Adult

Antiques appraiser Josie Prescott is approached by Veronica Sutton, who introduces herself as an old friend of Josie’s late father. She hands Josie a brown paper-wrapped package and leaves. Josie gasps when she sees what’s inside: a notecard bearing her name --- in her father’s handwriting --- and a green leather box. Inside the box are two letters in transparent plastic sleeves. The first bears the salutation, “My dear Cassandra”; the latter, “Dearest Fanny.” Both are signed “Jane Austen.” Could her father have really accidentally found two previously unknown letters by one of the world’s most beloved authors? Josie sets off on the quest of a lifetime to learn what Veronica knows about her father and to discover if the Jane Austen letters are real.

A popular young girl disappears without a trace, and her skeletal remains are discovered three years later. When the prime suspect isn’t indicted, he returns to mock the girl’s family. And this isn’t the first time he’s been suspected of the murder of a young girl; nearly 20 years ago, he was tried and released due to lack of evidence. Detective Chief Inspector Kusanagi worked both cases. The neighborhood in which the murdered girl lived is famous for an annual street festival. During the parade, the suspected killer dies unexpectedly. DCI Kusanagi turns once again to his college friend, Physics professor and occasional police consultant Manabu Yukawa --- known as Detective Galileo --- to help solve the string of impossible-to-prove murders.

As the one-year anniversary of her husband’s death approaches, Renu Amin is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, 35 years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally say goodbye and move on. But as their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created, between making each other happy and setting themselves free.

Marcello, an editor and poet, is on the brink of his 40s. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; and his elegant mother.

Weaving between preparations for his father’s funeral and memories of life on both sides of the U.S.–Mexico border, Obed Silva chronicles his father’s alcoholism --- a lifelong love that ended only at his death at the age of 48, having poisoned himself one Carta Blanca at a time. Addiction respects no borders. The havoc Silva’s father wreaked on his family not only followed them north, where mother and son moved to escape his violent drunken rages, but would make itself felt even from the grave. With a wry cynicism; a profane, profound anger; an antic, brutally honest voice; and a hard-won classical frame of reference, Silva channels the heartbreak of mourning while wrestling with the resentment and frustration resulting from addiction.

Detective Natalie Lockhart gained unwanted notoriety when she and her family became front and center of two sensational murder cases. Burned out and always looking over her shoulder, Natalie desperately thinks that quitting the police force is her only option left. All that changes when a beloved resident --- a practicing Wiccan and founder of the town’s oldest coven --- is killed in a fashion more twisted and shocking than Natalie has ever seen before. Natalie has no choice but to help solve the case along with Detective Luke Pittman, her boss and the old childhood friend she cannot admit she loves, even to herself. There is a silent, malignant presence in Burning Lake that will not rest. And what happens next will shock the whole town, and Natalie, to the core.

Thirteen years ago, Delphine abandoned her prestigious soloist spot at the Paris Opera Ballet for a new life in St. Petersburg– --- taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now 36 years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House to choreograph the ballet that will kickstart the next phase of her career --- and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets can't stay buried forever.

Elisa Wright is convinced that her brother-in-law is a murderer. Josh has one dead wife and one missing fiancée, and he starts dating someone new. Elisa fears for that woman’s safety, and she desperately wants to know what happened to her friend, Josh’s missing fiancée. Searching for clues means investigating her own family. And she doesn’t like what she finds. But when Elisa becomes friends with Josh’s new girlfriend and starts to question things she thinks are true, Elisa wonders if the memories of a horrible incident a year ago have finally pushed her over the edge and Josh is really innocent. With so much at stake, Elisa fights off panic attacks and a strange illness. Is it a breakdown or something more?

When Tartelin answers an ad for a personal assistant, she doesn't know what to expect from her new employer, Marianne, an eccentric elderly woman. Marianne lives on a remote island that her family has owned for generations, and for decades her only companions have been butterflies and tightly held memories of her family. But there are some memories Marianne would rather forget, such as when the island was commandeered by the British government during WWII. Now, if Marianne can trust Tartelin with her family's story, she finally might be able to face the long-buried secrets of her past that have kept her isolated for far too long.

Sonya used to perform on stage. But somewhere along the way, the stage lights she lived for dimmed to black. In their absence came darkness --- blackouts, empty cupboards, hazy nights she could not remember. Haunted by her failed career and lingering trauma from her childhood, Sonya fell deep into an alcoholic abyss. What kept her from losing herself completely was her son, Tommy. But her love for Tommy rivaled her love for the bottle. Addiction amplified her fear of losing her child; every maternal misstep compelled her to drink. Tommy’s precious life was in her shaky hands. Eventually Sonya was forced to make a choice. Give up drinking or lose Tommy --- forever.