Adult

In SARAHLAND, Sam Cohen explores the ways in which traditional stories have failed us, providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure --- and a new set of problems --- by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives.

The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight he has his sights set on a gray-haired man. He will not be his first victim. Nor will he be his last. The Last Call Killer preyed upon gay men in New York in the ’80s and ’90s. Yet because of the sexuality of his victims, the sky-high murder rates and the AIDS epidemic, his murders have been almost entirely forgotten. LAST CALL tells the story of the Last Call Killer and the decades-long chase to find him.

On March 12, 2034, US Navy Commodore Sarah Hunt is on the bridge of her flagship, the guided missile destroyer USS John Paul Jones, conducting a routine freedom of navigation patrol in the South China Sea when her ship detects an unflagged trawler in clear distress, smoke billowing from its bridge. On that same day, US Marine aviator Major Chris "Wedge" Mitchell is flying an F35E Lightning over the Strait of Hormuz, testing a new stealth technology as he flirts with Iranian airspace. By the end of that day, Wedge will be an Iranian prisoner, and Sarah Hunt's destroyer will lie at the bottom of the sea, sunk by the Chinese Navy. In a single day, America's faith in its military's strategic pre-eminence is in tatters. A new, terrifying era is at hand.

Escape to worlds full of adventure and magic in the first-ever Terry Brooks short-story collection, featuring both new and fan-favorite stories from all three of his major literary worlds: Shannara, Magic Kingdom, and The Word and the Void. Here are heroes fighting new battles and struggling to conquer the ghosts of the past. Here are quests both small and far-reaching; heroism both intimate and vast. Here we learn of Garet Jax’s childhood, see how Allanon first located Shea Ohmsford, and follow an old wing-rider at the end of his life. Here we see Knights of the Word fighting demons within and without, and witness Ben Holiday and his daughter each trying to overcome the unique challenges that Landover offers.

The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability that his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine --- as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave.

In 1932, Roy Chapman Andrews, president of the men-only Explorers Club, boldly stated to hundreds of female students at Barnard College that "women are not adapted to exploration," and that women and exploration do not mix. He obviously didn't know a thing about either. THE GIRL EXPLORERS is the inspirational and untold story of the founding of the Society of Women Geographers --- an organization of adventurous female world explorers --- and how key members served as early advocates for human rights and paved the way for today's women scientists by scaling mountains, exploring the high seas, flying across the Atlantic, and recording the world through film, sculpture and literature.

Sam Blackman and Nakayla Robertson are hired by the widow of an environmentalist who died while monitoring water quality in the nearby Pigeon River. No soil or water samples were found near the deceased, and his widow doesn't believe his death was an accident. Sam had, in fact, witnessed a public altercation between the man and local mill heir Luke Kirkpatrick just two days prior. Both Luke and his father, Ted, are prime suspects because of the threat that contamination poses to their proposed business expansion. Meanwhile, preparations for a local festival suffer some violent setbacks. Are the events related? And can Sam and Nakayla identify the killer and serve justice before Asheville is threatened once again?

When her elderly patients start dying at home days after minor surgery, anesthesiologist Dr. Kate Downey wants to know why. Surgeon Charles Ricken places the blame squarely on her shoulders. Kate is currently on probation and must prove her innocence to save her career. Aided by her eccentric Great Aunt Irm, a precocious medical student, and the lawyer son of a victim, Kate launches her own unorthodox investigation. As she comes closer to exposing the culprit’s identity, she faces professional intimidation, threats to her life, a home invasion, and the suspicious death of someone close to her. The stakes escalate to the breaking point when Kate is forced to choose which of her loved ones to save --- and which must be sacrificed.

Required to have a college education, speak two languages and possess the political savvy of a Foreign Service officer, a jet-age stewardess serving on iconic Pan Am between 1966 and 1975 also had to be between 5′3" and 5′9", between 105 and 140 pounds, and under 26 years of age at the time of hire. Julia Cooke’s intimate storytelling weaves together the real-life stories of a memorable cast of characters --- from small-town girl Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few Black stewardesses of the era --- as they embraced the liberation of their new jet-set life.

In the tourist town of Ciudad de Tres Hermanas, in the aftermath of their mother's passing, two siblings spend a final weekend together in their childhood home. Seeing her brother, Rafa, careening toward a place of no return, Rufina devises a bet: If they can make enough money performing for privileged tourists in the plaza over the course of the weekend to afford a plane ticket out, Rafa must commit to living. If not, Rufina will make her peace with Rafa's own plan for the future, however terrifying it may be. As the siblings reckon with generational and ancestral trauma, set against the indignities of present-day prejudice, other strange hauntings begin to stalk these pages.