michael Bennett says a prayer over the victim. But recently, too many of the departed have been fellow cops. “I want you to look at these deaths on special assignment,” NYPD Inspector Celeste Cantor says. “Report only to me.” Bennett excels as a solo investigator. But he's chasing a killer who feeds on isolation...and paranoia.

In an aging timber house hand-built into the Absaroka-Beartooth mountains, two brothers are struggling to keep up with their debts. They live off the grid, on the fringe of Yellowstone, surviving off the wild after the death of their father. Thad, the elder, is more capable of engaging with things like the truck registration, or the medical bills they can’t afford from their father’s fatal illness, or the tax lien on the cabin their grandfather built, while Hazen is…different, more instinctual, and deeply in tune with the natural world. Desperate for money, they are approached by a shadowy out-of-towner with a dangerous proposition that will change both of their lives forever.

Prudence Wright and her husband, Davis, head out for dinner with one of Davis’ new colleagues. When that colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and excavate inner reserves of resilience and strength.