Adult

In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. The result is an extraordinary memoir, culled from thousands of pages of transcripts. Newman’s voice is powerful, sometimes funny, sometimes painful, always meeting that high standard of searing honesty.

In WAGING A GOOD WAR, Thomas E. Ricks offers a fresh perspective on America’s greatest moral revolution --- the civil rights movement of the 1950s and 1960s --- and its legacy today. While the Movement has become synonymous with Martin Luther King, Jr.’s ethos of nonviolence, Ricks, a Pulitzer Prize–winning war reporter, draws on his deep knowledge of tactics and strategy to advance a surprising but revelatory idea: the greatest victories for Black Americans of the past century were won not by idealism alone, but by paying attention to recruiting, training, discipline and organization --- the hallmarks of any successful military campaign.

Centuries ago, beautiful young Ilsbeth Clark was accused of witchcraft after several children disappeared. Her acquittal did nothing to stop her fellow townsfolk from drowning her in the well where the missing children were last seen. When author and social media influencer Elena returns to the summer paradise of her youth to get her family's manor house ready to sell, the last thing she expected was connecting with --- and feeling inspired to write about --- Ilsbeth’s infamous spirit. The very historical figure that her ex-childhood friend, Cathy, has been diligently researching and writing about for years. What begins as a fiercely competitive sense of ownership over Ilsbeth and her story soon turns both women’s worlds into something more haunted and dangerous than they ever could imagine.

For most of the last hundred years, Biloxi was known for its beaches, resorts and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor and drugs to contract killings. The vice was controlled by a small cabal of mobsters, many of them rumored to be members of the Dixie Mafia. Keith Rudy and Hugh Malco grew up in Biloxi in the ’60s and were childhood friends, as well as Little League all-stars. But as teenagers, their lives took them in different directions. Keith’s father became a legendary prosecutor, determined to “clean up the Coast.” Hugh’s father became the “Boss” of Biloxi’s criminal underground. The two families were headed for a showdown, one that would happen in a courtroom.

In a small town where everyone knows everyone’s business, down-on-her-luck single mother Jenny Newberg is on a first-name basis with the debt collector at the bank, who is moving toward foreclosure. She is constantly apologizing to her precocious young daughter, Billie Starr, who is filling a book with her mother’s sorries. Then a pair of strangers in black suits offers her a hefty check to seduce someone known as the Candidate. But nothing ever goes as Jenny plans, and she is swept into the Candidate’s orbit. Surrounded by a wide universe of new ideas, she realizes how constrained her life has been by the expectations of everyone around her, and she starts to see how much more she might be capable of.

The World Series is the most enduring showcase in American team sports. It’s the place where legends are made, where celebration and devastation can hinge on a fly ball off a foul pole or a grounder beneath a first baseman’s glove. In THE GRANDEST STAGE, New York Times national baseball columnist Tyler Kepner delivers an indelible portrait of baseball’s signature event. He digs deep for essential tales dating back to the beginning in 1903, adding insights from Hall of Famers like Reggie Jackson, Mike Schmidt, Jim Palmer, Dennis Eckersley and many others who have thrived --- and failed --- when it mattered most.

Lady Emily and her husband, Colin Hargreaves, have joined his formidable mother on a holiday to visit the exotic treasures of Egypt. Their host, Lord Bertram Deeley, is a renowned amateur British collector of antiquities, who has invited his closest friends on a lavish cruise up the Nile to his home at Luxor. But on the first night of their journey, he suddenly collapses after offering a welcome toast, a victim of the lethal poison cyanide. Who amongst this group of his nearest and dearest would want to kill their generous host? Emily and Colin’s investigation soon reveals that even his closest friends had reasons to want him dead. A key clue may lie with several ancient ushabtis, exquisite 3,000-year-old sculptures that played a role in a hidden story from the time of Ancient Egypt.

Isobel Gamble is a young seamstress carrying generations of secrets when she sets sail from Scotland in the early 1800s with her husband, Edward. An apothecary who has fallen under the spell of opium, his pile of debts have forced them to flee Glasgow for a fresh start in the New World. But only days after they've arrived in Salem, Edward abruptly joins a departing ship as a medic --- leaving Isobel penniless and alone in a strange country. When she meets a young Nathaniel Hawthorne, the two are instantly drawn to each other. As the weeks pass and Edward's safe return grows increasingly unlikely, Nathaniel and Isobel grow closer and closer. Together, they are a muse and a dark storyteller; the enchanter and the enchanted. But which is which?

It is April 1900 on the imaginary island of Mingheria --- a state of the Ottoman Empire --- located between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives, the island revolts. To stop the epidemic, an accomplished quarantine expert races to the island. What follows is a shocking murder. The plague continues its rapid spread and stricter quarantine measures are declared, but the incompetence of the island’s governor, increased hostility between the two religions, and the people’s refusal to respect the bans doom the quarantine to failure. As the death count rises, warships blockade the island to keep the disease from spreading. Now the people of Mingheria are on their own, and they must find a way to defeat the plague themselves.

A precise killer, he always moves under the cover of darkness, flawlessly triggering no alarms, leaving no physical evidence. Alex Cross and John Sampson aren’t the only ones investigating. Also in on this most intriguing case is the world’s bestselling true-crime author, who sees patterns everyone else misses. The writer, Thomas Tull, calls the Family Man murders the perfect crime story. He believes the killer may never be caught. Cross knows there is no perfect crime. And he’s going to hunt down the Family Man no matter what it takes. Until the Family Man decides to flip the narrative and bring down Cross and his family.