Filled with her trademark wit, poignant themes and rich characters, the perennial New York Times bestselling author returns with a sensational novel that follows the travels of one couple through a tumultuous summer.

Filled with her trademark wit, poignant themes and rich characters, the perennial New York Times bestselling author returns with a sensational novel that follows the travels of one couple through a tumultuous summer.

Dorothea Benton Frank novels are filled with smart and witty fiction that every reader wants on their bookshelf: soulful, edgy stories about realistic characters familiar to us all that explore the most deeply felt moments of life with wry humor and heart.

ALL SUMMER LONG follows one charming New York couple --- prominent interior designer Olivia Ritchie and her husband Nicholas Seymour, an English professor and true southern gentleman. They are seemingly polar opposites, yet magnetically drawn together and in love for more than 14 years.

As they prepare to relocate to Charleston, S.C., Olivia, the ultimate New Yorker, has reservations about the promise she made to retire in the Lowcountry, where Nick wants to return home and lead a more peaceful life. They are moving north to south, fast pace versus slow pace and downsizing. Nick is ecstatic. Olivia is not. She can’t let Nick know that their finances are not what he thought. Her client list is evaporating, their monetary reserves are dwindling and maybe that house she picked out on Sullivans Island needs too much work. Thank God, for her assistant, Roni Larini, her right (and sometimes left) hand. 

As they find themselves pondering the next step of their lives, Olivia and Nick travel with her billionaire clients and their friends and are swept up into the world of the ultra-rich and explore the globe with a cast of zany eccentrics over one tumultuous, hot summer. All as Olivia grapples with what lies ahead for her and Nick.

This is a story of how plans evolve and lives change in unexpected ways, how even those who have everything are still looking for something more. Even the most successful people can often struggle to keep things together. ALL SUMMER LONG asks the ultimate question: can money buy happiness? From Sullivans Island to Necker Island to Nantucket to the beaches of Southern Spain, we’ll come to recognize the many faces of true love, love that deepens and endures but only because one woman makes a tremendous leap of faith. And that leap changes everything.

A provocative and hauntingly powerful debut novel reminiscent of SLIDING DOORS, THE BOOKSELLER follows a woman in the 1960s who must reconcile her reality with the tantalizing alternate world of her dreams.

A provocative and hauntingly powerful debut novel reminiscent of SLIDING DOORS, THE BOOKSELLER follows a woman in the 1960s who must reconcile her reality with the tantalizing alternate world of her dreams.

1962: It may be the Swinging Sixties in New York, but in Denver --- as in many other American cities --- it’s different: being a single gal over 30 is almost bohemian. Still, 38-year-old Kitty Miller has come to terms with her unconventional life. She was involved, once, but things didn’t work out. Now she dedicates herself to the bookstore she runs, returning home each evening to her cozy apartment.

Then the dreams begin.

1963: Katharyn Andersson is married to Lars, the love of her life. They live in a picture-perfect home in a suburban area of Denver, the ideal place to raise their children. Katharyn’s world is exactly what Kitty once believed she wanted…but it exists only when she sleeps.

At first, Kitty enjoys her nighttime forays into this alternate world. But with each visit, Katharyn’s alluring life grows more real. As the lines between the two worlds begin to blur, Kitty faces an uncertain future. What price must she pay to stay? What is the cost of letting go?

“Will make you think about the paths you could have taken --- but even more so, what you can learn from them to make your reality richer.”  —Redbook

In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning THE ROUND HOUSE and the Pulitzer Prize nominee THE PLAGUE OF DOVES, wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.

In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning THE ROUND HOUSE and the Pulitzer Prize nominee THE PLAGUE OF DOVES, wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.

In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning THE ROUND HOUSE and the Pulitzer Prize nominee THE PLAGUE OF DOVES, wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.

North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence --- but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.

The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition --- the sweat lodge --- for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.

LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.

But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.

Inspiring and affecting, LaROSE is a powerful exploration of loss, justice and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

NIGHT is Elie Wiesel's masterpiece, a candid, horrific and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

NIGHT is Elie Wiesel's masterpiece, a candid, horrific and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

NIGHT is Elie Wiesel's masterpiece, a candid, horrific and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.

NIGHT offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

Anna is a 15-year-old girl who has had it with her life at home. So she "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined. As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls and she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.

Anna is a 15-year-old girl who has had it with her life at home. So she "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined. As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls and she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.

She was looking for a place to land.

Anna is a 15-year-old girl slouching toward adulthood, and she's had it with her life at home. So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.

As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls --- and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.

In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost and female in America --- in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.