Adult

This one looked like a slam dunk: a young woman found dead at her kitchen table, DNA on cigarette butts linking quickly to an ex-boyfriend with a criminal record. Or so homicide lieutenant Milo Sturgis thought. That’s when Milo called in psychologist Alex Delaware, his long-term consultant on “those cases.” Then there’s another one: an old woman found brutally murdered, her body stashed in a deep freeze and mutilated. And when Milo learns who she is, he’s stunned. This victim is someone he once knew. Complicating matters further, her home is an extreme hoarder’s den, virtually impassable due to years of stored trash and apparently meaningless objects. Except for the envelopes of cash stashed among the garbage. As Alex and Milo dig deeper into the seemingly unrelated crimes, they discover shocking links between the victims and realize they have a labyrinthine puzzle to solve.

After fleeing a war-torn Afghanistan, the Sharaf family resettles as refugees in Northern Virginia. After many years of hard work, the father has become a successful businessman. Now they live in the most exclusive neighborhood, their growing family attending the most prestigious schools. Zorah, the eldest daughter, is the apple of her father’s eye. When an unthinkable tragedy strikes, everyone is left reeling and the family is thrust into the court of public opinion. There is talk that behind closed doors the Sharafs’ happy household was anything but. Did the Sharaf family achieve the American Dream? Or was the image of the model immigrant family just a façade?

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at 18 for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

Simultaneously heart-breaking and hilarious, LEAVING HOME is a portrait of the artist both as a child and as an adult. His parents were not really cut out for the job of having children. They were cut out, respectively, for the jobs of designing abattoirs and keeping a pathologically clean and tidy house. At least he had the consolations of The Weetabix Solar System Wallchart, walnut whips and the occasional Babycham. Astringently honest and scalpel sharp, this is a book about being different and seeing the world differently. It’s about being a cartoonist and a care assistant. It’s about family. It’s about knickerbocker glories and heart surgery, about papier mâché and mental breakdown and great white sharks. It’s about how art, in all its varied forms, provides a way of understanding and coming to terms with the mess of human life.

Drawing on the lives of soldiers and officers, doctors and nurses, journalists and activists, artists and politicians, Haygood illuminates a generation caught between two battles: one on the front lines in Vietnam and another for justice and dignity in America. Among those at the heart of the story are Air Force pilot Fred Cherry, the first Black officer captured by the North Vietnamese and a hero to millions back home; Dr. Elbert Nelson, a doctor who came to Vietnam after watching TV footage of the Watts riots in Los Angeles and soon found himself amid rising Black soldier protests overseas; Wallace Terry, a groundbreaking Black reporter determined to expose the dynamics of race and war to the American public and Philippa Schuyler, a biracial concert pianist who traveled to Vietnam to rescue mixed-race orphans, many fathered by Black soldiers, and died trying to bring them to safety.

Professor Moritz-Maria von Igelfeld is not just any German professor --- he is the author of the highly-regarded work of scholarship, Portuguese Irregular Verbs. His eminence in language studies is widely respected, albeit rarely acknowledged by his colleague, Professor Detlev-Amadeus Unterholzer, the writer of a far less important book on the subjunctive. Their rivalry is quick to come into the open if something unusual disturbs the calm waters of the institute in Regensburg where they both work. One such event is the arrival of two visiting scholars from New Orleans. These ladies, Professor Pom Pom Boisseau and her friend, Professor Alice Martinique, are experts in the Provençal language and avid bikers. When they choose to make a dramatic entrance atop large, noisy motorbikes, Unterholzer is shocked, but von Igelfeld is rather taken with Pom Pom.

Minneapolis, Minnesota, 2016. When a small-time criminal and gun dealer is shot down in the street, all signs point to Tomas Gomez, a quiet man with a mysterious past who has seemingly vanished into thin air. Other murders soon follow, and it appears Gomez is only getting started. Meanwhile, Bob Oz, a down-and-out suspended police officer with a dubious past of his own, becomes fascinated by the case: he is obsessed with the notion of hunting down a serial killer who only he can understand, a killer with a story as tragic as his own. Minneapolis, Minnesota, 2022. An enigmatic Norwegian man with ties to Minneapolis has traveled to the United States to research the Gomez case, in the hopes of writing a book about it. But as his investigation progresses, the writer’s seemingly neutral position reveals itself to be more complicated than the reader is initially led to believe.

Toni Morrison, Nobel Laureate and one of our most beloved writers, has inspired generations of readers. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Namwali Serpell puts it, “she is our only truly canonical black female writer --- and her work is highly complex.” In ON MORRISON, Serpell brings her unique experience as both an award-winning writer and a professor who teaches a course on Morrison to illuminate her masterful experiments with literary form. This is Morrison as you’ve never encountered her before, a journey through her oeuvre --- her fiction and criticism, as well as her lesser-known dramatic works and poetry --- with contextual guidance and original close readings.

Virginia is a Jill --- a cheerleader for the NFL’s Buffalo Bills --- living the life of her dreams: she spends her weekdays practicing, her weekends cheering, and her nights hopping between bars and clubs with her teammates, including the fearless, charismatic Jeanine, whose friendship has given Virginia confidence in spades and helped her forget her troubled past with her estranged sister, Laura. One Sunday, Jeanine fails to show up for a game, and calls and texts to her go unanswered. Virginia embarks on an investigation into Jeanine’s disappearance, aided by a network of Jills, ex-boyfriends, seedy fixtures of Buffalo’s criminal underground, and unexpected figures from her past. But as her search grows increasingly dangerous and spirals into obsession, disturbing questions about who Jeanine really was begin to emerge.

Mavis broke from her parents’ congregation years ago, but she still hasn’t recovered. Their impossible expectations and soul-shredding critiques have dug deep into her mind, and she’s taunted by the knowledge that even when she’s done nothing wrong, she’ll never be right. Now Mavis is afraid she’s about to lose the only thing she has: her husband, Jerrod. The man she’s always known was too good to be true. No one thinks she deserves him --- not even after surviving the serial cheater they wanted her to stick by --- and soon they’ll all find out they were right. Mavis is already unraveling when a brush with death shows her what real fear looks like. Soon, she’s under constant attack from all directions. As the assaults turn increasingly vicious and bizarre, Mavis realizes that Hell isn’t reserved for the afterlife. And sinner or not, no one is coming to save her.