Joy Bergman is not slipping into old age with the quiet grace that her children, Molly and Daniel, would prefer. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws and same-sex spouses. But families don't just grow, they grow old. Cathleen Schine's novel is an intergenerational story about searching for where you belong as your family changes with age.

Joy Bergman is not slipping into old age with the quiet grace that her children, Molly and Daniel, would prefer. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws and same-sex spouses. But families don't just grow, they grow old. Cathleen Schine's novel is an intergenerational story about searching for where you belong as your family changes with age.

Debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic UNDER THE SKIN and Lionel Shriver’s WE NEED TO TALK ABOUT KEVIN, I’M THINKING OF ENDING THINGS is an edgy, haunting debut. Tense, gripping and atmospheric, it pulls you in from the very first page and never lets you go.

Debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic UNDER THE SKIN and Lionel Shriver’s WE NEED TO TALK ABOUT KEVIN, I’M THINKING OF ENDING THINGS is an edgy, haunting debut. Tense, gripping and atmospheric, it pulls you in from the very first page and never lets you go.

I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.

Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”

And here’s what I’m thinking: I don’t want to be here.

In this “dark and compelling…unputdownable” (Booklist, starred review) literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic UNDER THE SKIN, and Lionel Shriver’s WE NEED TO TALK ABOUT KEVIN, I’M THINKING OF ENDING THINGS is an edgy, haunting debut. Tense, gripping and atmospheric, this novel “packs a big psychological punch with a twisty story line and an ending that will leave readers breathless” (Library Journal, starred review).

Audiobook available, read by Candace Thaxton

It’s 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He’s been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. Calvin agrees to return, but trouble soon comes to the door when a boy’s attentions to 17-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for 11-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued, and your gun is always loaded.

It’s 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He’s been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. Calvin agrees to return, but trouble soon comes to the door when a boy’s attentions to 17-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for 11-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued, and your gun is always loaded.

Calvin Sidey is always ready to run, and it doesn’t take much to set him in motion. As a young man, he ran from this block, from Gladstone, from Montana, from this country. From his family and the family business. He ran from sadness, and he ran from responsibility. If the gossip was true, he ran from the law.

It’s 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He’s been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. So Calvin agrees to return to the small town where he once was a mythic figure, to the very home he once abandoned.  

But trouble soon comes to the door when a boy’s attentions to 17-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for 11-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued and your gun is always loaded. And though he has a powerful effect on those around him --- from the widowed neighbor who has fallen under his spell to Ann and Will, who see him as the man who brings a sudden and violent order to their lives --- in the changing culture of the 1960s, Calvin isn’t just a relic; he’s a wild card, a danger to himself and those who love him.

In AS GOOD AS GONE, Larry Watson captures our longing for the Old West and its heroes, and he challenges our understanding of loyalty and justice. Both tough and tender, it is a stunning achievement.

Audiobook available, narrated by Richard Poe

Moving along the Maine Coast and beyond, the interconnected stories in GOODNIGHT, BEAUTIFUL WOMEN bring us into the sultry, mysterious inner lives of New England women and girls as they navigate the dangers and struggles of their outer worlds. Debut novelist Anna Noyes explores the ruptures and vicissitudes of growing up and growing old, and shines a light on our most uncomfortable impulses while charting the depths of our murky desires.

Moving along the Maine Coast and beyond, the interconnected stories in GOODNIGHT, BEAUTIFUL WOMEN bring us into the sultry, mysterious inner lives of New England women and girls as they navigate the dangers and struggles of their outer worlds. Debut novelist Anna Noyes explores the ruptures and vicissitudes of growing up and growing old, and shines a light on our most uncomfortable impulses while charting the depths of our murky desires.

An electrifying debut by sensational new literary talent, Anna Noyes, GOODNIGHT, BEAUTIFUL WOMEN observes the residents of small New England coastal towns in tales that probe boundaries of familial intimacy, coming-of-age sexuality, desirous girlhood and lost love. With novelistic breadth and a quicksilver emotional intelligence, Noyes explores the ruptures and vicissitudes of growing up and growing old, and shines a light on our most uncomfortable impulses while masterfully charting the depths of our murky desires. Dark and brilliant, rhythmic and lucid, GOODNIGHT, BEAUTIFUL WOMEN marks the arrival of a fearless and unique new young voice in American fiction.

Audiobook available, narrated by Alyssa Bresnahan and Eva Kaminski

Four sophisticated best friends who once took New York by storm are secretly falling apart at the seams. Lucy’s marriage to a renowned artist is slowly crumbling, with an explosive secret that threatens them both. Sarah, in the middle of auditioning for an auspicious new television show, realizes that her socialite standing is in jeopardy after countless disastrous events. Billy has finally left her former life behind to become a highbrow cuisine artist. And Lotta, a knockout downtown art dealer, spends her free time guzzling cocktails in both the grittiest and most expensive clubs around town --- but now, she’s taken it a little too far.

