One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs, milk crates and overturned pails. Gradually the tenants --- some of whom have barely spoken to each other --- become real neighbors. In this DECAMERON-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming and ultimately surprising narrative, FOURTEEN DAYS reveals how beneath the horrible loss and suffering, some communities managed to become stronger.

One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs, milk crates and overturned pails. Gradually the tenants --- some of whom have barely spoken to each other --- become real neighbors. In this DECAMERON-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming and ultimately surprising narrative, FOURTEEN DAYS reveals how beneath the horrible loss and suffering, some communities managed to become stronger.

Set in a Lower East Side tenement in the early days of the COVID-19 lockdowns, FOURTEEN DAYS is an irresistibly propulsive collaborative novel from the Authors Guild with an unusual twist. Each character in this diverse, eccentric cast of New York neighbors has been secretly written by a different, major literary voice --- from Margaret Atwood and Celeste Ng to Tommy Orange and John Grisham.

One week into the COVID-19 shutdown, tenants of a Lower East Side apartment building in Manhattan have begun to gather on the rooftop and tell stories. With each passing night, more and more neighbors gather, bringing chairs, milk crates and overturned pails. Gradually the tenants --- some of whom have barely spoken to each other --- become real neighbors. In this DECAMERON-like serial novel, general editors Margaret Atwood and Douglas Preston and a star-studded list of contributors create a beautiful ode to the people who couldn’t escape when the pandemic hit. A dazzling, heartwarming and ultimately surprising narrative, FOURTEEN DAYS reveals how beneath the horrible loss and suffering, some communities managed to become stronger.

Includes writing from Charlie Jane Anders, Margaret Atwood, Joseph Cassara, Jennine Capó Crucet, Angie Cruz, Pat Cummings, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Douglas Preston, Alice Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, Caroline Randall Williams, De’Shawn Charles Winslow and Meg Wolitzer.

Audiobook available, read by Shayna Small

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. Suddenly she hears footsteps coming up the stairs and sees the figure of a man appear down the hallway. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall. There they hide as the man searches for them, trying to tempt the children out with promises and scare the mother into surrender. In the suffocating darkness, the mother struggles to remain calm and to plan. Should she search for a weapon or attempt escape? But then she catches another glimpse of him. And at once she knows her situation is even more dire than she’d feared, because she knows exactly who he is --- and what he wants.

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. Suddenly she hears footsteps coming up the stairs and sees the figure of a man appear down the hallway. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall. There they hide as the man searches for them, trying to tempt the children out with promises and scare the mother into surrender. In the suffocating darkness, the mother struggles to remain calm and to plan. Should she search for a weapon or attempt escape? But then she catches another glimpse of him. And at once she knows her situation is even more dire than she’d feared, because she knows exactly who he is --- and what he wants.

A footstep on the stairs. A second to react. What happens next will determine everything.

Home alone with her young children during a blizzard, a mother tucks her son back into bed in the middle of the night. She hears a noise --- old houses are always making some kind of noise. But this sound is disturbingly familiar: it’s the tread of footsteps, unusually heavy and slow, coming up the stairs.

She sees the figure of a man appear down the hallway, shrouded in the shadows. Terrified, she quietly wakes her children and hustles them into the oldest part of the house, a tiny, secret room concealed behind a wall. There they hide as the man searches for them, trying to tempt the children out with promises and scare the mother into surrender.

In the suffocating darkness, the mother struggles to remain calm, to plan. Should she search for a weapon or attempt escape? But then she catches another glimpse of him. That face. That voice. And at once she knows her situation is even more dire than she’d feared, because she knows exactly who he is --- and what he wants.

Audiobook available, read by Emily Ellet

Freya Lockwood is shocked when she learns that Arthur Crockleford, an antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last 20 years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate --- sent just days before his death --- Freya has no choice but to return to a life she had sworn to leave behind. Joining forces with her eccentric Aunt Carole, Freya follows clues and her instincts to an old manor house for an advertised antiques enthusiast’s weekend. But it’s clear to Freya that the antiques are all just poor reproductions and her fellow guests are secretive and menacing. What is going on at this estate, and how was Arthur involved? Can Freya and Carole discover the truth before the killer strikes again?

Freya Lockwood is shocked when she learns that Arthur Crockleford, an antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last 20 years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate --- sent just days before his death --- Freya has no choice but to return to a life she had sworn to leave behind. Joining forces with her eccentric Aunt Carole, Freya follows clues and her instincts to an old manor house for an advertised antiques enthusiast’s weekend. But it’s clear to Freya that the antiques are all just poor reproductions and her fellow guests are secretive and menacing. What is going on at this estate, and how was Arthur involved? Can Freya and Carole discover the truth before the killer strikes again?

In this “irresistible, immersive, and completely unputdownable” (Ellery Lloyd, New York Times bestselling author) debut novel, a former antique hunter investigates a suspicious death at an isolated English manor, embroiling her in the high-stakes world of tracking stolen artifacts.

What antique would you kill for?

