Adult

Tattoo-artist Patty Cakes has her dead daughter’s face tattooed on the back of her hand. Day by day it begins to fade, taking with it all of Patty’s memories of her daughter. All she’s left with is the certain knowledge that she has forgotten her lost child. The awareness of that loss is tearing her apart. Monk Addison is a private investigator whose skin is covered with the tattooed faces of murder victims. He is a predator who hunts for killers, and the ghosts of all of those dead people haunt his life. Some of those faces have begun to fade, too, destroying the very souls of the dead. All through the town of Pine Deep, people are having their most precious memories stolen.

Set in an unnamed slum in contemporary Argentina, EARTHEATER is the story of a young woman who finds herself drawn to eating the earth --- a compulsion that gives her visions of broken and lost lives. With her first taste of dirt, she learns the horrifying truth of her mother’s death. Disturbed by what she witnesses, the woman keeps her visions to herself. But when Eartheater begins an unlikely relationship with a withdrawn police officer, word of her ability begins to spread, and soon desperate members of her community beg for her help, anxious to uncover the truth about their own loved ones.

In late March 1944, as Stalin’s forces push into Ukraine, young Emil and Adeline Martel must make a terrible decision: Do they wait for the Soviet bear’s intrusion and risk being sent to Siberia? Or do they reluctantly follow the wolves --- murderous Nazi officers who have pledged to protect “pure-blood” Germans? The Martels are one of many families of German heritage whose ancestors have farmed in Ukraine for more than a century. But after already living under Stalin’s horrifying regime, Emil and Adeline decide they must run in retreat from their land with the wolves they despise to escape the Soviets and go in search of freedom.

When Peter Ash --- a man wanted by two governments --- spots a suspicious armed man walking into a crowded market, he knows he can't stand by and do nothing. The young gunman appeared to have one target and one mission, but when he escapes, it seems there is more to the encounter than meets the eye. Peter's hunch is proven correct when a powerful associate from his past appears with an interest in the crime, and an irresistible offer: if he and his girlfriend June solve this mystery, Peter's record will be scrubbed clean. While Peter and his friend Lewis trace the gunman, reporter June digs into the victim of the incident, a man whose face rings a bell in her memory.

In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere and do anything to prove himself. Yet what exactly is he proving, and at what cost to them both? It will be years before a summons back arrives for Tomás, now living as Thomas Shore in New York. What awaits him is an odyssey into the past, an encounter with the ghosts that lurk there, and a reckoning with the fatal gap between who he has become and who he once aspired to be.

North Chastain possesses a paranormal talent that gives him the ability to track down the most dangerous psychic criminals. When his father suddenly falls into a coma-like state, North is convinced it was caused by a deadly artifact that traces back to the days of a secret government program known only as the Bluestone Project. He teams up with antiques expert Sierra Raines to find the artifact, and soon they find themselves at the scene of the Incident. The town and its residents were forever changed by the disaster in the nearby Bluestone Project labs. The pair unearths shocking truths about what happened that fateful night, but someone in town knows what they’ve discovered and will do anything to make sure the secrets stay buried.

Blythe Connor is determined that she will be the warm, comforting mother to her new baby, Violet, that she herself never had. But in the thick of motherhood’s exhausting early days, Blythe becomes convinced that something is wrong with her daughter --- she doesn’t behave like most children do. Or is it all in Blythe’s head? Her husband, Fox, says she’s imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well. Then their son, Sam, is born --- and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fallout forces Blythe to face the truth.

The morning of January 12, 1888, was unusually mild, following a punishing cold spell. It was warm enough for the homesteaders of the Dakota Territory to venture out again, and for their children to return to school without their heavy coats --- leaving them unprepared when disaster struck. At the hour when most prairie schools were letting out for the day, a terrifying, fast-moving blizzard blew in without warning. Schoolteachers as young as 16 were suddenly faced with life and death decisions: Keep the children inside, to risk freezing to death when fuel ran out, or send them home, praying they wouldn’t get lost in the storm.

These 12 pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. Here, Joan Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed.

It’s summer 1968, and the world is reeling from war and assassinations, protests and riots. In a sunny British seaside town, a producer, a novelist and an actress are enduring their own more private crises on the set of a disaster-plagued movie. All are leading secret lives --- one is in the closet; another is an alcoholic; and the third is sleeping with her costar --- and as the shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably...and that’s before the FBI and CIA get involved. Someone is going to crack. Or maybe they all will.