Adult

In late 1960s Appalachia, many things loom darkly over June Branham. The Vietnam War is dividing the country, and a strip mine is eating away the mountain at the head of the holler where she lives. While still in high school, June has fallen in love. She is pregnant, and the father may be Ellis Akers. Ellis is the son of Solomon, a mortal enemy of June’s stepfather, Isom. June’s brother, Tom, leaves to enlist in the war, and so does Ellis. Suddenly, June is on her own, at 16 with a newborn, and is a mother unable to protect her daughter from the wrath of Isom. Without warning, her baby is kidnapped. Guided by her love for the generations of women before her, but now desperately alone, June must carefully navigate the search for her child alongside family and strangers in a wild and disappearing landscape.

Daniel Kraus first saw George A. Romero's Night of the Living Dead when he was five years old. Through watching it approximately 300 times since, Kraus discovered the many ways the film is tied to his childhood trauma and how its influence has carried into his adulthood. He couldn't help but wonder: Are there other admirers of the movie out there who feel the same? PARTIALLY DEVOURED uses a frame-by-frame deep dive into Night of the Living Dead to produce a kaleidoscopic cultural investigation of the film's importance and to examine the author's early life of rural isolation and local violence.

It’s the night before a much-needed vacation, and Jack --- a former playwright mourning his failed career --- catches his husband, Randy, packing his mother’s urn. They had agreed: no mother on this trip. But Randy has been carrying his mother’s remains everywhere since her death, and he isn’t ready to let go now. Despite its natural beauty and kitschy charm, the Oregon coast does not provide the respite the couple seeks. Instead, their surroundings and encounters with locals grow increasingly surreal as the days pass. An overly dedicated Method actor, tantra-obsessed neighbors, and a child environmentalist who may be able to communicate with the dead are but a few of the characters whose presence exposes long-simmering tensions that threaten to undo Jack and Randy’s marriage --- to say nothing of their hold on reality.

Michael A lives a quiet, comfortable life since his retirement from the intelligence services. Practically a recluse, he spends his days imagining the lives of the anonymous people he watches in the park beneath the window of his elegant New York townhouse --- number 221 --- his every need tended to by his housekeeper, Mrs. Baker. For weeks, a girl has sat in the park every morning at dawn. Always alone. Always watchful. And when the sun rises, she vanishes, as if she was never there. But one day her routine changes --- and Michael realizes that she faces terrible danger. He makes an uncharacteristic decision to abandon his solitude and help her. Soon, Michael finds himself plunged into the New York underworld, and he’ll have to use all the tricks of his former trade if he’s to keep not just himself, but his new friend, alive.

To celebrate America’s 250th anniversary, Walter Isaacson takes readers on a fascinating deep dive into the creation of one of history’s most powerful sentences: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness.” Drafted by Thomas Jefferson and edited by Benjamin Franklin and John Adams, this line lays the foundation for the American Dream and defines the common ground we share as a nation. Isaacson unpacks its genius, word by word, illuminating the then-radical concepts behind it. Readers will gain a fresh appreciation for how it was drafted to inspire unity, equality and the enduring promise of America.

Charlie and Freya used to be the picture-perfect couple. They had it all…until one night a devastating accident tears their lives apart, and they’re awoken by police at their door, asking if they are aware that their car had been involved in a hit and run. Torn apart by accusations and guilt, the trust that Freya and Charlie once shared is shattered as they turn on each other, looking for someone to blame for the fallout. Told from both Freya and Charlie’s perspectives, a cat-and-mouse game ensues, both of them desperate to have someone to point the finger at. But is it more important to be right or to win? Can Freya stay one step ahead of the man who knows her best? Or will Charlie’s stoic conviction to get what he wants be the death of her?

1937. It’s been seven years since the dust storms started in Colorado. High school student Martha Helen Kessler and her family are luckier than most; they still eke out a living from the land. Even so, evidence of the Dust Bowl’s grim impact on families is everywhere. When Martha Helen’s compassionate mother insists they take in Otis Hobbs, a handsome drifter who saves a local boy from a vicious storm, she quickly discovers a darker side to their rural community. Suspicion, jealousy and prejudice grip their neighbors --- and emotions reach a frenzy after Martha Helen’s best friend, Frankie, disappears and is then found murdered. Ultimately, Martha Helen is forced to make sense of her conflicting feelings and loyalties in order to help find retribution and to reconcile the difference between the law and justice.

Once upon a time, on the edge between meadow and forest, there was a lonely child with only his older sister for company. In exchange for being left in peace, his sister made him a playmate --- Daye, a girl woven from flowers and words. And for the first time, this boy, Rory, had a friend. Rory couldn't be happier, until he learns that Daye is a short-lived creature. At the end of each season, she must be woven back together or fall gruesomely apart. And every time Daye falls apart might be her last. As Rory and Daye grow older and the line between friendship and romance begins to blur, Rory becomes desperate to break this cycle of bloom and decay. But the farther Rory pushes his research and experiments to lengthen Daye's existence, the more Daye begins to wonder just how much control she really has over her own life.

Sonia Wilson is a talented scientific illustrator, but she is only able to follow her dream because of her father’s reputation as a renowned scientist. Such is the lot in life for a woman in science in 1899. And after his death, she is left without work, prospects or hope. So when the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house. Once there, though, she encounters dark happenings in the Carolina woods, and even darker questions come to light. What happened to her predecessor? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thieves”? With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a twisted road.

With confidence and style, Amal El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, SEASONS OF GLASS AND IRON includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.