Four sophisticated best friends who once took New York by storm are secretly falling apart at the seams. Lucy’s marriage to a renowned artist is slowly crumbling, with an explosive secret that threatens them both. Sarah, in the middle of auditioning for an auspicious new television show, realizes that her socialite standing is in jeopardy after countless disastrous events. Billy has finally left her former life behind to become a highbrow cuisine artist. And Lotta, a knockout downtown art dealer, spends her free time guzzling cocktails in both the grittiest and most expensive clubs around town --- but now, she’s taken it a little too far.

Couture royalty meets downtown grit and heady artists mingle with freewheeling socialites in A DANGEROUS AGE, a sophisticated, indulgent and delicious novel of contemporary New York City that women of all ages will devour.

It’s the dog days of a sweltering Manhattan summer, and four sophisticated best friends who once took New York by storm are secretly falling apart at the seams. Lucy’s marriage to a renowned artist is slowly crumbling, with an explosive secret that threatens them both. Sarah, in the middle of auditioning for an auspicious new television show, realizes that her socialite standing is in jeopardy after countless disastrous events. Billy --- a queen in the kitchen --- has finally left her former life behind to become a highbrow cuisine artist. And Lotta, a knockout downtown art dealer, spends her free time guzzling cocktails in both the grittiest and most expensive clubs around town --- but now, she’s taken it a little too far.

In this addicting and refreshing comedy of manners reminiscent of Edith Wharton, Lucy, Sarah, Billy and Lotta go to all ends to hide their troubles in a city that worships only the young, twentysomething it-girl. But in the end, there’s no denying that these women have all entered a very dangerous age...and who knows how they’ll emerge on the other side.

Audiobook available, narrated by Jorjeana Marie

On sabbatical from teaching literature to undergraduates, and wanting to educate a different kind of student, Mikita Brottman starts a book club with a group of convicts from the Jessup Correctional Institution in Maryland. She assigns them 10 dark, challenging classics that don’t flinch from evoking the isolation of the human struggle, the pain of conflict and the cost of transgression. Although Brottman is already familiar with these works, the convicts open them up in completely new ways. Their discussions may “only” be about literature, but for the prisoners, everything is at stake.

On sabbatical from teaching literature to undergraduates, and wanting to educate a different kind of student, Mikita Brottman starts a book club with a group of convicts from the Jessup Correctional Institution in Maryland. She assigns them 10 dark, challenging classics that don’t flinch from evoking the isolation of the human struggle, the pain of conflict and the cost of transgression. Although Brottman is already familiar with these works, the convicts open them up in completely new ways. Their discussions may “only” be about literature, but for the prisoners, everything is at stake.

Elisha Cooper spends his mornings writing and illustrating children's books, his afternoons playing with his two daughters. But when he discovers a lump in five-year-old Zoë's midsection as she sits on his lap at a Chicago Cubs game, everything changes. In FALLING, Elisha writes about what it took for him and his wife to preserve a sense of normalcy and joy in their daughters' lives; how the family emerged from this experience profoundly changed; and how we are all transformed by the fear and hope we feel for those we love.

Elisha Cooper spends his mornings writing and illustrating children's books, his afternoons playing with his two daughters. But when he discovers a lump in five-year-old Zoë's midsection as she sits on his lap at a Chicago Cubs game, everything changes. In FALLING, Elisha writes about what it took for him and his wife to preserve a sense of normalcy and joy in their daughters' lives; how the family emerged from this experience profoundly changed; and how we are all transformed by the fear and hope we feel for those we love.

Elisha Cooper spends his morn­ings creating children’s books and his afternoons playing with his two daughters. But when he discovers a lump in five-year-old Zoë’s midsection as she sits on his lap at a Chicago Cubs game, everything changes. Surgery, sleepless nights, months of treatment, a drumbeat of worry. Even as the family moves to New York and Zoë starts kindergarten, they must navigate a new normal: school and soccer and hot chocolate at the local café, inter­rupted by anxious visits to the hospital. Elisha and his wife strive to help their daughters maintain a sense of stability and joy in their family life. And he tries to understand this new world --- how it changes art and language and laughter --- as he holds on to the protective love he feels for his child.
 
With the observant eye of an artist and a remarkable sense of humor, Elisha captures his family’s journey through a perilous time and, in the process, shows how we are all transformed by the fear and hope we feel for those we love.

Who invented beds? When did we start cleaning our teeth? How old are wine and beer? Which came first: the toilet seat or toilet paper? What was the first clock? Every day, from the moment our alarm clock wakes us in the morning until our head hits our pillow at night, we all take part in rituals that are millennia old. Structured around one ordinary day, A MILLION YEARS IN A DAY reveals the astonishing origins and development of the daily practices we take for granted. In this entertaining romp through human history, Greg Jenner explores the gradual --- and often unexpected --- evolution of our daily routines.

