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In a speech to the Mills College class of 1983, Ursula K. Le Guin set out to talk “like a woman.” She said, “It’s going to sound terrible” --- because instead of deluging the graduates with golden promises of success, she spoke to them of children, failure and dark places. So I decided, in remembering Le Guin, to “sound terrible,” too: to talk like a woman, despite the warning voices in my head that it’s too personal, too egotistical, not intellectual enough. Panegyrists, those voices assure me, should be world-historical, big-picture, profound. But I’m simply trying to get at what she meant to me.
In a speech to the Mills College class of 1983, Ursula K. Le Guin set out to talk “like a woman.” She said, “It’s going to sound terrible” --- because instead of deluging the graduates with golden promises of success, she spoke to them of children, failure and dark places. So I decided, in remembering Le Guin, to “sound terrible,” too: to talk like a woman, despite the warning voices in my head that it’s too personal, too egotistical, not intellectual enough. Panegyrists, those voices assure me, should be world-historical, big-picture, profound. But I’m simply trying to get at what she meant to me.
I first discovered Sue Grafton’s Alphabet series while volunteering at the local library in the seventh grade. I overheard a patron come up to the librarian with a copy of Q IS FOR QUARRY and asked her if she had the unreleased R yet. The idea that there was a series of books that was released in alphabetical order delighted my OCD. I went over to the mystery shelf, picked up an omnibus of A through C, and devoured it in two weeks.
I first discovered Sue Grafton’s Alphabet series while volunteering at the local library in the seventh grade. I overheard a patron come up to the librarian with a copy of Q IS FOR QUARRY and asked her if she had the unreleased R yet. The idea that there was a series of books that was released in alphabetical order delighted my OCD. I went over to the mystery shelf, picked up an omnibus of A through C, and devoured it in two weeks.
"I decided to devote my life to telling the story because I felt that having survived I owe something to the dead. And anyone who does not remember betrays them again.” Elie Wiesel --- the man who gave voice to the voiceless, urged us toward understanding, reminded us to remember, fought for justice, inspired us to act bravely, and astonished and taught us with his unforgettable, poignant and absolutely indispensable works of literature --- died on July 2, 2016 in New York at the age of 87.
In a deeply felt blow to the American contemporary canon, one of the champion authors of 20th-century Southern literature has passed away. Pat Conroy, author of the seminal THE PRINCE OF TIDES and THE GREAT SANTINI, was recently diagnosed with pancreatic cancer. Early Saturday morning, his Facebook page notified us that he “left this world Friday, March 4, 2016...surrounded by his family and friends in his Beaufort home overlooking the marshes he so loved.”
In a deeply felt blow to the American contemporary canon, one of the champion authors of 20th-century Southern literature has passed away. Pat Conroy, author of the seminal THE PRINCE OF TIDES and THE GREAT SANTINI, was recently diagnosed with pancreatic cancer. Early Saturday morning, his Facebook page notified us that he “left this world Friday, March 4, 2016...surrounded by his family and friends in his Beaufort home overlooking the marshes he so loved.”
Professor Robert J. Norrell has held the Bernadotte Schmitt Chair of Excellence since 1998. He writes mainly about American race relations, including his most recent biography, ALEX HALEY: And the Books That Changed the Nation, which focuses on the rise to national celebrity and great literary influence of Haley. In this piece written exclusively for Bookreporter.com, Professor Norrell discusses the roots of autobiographical storytelling in African American culture --- it was one of the very first genres embraced --- and the earlier works that he believes had the greatest impact on Haley’s writing and his struggle to tell his own story.
Professor Robert J. Norrell has held the Bernadotte Schmitt Chair of Excellence since 1998. He writes mainly about American race relations, including his most recent biography, ALEX HALEY: And the Books That Changed the Nation, which focuses on the rise to national celebrity and great literary influence of Haley. In this piece written exclusively for Bookreporter.com, Professor Norrell discusses the roots of autobiographical storytelling in African American culture --- it was one of the very first genres embraced --- and the earlier works that he believes had the greatest impact on Haley’s writing and his struggle to tell his own story.
This is exciting news for mystery fans, along with fans of the prolific writer Max Allan Collins. The five early Quarry novels by Collins will be re-released with gorgeous Robert McGinnis pulp covers between now and March by Hard Case Crime.