Adult

As a fussy baby, Anne de Bourgh’s doctor prescribed laudanum to quiet her, and now the young woman must take the opium-heavy tincture every day. Growing up sheltered and confined, the pale and overly slender Anne grew up with few companions except her cousins, including Fitzwilliam Darcy. Throughout their childhoods, it was understood that Darcy and Anne would marry and combine their vast estates of Pemberley and Rosings. But Darcy does not love Anne or want her. In a frenzy of desperation, Anne discards her laudanum and flees to the London home of her cousin, Colonel John Fitzwilliam, who helps her through her painful recovery. Yet, once she returns to health, new challenges await.

Growing up, David Almerin Ames and his brothers, Link and Simon, believed the wild patch of Maine where they lived along the Penobscot River belonged to them. Their affinity for the natural world derives from their iconoclastic parents: Arnoux, a romantic artist and Vietnam War deserter who builds boats by hand, and Falon, an activist journalist who runs The Lowering Days, a community newspaper that gives equal voice to indigenous and white issues. But the boys’ childhood reverie is shattered when a bankrupt paper mill is burned to the ground on the eve of potentially reopening. As the community grapples with the scope of the devastation, Falon receives a letter from a Penobscot teenager confessing to the crime --- an act of justice for a sacred river under centuries of assault.

At the center of FOREGONE is famed Canadian American leftist documentary filmmaker Leonard Fife, one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late 70s, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession.

Brody Ellis doesn’t have enough money to buy the medication his sister Molly needs, so he robs a convenience store. But he bumps into a young woman on his way out and loses his wallet. Just when he expects the cops to arrive, the phone rings. It's Blair Mayo, the woman he bumped into. Brody will get his billfold back, but only if he does her a favor: steal her late mother's diamonds from her wicked stepmom. When he gets to the house, he finds a gruesome crime scene --- and a security camera. Brody knows he's been framed. Hitting the road to save their lives, Brody and Molly realize that they've become pawns in a mysterious game --- one that involves a notorious enforcer named Lola Bear.

In these stories, the mysterious bonds of family are tested, transformed, fractured and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half-brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. Elizabeth McCracken traces how our closely held desires --- for intimacy, atonement, comfort --- bloom and wither against the indifferent passing of time.

It was the Golden Age of Radio, and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women --- each an independent visionary --- saw an opportunity and carved their own paths, and in so doing invented the way we watch TV today: Irna Phillips, Gertrude Berg, Hazel Scott and Betty White. Together, their stories chronicle a forgotten chapter in the history of television and popular culture.

Justine Cowan had always been told that her mother came from royal blood. The proof could be found in her mother’s elegance, her upper crust London accent --- and in a cryptic letter hinting at her claim to a country estate. But beneath the polished veneer lay a fearsome, unpredictable temper that drove Justine from home the moment she was old enough to escape. Years later, when her mother sent her an envelope filled with secrets from the past, she buried it in the back of an old filing cabinet. Overcome with grief after her mother’s death, Justine found herself drawn back to that envelope. Its contents revealed a mystery that stretched back to the early years of World War II and beyond, into the dark corridors of the Hospital for the Maintenance and Education of Exposed and Deserted Young Children.

Megan is mostly raising her newborn alone while her husband travels for work. She is wracked with guilt over her unfinished dissertation --- a thesis on mid-century children’s literature. Enter a new upstairs neighbor: the ghost of Margaret Wise Brown --- author of the beloved classic GOODNIGHT MOON --- whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle --- and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.

It is the early spring of 2016, and Queen Elizabeth is at Windsor Castle in advance of her 90th birthday celebrations. But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals --- until their suspicions point them in the wrong direction. Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. The resolute Elizabeth will use her keen eye, quick mind and steady nerve to bring a murderer to justice.

Marrying into a family with wealth, power and connections, Bree Cabbat has all a woman could ever dream: a loving lawyer husband, two talented young teenage daughters, a new baby boy, a gorgeous home, and every opportunity in the world. Until the day Bree awakens and sees a witch peering into her bedroom window, an old gray-haired woman all dressed in black who vanishes as quickly as she appears. Later that day, she spies the old woman again, in the parking lot of her daughters’ private school...just minutes before Bree’s baby son vanishes. To get him back, Bree must complete one small --- but critical --- task. It seems harmless enough, but her action comes with a devastating price, making her complicit in a tangled web of tragedy and shocking secrets that will destroy everything she loves.