Who invented beds? When did we start cleaning our teeth? How old are wine and beer? Which came first: the toilet seat or toilet paper? What was the first clock? Every day, from the moment our alarm clock wakes us in the morning until our head hits our pillow at night, we all take part in rituals that are millennia old. Structured around one ordinary day, A MILLION YEARS IN A DAY reveals the astonishing origins and development of the daily practices we take for granted. In this entertaining romp through human history, Greg Jenner explores the gradual --- and often unexpected --- evolution of our daily routines.

Who invented beds? When did we start cleaning our teeth? How old are wine and beer? Which came first: the toilet seat or toilet paper? What was the first clock?

Every day, from the moment our alarm clock wakes us in the morning until our head hits our pillow at night, we all take part in rituals that are millennia old. Structured around one ordinary day, A MILLION YEARS IN A DAY reveals the astonishing origins and development of the daily practices we take for granted. In this gloriously entertaining romp through human history, Greg Jenner explores the gradual --- and often unexpected --- evolution of our daily routines.

This is not a story of wars, politics or great events. Instead, Jenner has scoured Roman rubbish bins, Egyptian tombs and Victorian sewers to bring us the most intriguing, surprising and sometimes downright silly historical nuggets from our past.

Drawn from across the world, spanning a million years of humanity, this book is a smorgasbord of historical delights. It is a history of all those things you always wondered about --- and many you have never considered. It is the story of your life, one million years in the making.

Audiobook available, narrated by Matthew Lloyd Davies

In the woods outside the town of Willnot, the remains of several people have suddenly been discovered, unnerving the community and unsettling Dr. Lamar Hale, the town's all-purpose general practitioner, surgeon and town conscience. At the same time, Bobby Lowndes --- his military records disappeared, being followed by the FBI --- mysteriously reappears in his hometown, at Hale's door. Over the ensuing months, the daily dramas Hale faces as he tends to his town and to his partner, Richard, collide with the inexplicable vagaries of life in Willnot. And when a gunshot aimed at Lowndes critically wounds Richard, Hale's world is truly upended.

In the woods outside the town of Willnot, the remains of several people have suddenly been discovered, unnerving the community and unsettling Dr. Lamar Hale, the town's all-purpose general practitioner, surgeon and town conscience. At the same time, Bobby Lowndes --- his military records disappeared, being followed by the FBI --- mysteriously reappears in his hometown, at Hale's door. Over the ensuing months, the daily dramas Hale faces as he tends to his town and to his partner, Richard, collide with the inexplicable vagaries of life in Willnot. And when a gunshot aimed at Lowndes critically wounds Richard, Hale's world is truly upended.

In his celebrated career, James Sallis has created some of the most finely drawn protagonists in crime fiction, all of them thoughtful observers of the human condition: Lew Griffin, the black New Orleans private investigator; retired detective John Turner; the unnamed wheelman in Drive. Dr. Lamar Hale will now join the ranks of Sallis's finest characters.

In the woods outside the town of Willnot, the remains of several people have suddenly been discovered, unnerving the community and unsettling Hale, the town's all-purpose general practitioner, surgeon and town conscience. At the same time, Bobby Lowndes --- his military records disappeared, being followed by the FBI --- mysteriously reappears in his hometown, at Hale's door. Over the ensuing months, the daily dramas Hale faces as he tends to his town and to his partner, Richard, collide with the inexplicable vagaries of life in Willnot. And when a gunshot aimed at Lowndes critically wounds Richard, Hale's world is truly upended.

In his inimitable spare style, James Sallis conjures indelible characters and scenes that resonate long after they appear. "You live with someone year after year, you think you've heard all the stories," Lamar observes, "but you never have."

Audiobook available, read by Kevin Kenerly

Desperate to prove himself to his politician father, Esmond Lowndes is sent to Italy to forge ties between the British Union of Fascists and Mussolini's government. In Florence, he discovers art and passion amongst the eccentric expatriates and glamorous locals. But with the coming of war, Esmond chooses to leave his past behind and joins the Florentine resistance. Finding himself closely bound to his comrades and unexpectedly in love, Esmond becomes involved in undercover operations and assassination plots, culminating in a final mission of extraordinary daring.

Desperate to prove himself to his politician father, Esmond Lowndes is sent to Italy to forge ties between the British Union of Fascists and Mussolini's government. In Florence, he discovers art and passion amongst the eccentric expatriates and glamorous locals. But with the coming of war, Esmond chooses to leave his past behind and joins the Florentine resistance. Finding himself closely bound to his comrades and unexpectedly in love, Esmond becomes involved in undercover operations and assassination plots, culminating in a final mission of extraordinary daring.

Desperate to prove himself to his politician father, Esmond Lowndes is sent to Italy to forge ties between the British Union of Fascists and Mussolini's government. In Florence, he discovers art and passion amongst the eccentric expatriates and glamorous locals. But with the coming of war, Esmond chooses to leave his past behind and joins the Florentine resistance. Finding himself closely bound to his comrades and unexpectedly in love, Esmond becomes involved in undercover operations and assassination plots, culminating in a final mission of extraordinary daring.