Freya Lockwood is shocked when she learns that Arthur Crockleford, antiques dealer and her estranged mentor, has died under mysterious circumstances. She has spent the last 20 years avoiding her quaint English hometown, but when she receives a letter from Arthur asking her to investigate --- sent just days before his death --- Freya has no choice but to return to a life she had sworn to leave behind.

Joining forces with her eccentric Aunt Carole, Freya follows clues and her instincts to an old manor house for an advertised antiques enthusiast’s weekend. But not all is as it seems. It’s clear to Freya that the antiques are all just poor reproductions and her fellow guests are secretive and menacing. What is going on at this estate, and how was Arthur involved? More importantly, can Freya and Carole discover the truth before the killer strikes again?

Audiobook available, read by Emilia Fox

We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference, or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and, perhaps most importantly, to make us more fully human. Shannon Reed, a longtime teacher, lifelong reader and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In WHY WE READ, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students.

We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference, or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and, perhaps most importantly, to make us more fully human. Shannon Reed, a longtime teacher, lifelong reader and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In WHY WE READ, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students.

A hilarious and incisive exploration of the joys of reading from a "beloved and wonderful writer" (George Saunders), teacher, bibliophile and Thurber Prize semifinalist.

We read to escape, to learn, to find love, to feel seen. We read to encounter new worlds, to discover new recipes, to find connection across difference or simply to pass a rainy afternoon. No matter the reason, books have the power to keep us safe, to challenge us, and, perhaps most importantly, to make us more fully human.

Shannon Reed, a longtime teacher, lifelong reader and New Yorker contributor, gets it. With one simple goal in mind, she makes the case that we should read for pleasure above all else. In this whip-smart, laugh-out-loud-funny collection, Reed shares surprising stories from her life as a reader and the poignant ways in which books have impacted her students.

From the varied novels she cherishes (GONE GIRL, THEIR EYES WERE WATCHING GOD) to the ones she didn’t (TESS OF THE D’URBERVILLES), Reed takes us on a rollicking tour through the comforting world of literature, celebrating the books we love, the readers who love them, and the ways in which literature can transform us for the better.

Audiobook available, read by Paige McKinney

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past. When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: “I left a trail I can’t erase. Do not follow it.” In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father’s footsteps to discover what remains of their homeland and its people.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past. When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: “I left a trail I can’t erase. Do not follow it.” In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father’s footsteps to discover what remains of their homeland and its people.

Amid rubble and rebuilding in a former Soviet land, one family must rescue one another and put the past to rest: a stirring novel about what happens after the fighting is over.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: “I left a trail I can’t erase. Do not follow it.”

In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father’s footsteps to discover what remains of their homeland and its people. By turns savage and tender, compassionate and harrowing, HARD BY A GREAT FOREST is a powerful and ultimately hopeful novel about the individual and collective trauma of war, and the indomitable spirit of a people determined not only to survive, but to remember those who did not.

Audiobook available, read by Luke Thompson

Newly widowed baker Mercedes Spivey flies from Miami to her native Cuba in 2019 to care for her ailing paternal grandmother. Mercedes’ life has been shaped by loss, beginning with the mysterious unsolved disappearance of her mother when Mercedes was a little girl. Returning to Cuba revives Mercedes’ hopes of finding her mother as she attempts to piece together the few scraps of information she has. Thirty-three years earlier, an American college student with endless political optimism falls deliriously in love with a handsome Cuban soldier while on a spontaneous visit to the island. She decides to stay permanently but soon discovers that nothing is as it seems in Havana. The two women’s stories proceed in parallel as Mercedes gets closer to the truth about her mother, uncovering shocking family secrets in the process.

Newly widowed baker Mercedes Spivey flies from Miami to her native Cuba in 2019 to care for her ailing paternal grandmother. Mercedes’ life has been shaped by loss, beginning with the mysterious unsolved disappearance of her mother when Mercedes was a little girl. Returning to Cuba revives Mercedes’ hopes of finding her mother as she attempts to piece together the few scraps of information she has. Thirty-three years earlier, an American college student with endless political optimism falls deliriously in love with a handsome Cuban soldier while on a spontaneous visit to the island. She decides to stay permanently but soon discovers that nothing is as it seems in Havana. The two women’s stories proceed in parallel as Mercedes gets closer to the truth about her mother, uncovering shocking family secrets in the process.

A Cuban American woman searches for her long-lost mother and fights to restore a beautiful but crumbling Art Deco home in the heart of Havana in this moving, immersive new mystery, perfect for fans of OF WOMEN AND SALT.

Newly widowed baker Mercedes Spivey flies from Miami to her native Cuba in 2019 to care for her ailing paternal grandmother. Mercedes’ life has been shaped by loss, beginning with the mysterious unsolved disappearance of her mother when Mercedes was a little girl. Returning to Cuba revives Mercedes’ hopes of finding her mother as she attempts to piece together the few scraps of information she has.

Thirty-three years earlier, an American college student with endless political optimism falls deliriously in love with a handsome Cuban soldier while on a spontaneous visit to the island. She decides to stay permanently but soon discovers that nothing is as it seems in Havana.

The two women’s stories proceed in parallel as Mercedes gets closer to the truth about her mother, uncovering shocking family secrets in the process.

Audiobook available, read by Cynthia Farrell