When a reclusive man is found dead under grisly circumstances in the Colorado wilderness, CBI Agent Frankie Cash and Eagle County Sheriff Jim Colcord, whom we met in EXTINCTION, team up again on their most enigmatic and dangerous case yet. Their investigation uncovers a trail of bizarre killings, baffling money transfers, and a fanatical secret society. And all the while, the resurrected Neanderthals, who vanished into the Colorado mountains, seem to be biding their time for something…spectacular.

When a reclusive man is found dead under grisly circumstances in the Colorado wilderness, CBI Agent Frankie Cash and Eagle County Sheriff Jim Colcord, whom we met in EXTINCTION, team up again on their most enigmatic and dangerous case yet. Their investigation uncovers a trail of bizarre killings, baffling money transfers, and a fanatical secret society. And all the while, the resurrected Neanderthals, who vanished into the Colorado mountains, seem to be biding their time for something…spectacular.

The new powerhouse team of Douglas Preston and Aletheia Preston are joining together to "enter the world" of the New York Times bestselling EXTINCTION.

One of the holiest relics in Christendom, inexplicably defaced.

A paranoid old prospector, ritualistically murdered.

A controversial exobiologist, tortured and dismembered.

When a reclusive man is found dead under grisly circumstances in the Colorado wilderness, CBI Agent Frankie Cash and Eagle County Sheriff Jim Colcord, whom we met in the New York Times bestseller EXTINCTION, team up again on their most enigmatic and dangerous case yet. Their investigation uncovers a trail of bizarre killings, baffling money transfers, and a fanatical secret society.

And all the while, the resurrected Neanderthals, who vanished into the Colorado mountains, seem to be biding their time for something…spectacular.

Audiobook available, read by Stephanie Németh-Parker

Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie. Almost nobody knows that he isn't coming home. Tom is the creator of Thursday, a semi-autobiographical webcomic that's become an international phenomenon. There's a character in this movie based on Cherry: “Baby.” Wide-hipped, heavy-chested, double-chinned Baby. Cherry never wanted this. No fat girl wants to see herself caricatured on the page --- let alone on the big screen. But there's no getting away from it. While her soon-to-be ex-husband is in Los Angeles, Cherry is stuck in Omaha wondering who she's supposed to be without him. One night, Cherry decides to leave all her problems at home. She ventures out to see her favorite band play her favorite album…and someone recognizes her from across the room.

Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie. Almost nobody knows that he isn't coming home. Tom is the creator of Thursday, a semi-autobiographical webcomic that's become an international phenomenon. There's a character in this movie based on Cherry: “Baby.” Wide-hipped, heavy-chested, double-chinned Baby. Cherry never wanted this. No fat girl wants to see herself caricatured on the page --- let alone on the big screen. But there's no getting away from it. While her soon-to-be ex-husband is in Los Angeles, Cherry is stuck in Omaha wondering who she's supposed to be without him. One night, Cherry decides to leave all her problems at home. She ventures out to see her favorite band play her favorite album…and someone recognizes her from across the room.

#1 New York Times bestselling author Rainbow Rowell returns with a breathtakingly honest novel about a woman who lost everything --- and isn't sure she wants it back.

Everybody knows that Cherry's husband, Tom, is in Hollywood making a movie...

Almost nobody knows that he isn't coming home.

Tom is the creator of Thursday --- a semi-autobiographical webcomic that's become an international phenomenon.

Semi-autobiographical. That means there's a character in this movie based on Cherry: "Baby."

Wide-hipped, heavy-chested, double-chinned Baby.

Cherry never wanted this. No fat girl wants to see herself caricatured on the page --- let alone on the big screen. But there's no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store.

While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the internet's latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in...and wondering who she's supposed to be without him.

Cherry had promised to love Tom through thick and thin.

She'd meant it.

One night, Cherry decides to leave all her problems, including Tom's overgrown puppy, at home. She ventures out to see her favorite band play her favorite album...and someone recognizes her from across the room.

Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom.

Russ knows Cherry. He likes Cherry.

And best of all...he's never heard of Thursday.

Tender, funny and utterly human, CHERRY BABY is Rainbow Rowell's richest, most surprising --- sexiest --- novel yet.

Audiobook available, read by Rebecca Lowman

Terrence Tully is at work when he receives news that his mother has died. A third-year medical resident in a gritty community hospital in downtown Los Angeles, he sees death daily, but the news that his mother has passed away jolts him like no other. Turn the page, and he’s heading north on I-15 through a lifeless desert to the small Nevada town where his mother had retired. Overwhelmed with grief and the burden of having to sort out the remnants of his mother’s life, he stops at a café and has a chance encounter with a pretty young local girl in a turquoise minidress. What seems to him a chance meeting like so many we all experience daily will come to upend his life and morph into a fatal obsession.

Terrence Tully is at work when he receives news that his mother has died. A third-year medical resident in a gritty community hospital in downtown Los Angeles, he sees death daily, but the news that his mother has passed away jolts him like no other. Turn the page, and he’s heading north on I-15 through a lifeless desert to the small Nevada town where his mother had retired. Overwhelmed with grief and the burden of having to sort out the remnants of his mother’s life, he stops at a café and has a chance encounter with a pretty young local girl in a turquoise minidress. What seems to him a chance meeting like so many we all experience daily will come to upend his life and morph into a fatal obsession.

David Lynch meets Fight Club in T.C. Boyle’s NO WAY HOME, an obsessive psychological study that illuminates the darkness that lurks inside all of us.

