1547: Pedro Gonzales, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. Catherine de’ Medici is fascinated by Pedro and determined to find him a bride. Catherine Raffelin is a beautiful 17-year-old girl whose merchant father has fallen on hard times and offers up his daughter to Queen Catherine. The queen will pay his debts, and his daughter will marry Pedro. Catherine must learn to navigate this strange new world and the unusual man who is now her husband.

1547: Pedro Gonzales, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. Catherine de’ Medici is fascinated by Pedro and determined to find him a bride. Catherine Raffelin is a beautiful 17-year-old girl whose merchant father has fallen on hard times and offers up his daughter to Queen Catherine. The queen will pay his debts, and his daughter will marry Pedro. Catherine must learn to navigate this strange new world and the unusual man who is now her husband.

A mesmerizing novel set in the French royal court of Catherine de’ Medici during the Renaissance, which recreates the touching and surprising true story behind the Beauty and the Beast legend, from the acclaimed author of THE CLERGYMAN'S WIFE and THE HEIRESS.

1547: Pedro Gonzales, a young boy living on the island of Tenerife, understands that he is different from the other children in his village. He is mercilessly ridiculed for the hair covering his body from head to toe. When he is kidnapped off the beach near his home, he finds himself delivered by a slave broker into the dangerous and glamorous world of France’s royal court. There “Monsieur Sauvage,” as he is known, learns French, literature and sword fighting, becoming an attendant to the French King Henri II and a particular favorite of his queen, the formidable Catherine de’ Medici. Queen Catherine considers herself a collector of unusual people and is fascinated by Pedro…and determined to find him a bride.

Catherine Raffelin is a beautiful 17-year-old girl whose merchant father has fallen on hard times and offers up his daughter to Queen Catherine. The queen will pay his debts, and his daughter will marry Monsieur Sauvage.

Catherine meets Pedro for the first time on their wedding day. Barely recovered from the shock of her father’s betrayal, she soon finds herself christened “Madame Sauvage” by the royal courtiers, and must learn to navigate this strange new world, and the unusual man who is now her husband.

Gorgeously written, heartbreaking and hopeful, MARVELOUS is the portrait of a marriage, the story of a remarkable, resilient family, and an unforgettable reimagining of one of the world’s most beloved fairy tales.

Audiobook available, read by Ell Potter

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off. She and Madison Gingell may have very different everyday realities, but what they have in common is marriages they need out of. The two women want to help each other, but they have very different ideas of what that means. They are on a collision course that will end in the case files of the D.C. MPD homicide unit.

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off. She and Madison Gingell may have very different everyday realities, but what they have in common is marriages they need out of. The two women want to help each other, but they have very different ideas of what that means. They are on a collision course that will end in the case files of the D.C. MPD homicide unit.

One fateful encounter upends the lives of two women in this tense domestic thriller, a modern spin on Alfred Hitchcock’s Strangers on a Train that flips the script on race and gender politics.
 
“I’m a big believer that women should help each other, Tasha,” she says. “Don’t you think?”

Tasha Jenkins has finally found the courage to leave her abusive husband. Taking her teenage son with her, Tasha checks into a hotel the night before their flight out of D.C. and out of Kordell Jenkins’ life forever. But escaping isn’t so easy, and Tasha soon finds herself driving back to her own personal hell. As she is leaving, a white woman pounds on her car window, begging to be let in. Behind the woman, an angry man is in pursuit. Tasha makes a split-second decision that will alter the course of her life: she lets her in and takes off.
 
Tasha and Madison Gingell may have very different everyday realities, but what they have in common is marriages they need out of. The two women want to help each other, but they have very different ideas of what that means.
 
They are on a collision course that will end in the case files of the D.C. MPD homicide unit. Unraveling the truth of what really happened may be impossible --- and futile. Because what has the truth ever done for women like Tasha and Madison?