Adult

Elvis Presley, John Lennon and Muhammad Ali. These three icons changed not only the worlds of music, film and sports, but the world itself. Their faces were known everywhere, in every nation, across every culture. And their stories became larger than life --- until their lives spun out of control at the hands of those they most trusted. In KILLING THE LEGENDS, Bill O’Reilly and Martin Dugard explore the lives, legacies and tragic deaths of three of the most famous people of the 20th century. Each experienced immense success, then failures that forced them to change; each faced the challenge of growing old in fields that privilege youth; and finally, each became isolated, cocooned by wealth but vulnerable to the demands of those in their innermost circles.

Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised --- the place that Fabienne helped Agnès escape 10 years ago. Now, Agnès is free to tell her story. As children in a war-ravaged, backwater town, they’d built a private world, invisible to everyone but themselves --- until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune and terrible loss.

In the wake of her mother's passing, Layla Hurley unexpectedly reconnects with her mother's sisters. Her aunts reveal to Layla that a Gullah-Geechee island off the shore of South Carolina now belongs to her. As Layla digs deeper into her mother’s past and the mysterious island’s history, she discovers that the terrifying nightmares that have plagued her throughout her life and tainted her relationship with her family is actually a power passed down through generations of her Gullah ancestors. She is a Dreamwalker, able to inhabit the dreams of others and manipulate them. As Layla uncovers increasingly dark secrets about her family's past, she finds herself thrust into the center of a potentially deadly, decades-old feud fought in the dark corridor of dreams.

Even as a child in 1910, Sara Glikman knows her gift: she is a maker of matches and a seeker of soulmates. But among the pushcart-crowded streets of New York’s Lower East Side, Sara’s vocation is dominated by devout older men --- men who see a talented female matchmaker as a dangerous threat to their traditions and livelihood. After making matches in secret for more than a decade, Sara must fight to take her rightful place among her peers. Two generations later, Sara’s granddaughter, Abby, is a successful Manhattan divorce attorney. When her beloved Grandma Sara dies, Abby inherits her collection of handwritten journals recording the details of Sara’s matches. But among the faded volumes, Abby finds more questions than answers.

What happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end? In BLISS MONTAGE, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything --- if you bury yourself alive. These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona is not like other people. Six months ago she woke up in a stranger's body, and she's afraid she might have to give it back. The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever. And each night, Nona dreams of a woman with a skull-painted face.

Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of 12 sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight.

Bella and Kate. Kate and Bella. From childhood they were bosom friends --- Bella sensible and cautious, Kate gregarious and just a little dangerous. Yet, in spite of their intimacy, their trust is fragile. Men came into their lives, and things changed: a black seed was set in the heart of their relationship. Over decades, acts of both cruelty and love ferment until one shocking event tests them more than ever. Neither will escape unscathed.

Nathan Silverman’s idyllic childhood in Berlin is soon marred by increasing levels of bigotry against his family and the rest of the Jewish community. After his uncle is arrested on Kristallnacht, he leaves Germany for New York City with only his mother’s wedding ring to sell for survival. While attending an evening course at Columbia in 1942, Nathan notices a recruitment poster on a university wall and decides to enlist in the military and help fight the Nazi regime. The Allies are racing to develop a nuclear weapon before the Nazis, and a German theoretical physicist is hoping to defect. The physicist was a friend of his father's, and Nathan's mission is to return to Berlin via France and smuggle him out of Europe.

In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what their younger son, Trelawny, calls “the exquisite, racking compulsion to survive.” The linked stories in IF I SURVIVE YOU center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism and flat-out bad luck.