When a body is found in a bog in northwest England, Agnes, an American forensic anthropologist, is called to investigate. But this body is not like any she's ever seen. Though its bones prove it was buried more than 2,000 years ago, it is almost completely preserved. Soon Agnes is drawn into a mystery from the distant past, called to understand and avenge the death of an Iron Age woman more like her than she knows. Along the way, she must contend with peat-cutters who want to profit from the bog and activists who demand that the land be left undisturbed. Then there's the moss itself: a complex repository of artifacts and remains, with its own dark stories to tell. As Agnes faces the deep history of what she has unearthed, she's also forced to question what she thought she knew about her talent, her self-reliance, and her place in the world.
Alchemy is the hidden art of transformation. An exclusive power wielded by crime syndicates that market it to the world’s elites in the form of sand, a drug that enhances those who take it into a more perfect version of themselves: more beautiful, more charismatic, simply more. Among the gleaming skyscrapers and rolling foothills of Angel City, alchemy is controlled by two rival syndicates. For years, Grand Central and Lumines have been balanced on a razor’s edge between polite negotiation and outright violence. But when two childhood friends step into that delicate equation, the city --- and the paths of their lives --- will be irrevocably transformed.
In early 1985, Michael J. Fox’s days were already dedicated to rehearsing and taping the hit sitcom “Family Ties,” but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg --- Back to the Future. Fox’s nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. In FUTURE BOY, Fox tells the remarkable story of playing two landmark roles at the same time. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.
Two years ago, a gas leak in an office building led to a tragic explosion that killed seven people. Jeff Wheeler was there to pick up his girlfriend and ran into the building to help. All he heard was the barking of a dog, Rufus, and was able to save him. Initially, Rufus went to the Tara Foundation since his owner had died in the accident. But Andy Carpenter met Jeff and allowed him to adopt Rufus. Since then, Jeff and Rufus have formed an unbreakable bond. The accident never sat right with Jeff. He believed that one of the building’s owners was responsible for the tragedy. Now that owner has been murdered, and Jeff is arrested for the crime. Rufus is left with Jeff's sister, who begs Andy to take the case. Andy remembered Jeff's tremendous bravery, and with the lingering Christmas spirit, he decides to help reunite the two.
When a series of deaths within the small Cotswolds birdwatching community begins to unravel her village, Agatha and her team at Raisin Investigators are certain there has been foul play involved. Now, they must dig up decades' worth of tempestuous relationships and simmering secrets among the birdwatching enthusiasts of the village in order to prevent any further deaths. But with Agatha's own relationship with John Glass on the rocks after he is called away on his job as a cruise ship dance instructor, and Sir Charles Fraith now attempting to step into John’s shoes as her lover, Agatha has her work cut out for her. She will have to break out her binoculars and embrace her bitter side to solve the murders and wrangle the sickly-sweet temptations in her own life.
When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in 14 years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted that her father was innocent, despite Sam having caught him burying the child’s body. But when she does attend the reading of the will at the behest of her aunt, she discovers that her grandfather left her the very valuable lakefront property where the family cottage sits. There’s one catch: Sam needs to stay in the cottage for a month. To finally face the fact that she was wrong and her father was innocent, in her grandfather's words. When her aunt goes missing a couple of days into their stay, Sam begins to question everything again.
Margaret’s rare autoimmune condition has destroyed her life, leaving her isolated and in pain. It has no cure, but she’s making do as best she can --- until she’s offered a fully paid-for spot in an experimental medical trial at Graceview Memorial. The conditions are simple, if grueling: she will live at the hospital as a full-time patient, subjecting herself to the near-total destruction of her immune system and its subsequent regeneration. The trial will essentially kill most, but not all, of her. But as the treatment progresses and her body begins to fail, she stumbles upon something sinister living and spreading within the hospital. Unsure of what's real and what's just medication-induced delusion, Margaret struggles to find a way out as her body and mind succumb further to the darkness lurking throughout Graceview's halls.
Talking corpses, poetic parrots, and a fan that wafts the breath of life. This is the world that young Kōrero finds herself thrust into when a mysterious visitor lands on her island, a place so remote that its inhabitants have forgotten the word for stranger. Her people are desperate and on the brink of starvation, and the wayward stranger offers them an impossible choice: they can remain in the only home they’ve ever known and await the uncertainty to come, or Kōrero can join him and venture into unfamiliar waters, guided by only the night sky and his assurance of a bountiful future in the Kingdom of Tonga. What Kōrero and her people don’t know is that the promised refuge is no utopia. Instead, Tonga is an empire at war and on the verge of collapse.
Ella is a haunting. Murdered at 16, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died. Until she forges a wary friendship with a fairy charm-seller and makes a bargain for three nights of almost-living freedom. Freedom that means she can finally be seen. Danced with. Touched. You think you know Ella's story: the ball, the magical shoes, the handsome prince. You're halfway right, and all-the-way wrong.
Dahin, a beloved member of the Witch King's coterie, believes he has clues to the location of the Hierarchs' Well. The Witch King Kai, along with his companions Ziede and Tahren, knowing there's something he isn't telling them, travel with him to the rebuilt university of Ancartre, which may be dangerously close to finding the Well itself. Can Kai stop the rise of a new Hierarch? And can he trust his companions to do what’s right?
Tell us about the books you’ve finished reading with your comments and a rating of 1 to 5 stars. During the contest period from December 19th to January 9th at noon ET, three lucky readers each will be randomly chosen to win a copy of THE FIRST TIME I SAW HIM by Laura Dave and SKYLARK by Paula McLain.
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Coming Soon
Curious about what books will be released in the months ahead so you can pre-order or reserve them? Then click on the months below.
December's Books on Screen roundup includes the films The Housemaid, Diary of a Wimpy Kid: The Last Straw, 100 Nights of Hero,The Chronology of Water and Not Without Hope; the series premiere of Paramount+'s "Little Disasters"; the season premiere of "Percy Jackson and the Olympians" on Disney+ and Hulu; the season finales of HBO's "IT: Welcome to Derry" and Apple TV+'s "Down Cemetery Road"; the midseason finales of "Tracker" and "Watson" on CBS; and the DVD/Blu-ray releases of Karen Kingsbury's The Christmas Ring and Black Phone 2.