Adult

Sisters Rose and Lily Martin were inseparable when growing up on their family’s Kentucky flower farm, yet became distant as adults when Lily found herself unable to deal with the demands of Rose’s unusual daughter. But when Rose becomes ill, Lily is forced to return to the farm and confront the fears that had driven her away. Rose’s daughter, 10-year-old Antoinette, has a form of autism that requires constant care and attention. She has never spoken a word, but has a powerful gift that others would give anything to harness --- she can heal with her touch. Her gift, though, comes at a price, since each healing puts her own life in jeopardy.

When long-serving Kentucky sheriff Lew Mattock is murdered by a confused, drug-addicted teenager, chief deputy Harlan Dupee is tasked with solving the crime. But as Harlan soon discovers, his former boss wasn't exactly innocent. The investigation throws Harlan headlong into the burgeoning OxyContin trade --- from the slanted steps of trailer parks to the manicured porches of prominent citizens, from ATV trails and tobacco farms to riverboat casinos and country clubs. As the evidence draws him closer to an unlikely suspect, Harlan comes to question whether the law can even right a wrong during the corrupt and violent years that followed the release of OxyContin.

Little more than 10 years after the first powered flight, aircraft were pressed into service in World War I. Nearly forgotten in the war's massive overall death toll, some 50,000 aircrew would die in the combatant nations' fledgling air forces. The romance of aviation had a remarkable grip on the public imagination, but the reality was horribly different. MARKED FOR DEATH debunks popular myth to explore the brutal truths of wartime aviation: of flimsy planes and unprotected pilots; of burning 19-year-olds falling screaming to their deaths; of pilots blinded by the entrails of their observers. James Hamilton-Paterson also reveals how four years of war produced profound changes both in the aircraft themselves and in military attitudes and strategy.

When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged, he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”

Only too eager to run an errand for the vicar’s wife, 12-year-old Flavia de Luce hops on her trusty bicycle, Gladys, to deliver a message to a reclusive wood-carver. Finding the front door ajar, Flavia enters and stumbles upon the poor man’s body hanging upside down on the back of his bedroom door. The only living creature in the house is a feline that shows little interest in the disturbing scene. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. However, what awaits Flavia will shake her to the very core.

When Commander Monk of the Thames River Police is called to investigate the drowning of an escaped prisoner, he’s forced to contend with customs officer McNab, who clearly bears a bitter grudge against him. But the reason is a mystery in itself. Monk’s memory loss --- a secret he guards closely --- leaves him vulnerable to repercussions from his missing past, especially his exploits overseas in the tumultuous Gold Rush days of San Francisco. And now McNab appears intent on using whatever damning facts he can find to his advantage to ruin Monk’s future as an officer of the law.

At the age of 24, Winston Churchill was utterly convinced it was his destiny to become prime minister of England. He arrived in South Africa in 1899, valet and crates of vintage wine in tow, to cover the brutal colonial war the British were fighting with Boer rebels and jumpstart his political career. But just two weeks later, Churchill was taken prisoner. Remarkably, he pulled off a daring escape --- traversing hundreds of miles of enemy territory, alone, with nothing but a crumpled wad of cash, four slabs of chocolate and his wits to guide him.

Trudy has been unfaithful to her husband, John. What’s more, she has kicked him out of their marital home, a valuable old London town house, and in his place is his own brother, the profoundly banal Claude. The illicit couple have hatched a scheme to rid themselves of her inconvenient husband forever. But there is a witness to their plot: the inquisitive, nine-month-old resident of Trudy’s womb. As Trudy’s unborn son listens, bound within her body, to his mother and his uncle’s murderous plans, he gives us a truly new perspective on our world, seen from the confines of his.

When Lane Coolman's car is bashed from behind on the road to the Florida Keys, what appears to be an ordinary accident is anything but. Behind the wheel of the other car is Merry Mansfield --- the eponymous Razor Girl --- and the crash scam is only the beginning of events that spiral crazily out of control. Andrew Yancy believes that if he can singlehandedly solve a high-profile murder, he'll get his detective badge back. That the Razor Girl may be the key to Yancy's future will be as surprising as anything else he encounters along the way.

In this lush, sexy, atmospheric page-turner, a young Englishwoman, 19-year-old Gwendolyn, marries a rich and seductively mysterious widower, Laurence Hooper, after a whirlwind romance in London. When she joins him at his Ceylon tea plantation, she’s certain she’ll be the perfect wife and, someday, mother. But life in Ceylon is not what Gwen expected. The plantation workers are resentful, the neighbors, and her new sister-in-law, treacherous. Gwen finds herself drawn to a Singhalese man of questionable intentions and worries about the propriety of her husband’s connection to an American widow. But most troubling are the terrible secrets in Laurence’s past that soon come to light and force Gwen to make a devastating choice.