Adult

While Beth is proud of her Malibu beach shop, Surf Sandwiches, she's even prouder of her charismatic brother Rick, who rose from foster care through surgical residency. She makes subs, he saves lives. Life takes a turn for the happy after she finds out Rick is dating her new best friend, Jana. Then Jana’s handsome brother adds even more sparkle to Beth’s days...and nights. But when she catches Rick with another woman, her visions of an idyllic family future disappear in one awful instant. Either she betrays her brother, or she keeps his secret and risks losing the man she loves and her best friend.

It’s 2024, and Tobey Harlan steals from the wall of his father’s house three paintings by the venerated and controversial artist Di Stiegl. Tobey has just lost everything he owns to a Northern California wildfire, and if he can sell the paintings (albeit in a shady way to a notorious tech bro), he can start life anew in a place no one will ever find him. A hundred years before, German-Jewish immigrant Klaus Aaronsohn inveigles his way into a film studio in Astoria, Queens. He will restyle himself Klaus von Stiegl, a mysterious aristocratic German film director, and end his career directing “Brackett,” a radical, notorious ’60s-era detective show. Weaving between Tobey and Klaus is the story of Diane “Di” Stiegl, Klaus’ granddaughter, raised in Palm Springs, who claws out a career as an artist in gritty 1980s NYC.

In CARE AND FEEDING, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain. Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.

As a child, Maarja Daire saw her mother ignite an explosion that killed vengeful mob boss Benoit Arundel --- and herself --- to save Maarja’s life. Maarja has been on the run ever since…fleeing from intimacy, from love, from consequences. Now an adult, Maarja hides in plain sight as a fine arts mover, transporting priceless belongings. Work for a new client brings her to the mansion where the fateful blast from her childhood occurred. There she meets Dante, the ruthless, scarred and brooding Arundel family boss. He watches her with dark intent. But does he remember her? Will he use her to take revenge for his father’s death? A chance turn of events earns her his trust, when she courageously leaps into flames to rescue his mother. And what happens between them in the darkness sets their worlds on fire, as Maarja recklessly abandons her lifelong caution and self-imposed isolation.

When Works Progress Administration editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series --- travel books intended to put the nation’s destitute writers to work. Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings, who don’t want their long and bloody history with union organizers aired for the rest of the country to read. More than a decade earlier, Alice Monroe created the Boxcar Library in order to deliver books to isolated mining towns. She thought she found the perfect librarian to staff the train car in Colette Durand. Now, no one in Missoula will tell Millie why both Alice and Colette went out on the inaugural journey of the Boxcar Library, but only Alice returned.

After suffering a psychotic break that ruined friendships, stalled her fledgling restaurant and forced her to move out of her comfortable flat, Nancy North will do anything to get back to normal. She and her partner, Felix, move into a new flat for a fresh start. Nancy is taking her pills, seeing her therapist and avoiding unnecessary stress. But on the first day in the new flat, she hears them again --- the mysterious voices that triggered her first episode. It could be just the unfamiliar sounds of water in the pipes, or the screaming baby across the hall, but deep down she knows something more sinister is going on. Her fears are confirmed when the young woman in the downstairs flat, Kira, is found dead. Felix, her neighbors and even the police insist it’s a tragic suicide, but the pieces aren’t adding up for Nancy. Can she trust her own instincts, or is it all in her head?

Just before Christmas 1799, Elma Sands slips out of her Quaker cousin’s boarding house --- and doesn’t come home. Her body is eventually found in the Manhattan Well. Handbills circulate around the city accusing a carpenter named Levi Weeks of seducing and murdering Elma. But privately, quietly, Levi’s wealthy brother calls in a special favor. Aaron Burr’s legal practice can’t finance both his expensive tastes and his ambition to win the 1800 New York elections. To defend Levi Weeks is a double win: a hefty fee plus a chance to grab headlines. Alexander Hamilton has his own political aspirations; he isn’t going to let Burr monopolize the public’s attention. If Burr is defending Levi Weeks, then Hamilton will too. As the trial and the election draw near, Burr and Hamilton race against time to save a man’s life --- and destroy each other.

When wildlife biologist Alex Carter is tasked with locating jaguars on a vast desert preserve in New Mexico, she is ecstatic. While jaguars once roamed throughout the Southwest, they are now endangered, and Alex hopes that some of the sleek and elusive creatures have found their way to the protected sanctuary. Meanwhile, an archaeological team is excavating the gravesite of a 16th-century Spanish conquistador on a neighboring piece of land. While learning about their discoveries, Alex encounters a dangerous group of anti-immigrant vigilantes roaming the area, threatening the team and demanding they leave. And when the militants learn of Alex’s mission, they become bent on stopping her. And then there are the strange holes that keep appearing on the preserve. Who is digging them, and what are they looking for?

It's 2005, and Ali is a publicist for Hollywood's biggest stars. Part of her job entails keeping gay celebrities in the closet --- which is pretty ironic, since she's a lesbian herself. When Ali is assigned a new gay client, Cara Bisset, who's breaking onto the scene with a (hetero) romantic blockbuster, keeping Cara's sexuality under wraps becomes Ali's biggest challenge yet. After a series of increasingly close calls, Ali is sent on the worldwide promotional tour for the movie to help keep Cara in line. Instead, she finds herself drawn to Cara's confidence and bravery. For the past year, Ali has been mired in grief after losing her partner in a freak accident. But with Cara, Ali's fears about the world subside, and she begins to question the Hollywood closeting system she’s helped perpetuate.

The Pool sisters have gone into business together: a down-home, if unequal, PI enterprise. But then Lila receives a shocking piece of news from an old friend of their Aunt Ruth's: their aunt's suicide more than a decade earlier might not have been what it seemed. A lawyer, she had represented a disgraced chemist working on a dangerous synthetic opioid. But once the client, Travis Nutt, was poised to lose, he went rogue and unleashed the adulterant as a street drug, in conjunction with a shadowy cartel. Meanwhile, Jane has been invited to attend a writers' conference, an outlet she relishes until her dangerously confessional prose is seen by the wrong eyes. Her teenage daughter, Chloe, becomes the victim of a deepfake video while campaigning for class president. And old Harry, Jane's father, has stumbled upon a piece of unknown history that opens an unexpected door.