Adult

When a young woman is found murdered in a Painters Mill motel, Chief of Police Kate Burkholder is shocked to discover she once knew the victim. Rachael Schwartz was a charming but troubled Amish girl who left the fold years ago and fled Painters Mill. Why was she back in town? And who would kill her so brutally? Kate remembers Rachael as the only girl who was as bad at being Amish as Kate was --- and those parallels dog her. But the more Kate learns about Rachael's life, the more she's convinced that her dubious reputation was deserved. As the case heats to a fever pitch and long-buried secrets resurface, a killer haunts Painters Mill. Someone doesn’t want Rachael’s past --- or the mysteries she took with her to the grave --- coming to light.

Nineteen-year-old Sherri Taylor plays the organ at the local church and has never felt comfortable in her own skin. But when her parents die in quick succession, she leaves the only home she’s ever known for the chance to be part of a glamorous slice of history. In the winter of 1981, Sherri joins the daughters of dairy farmers and factory workers for the defining experience of her life. Living in the “bunny hutch” --- Playboy’s version of a college dorm --- Sherri gets her education in the joys of sisterhood, the thrill of financial independence, the magic of first love, and the heady effects of sex, drugs, and rock and roll. But as spring gives way to summer, Sherri finds herself caught in a romantic triangle --- and the tragedy that ensues will haunt her for the next 40 years.

Fern seeks refuge from her mother’s pill-popping and boyfriends via “Soul Train”; Gwin finds salvation in the music of Prince much to her congregation’s dismay; and Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens. On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly. But how could anyone who fancies herself a “newspaperwoman” have missed a horror story unfolding right across the street? And why is it that only two of the three girls --- now women --- were found?

Chet and Bernie are contacted by a terribly scared young woman who seems to want their help. Before she can even tell them her name, she flees in panic. But in that brief meeting Chet sniffs out an important secret about her, a secret at the heart of the mystery he and Bernie set out to solve. It's a case with no client and no crime and yet great danger, with the duo facing a powerful politician who has a lot to lose. Their only hope lies with a ferret named Griffie who adores Bernie. Is there room for a ferret in the Chet and Bernie relationship? That's the challenge Chet faces, the biggest of his career. Hanging in the balance are the lives of two mistreated young women and the future of the whole state.

The Annurian Empire is disintegrating. The advantages it used for millennia have fallen to ruin. The ranks of the Kettral have been decimated from within, and the kenta gates, granting instantaneous travel across the vast lands of the empire, can no longer be used. In order to save the empire, one of the surviving Kettral must voyage beyond the edge of the known world through a land that warps and poisons all living things to find the nesting ground of the giant war hawks. Meanwhile, a monk turned con-artist may hold the secret to the kenta gates. But time is running out. Deep within the southern reaches of the empire, an ancient god-like race has begun to stir. What they discover will change them and the Annurian Empire forever. If they can survive.

It began with a comet. At first, people gazed in wonder at the radiant tear in the sky. A year later, the celestial marvel became a planetary crisis when Earth spun through the comet’s debris field and the sky rained fire. The town of Northfall, Minnesota will never be the same. Meteors cratered hardwood forests and annihilated homes, and among the wreckage a new metal was discovered. This “omnimetal” has properties that make it world-changing as an energy source…and a weapon. John Frontier --- the troubled scion of an iron-ore dynasty in Northfall --- returns for his sister’s wedding to find his family embroiled in a cutthroat war to control mineral rights and mining operations.

In her genre-bending debut story collection, Nana Nkweti mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In other stories, she vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa. In between these two ends of the spectrum, there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organized by the changing hairstyles of the main character.

Four years ago, Dylan and Addie fell in love under the Provence sun. Two years ago, their relationship officially ended. They haven’t spoken since. Today, Dylan’s and Addie’s lives collide again. It’s the day before Dylan’s friend Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked. So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart --- and ask themselves if that final decision was the right one after all.

For cynical 23-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. There’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train. Jane. Her subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her.

Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old rebel who transforms Lenni in ways she never imagined. Though their days are dwindling, both are determined to leave their mark on the world. With the help of Lenni’s doting palliative care nurse and Father Arthur, the hospital’s patient chaplain, Lenni and Margot devise a plan to create 100 paintings showcasing the stories of the century they have lived --- stories of love and loss, of courage and kindness, of unexpected tenderness and pure joy.