Terrence Tully, work-obsessed and a naif in the arenas of sex and love, is at work when he receives news that his mother has died. A third-year medical resident in a gritty community hospital in downtown Los Angeles, he sees death daily, but the news that his mother has passed away, delivered to his cell phone by the voice of a stranger, jolts him like no other, even as he is in the act of trying to save the life of a patient undergoing cardiac arrest.

Turn the page, and he’s heading north on I-15 through a lifeless desert to the small Nevada town where his mother has retired. Overwhelmed with grief and the burden of having to sort out the remnants of his mother’s life, including the house and car she has left him, he stops at a café and has a chance encounter with a pretty young local girl in a turquoise minidress. What seems to him a chance meeting like so many we all experience daily will come to upend his life and morph into a fatal obsession.

For Bethany, a receptionist at the local hospital, who, like many twenty-somethings, is trying to sort out her options in life while haunting the local bars and clubs, this chance encounter is anything but trivial. Down on her luck after breaking up with her boyfriend and surreptitiously living out of her storage unit, she finds Terrence attractive on a number of counts, not least of which is his status as a doctor and, by default, a homeowner.

What follows becomes the heart of NO WAY HOME, a propulsive narrative with cinematic overtones in the tradition of Mulholland Drive and the cold hard lyricism of Cormac McCarthy and Robert Stone, as Terrence is drawn into a toxic love triangle with Bethany and her former beau, Jesse. No longer in control of his ordered and once-predictable life, Terrence becomes hostage to a world where shots of tequila and violent brawls puncture the daily grind of nowhere jobs, aimless sex and recreational highs --- a rootless existence from which there appears to be no escape and no fixed refuge.

Stylistically shimmering and unraveling under a harsh desert sky crenellated by the peaks of the Nevada mountains, T.C. Boyle’s narrative explores what it is, on an animal level, to fight over a woman and what retribution really looks like. Can sexual jealousy breed a thirst for vengeance that becomes desperately pathological? In the hands of “one of America’s greatest living novelists” (Los Angeles Review of Books), NO WAY HOME is a chilling tour de force by an American master at his very best.

Audiobook available; read by Jonathan Todd Ross, Samara Naeymi and Eddie Lopez 

1913: Junior attorney Daniel Pitt must step in for his friend, fellow attorney Toby Kitteridge, whose parents have been brutally attacked. Toby's mother is dead, and his father is barely alive. With Toby returning to the family home in rural Ipswich, Daniel remains in London to substitute for Toby and defend Peter Ward, who is on trial for the sexual assault and murder of a young woman. Daniel is convinced that Ward is innocent, yet the evidence seems to prove otherwise. Eager to assist, his pathologist wife, Miriam fford Croft, offers her forensics expertise. But despite Miriam’s involvement, Daniel finds himself distracted by his desire to help Toby. And when the evidence points to Toby’s father as the killer of Toby’s mother, Daniel faces two of the greatest challenges of his young career: proving the innocence of both Peter Ward and Reverend Kitteridge.

1913: Junior attorney Daniel Pitt must step in for his friend, fellow attorney Toby Kitteridge, whose parents have been brutally attacked. Toby's mother is dead, and his father is barely alive. With Toby returning to the family home in rural Ipswich, Daniel remains in London to substitute for Toby and defend Peter Ward, who is on trial for the sexual assault and murder of a young woman. Daniel is convinced that Ward is innocent, yet the evidence seems to prove otherwise. Eager to assist, his pathologist wife, Miriam fford Croft, offers her forensics expertise. But despite Miriam’s involvement, Daniel finds himself distracted by his desire to help Toby. And when the evidence points to Toby’s father as the killer of Toby’s mother, Daniel faces two of the greatest challenges of his young career: proving the innocence of both Peter Ward and Reverend Kitteridge.

Two violent crimes challenge the investigative skills of young Daniel Pitt and his wife, Miriam, in the final novel of iconic mystery writer Anne Perry's beloved Daniel Pitt series.

1913: Junior attorney Daniel Pitt must step in for his friend, fellow attorney Toby Kitteridge, whose parents have been brutally attacked. Toby's mother is dead, and his father is barely alive. With Toby returning to the family home in rural Ipswich,  struggling with grief and disbelief, Daniel remains in London to substitute for Toby and defend Peter Ward, who is on trial for the sexual assault and murder of a young woman.

Daniel is convinced that Ward is innocent, yet the evidence seems to prove otherwise. Eager to assist, his pathologist wife, Miriam fford Croft, offers her forensics expertise and exposes a community of fellow pathologists who may have purposefully omitted information from their autopsy reports. Despite Miriam’s involvement in the case, Daniel finds himself distracted by his desire to help Toby, who is too distraught to investigate the attack on his parents. And when the evidence points to Toby’s father as the killer of Toby’s mother, Daniel faces two of the greatest challenges of his young career: proving the innocence of both Peter Ward and Reverend Kitteridge. One mistake in London and a blameless man will hang. One mistake in Ipswich and Toby’s father will go to prison for life.

DEATH TIMES SEVEN, the seventh and final novel in Anne Perry’s Daniel Pitt series, was completed by Victoria Zackheim, an author and editor as well as Perry’s close friend. Rich in intrigue and courtroom drama, this engrossing novel marks a fitting finale to the career of an author widely praised as the queen of historical crime fiction.

Audiobook available, read by Samuel Roukin