Pete Rose is a legend. A baseball god. He compiled more hits than anyone in the history of baseball, a record he set decades ago that still stands today. He was a working-class white guy from Cincinnati who made it. He was everything that America wanted and needed him to be, the American dream personified --- until he wasn’t. In the 1980s, Pete Rose came to be at the center of one of the biggest scandals in baseball history. He kept secrets, ran with bookies, took on massive gambling debts, and was magnificently, publicly cast out for betting on baseball and lying about it. The revelations that followed ruined him, changed life in Cincinnati and forever altered the game. CHARLIE HUSTLE tells the full story of one of America’s most epic tragedies --- the rise and fall of Pete Rose.

Baseball is “the New York game” because New York is where the diamond was first laid out, where the bunt and the curveball were invented, and where the home run was hit. It’s where the game’s first stars were born, and where everyone came to play or watch the game. With nuance and depth, historian Kevin Baker brings this all vividly back to life: the still-controversial, indelible moments. Did the Babe call his shot? Was Merkle out? Did they fix the 1919 World Series? In Baker's hands, the city and the game emerge from the murk of 19th-century American life --- driven by visionaries and fixers, heroes and gangsters. He details how New York and its favorite sport came to mirror one another, expanding, bumbling through catastrophe and corruption, and rising out of these trials stronger than ever.

In 1959, America’s great indigenous art form, jazz, reached the height of its power and popularity. James Kaplan’s 3 SHADES OF BLUE captures how that golden era came to be, and its pinnacle with the recording of Kind of Blue. It’s a book about music, business, race, heroin, the cities that gave jazz its home, and the Black geniuses behind its rise. It’s an astonishing meditation on creativity and the strange environments where it can flourish most. It’s a book about the great forebears and founders of a lost era, and the disrupters who would take the music down truly new paths. And it’s about why the world of jazz most people know is a museum to this never-replicated period. But above all, 3 SHADES OF BLUE is a book about three very different men --- the greatness and varied fortunes of Miles Davis, John Coltrane and Bill Evans.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. This rich biography captures him at his most multifaceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions.

John Prine hated giving interviews, but he said much when he talked. Embarrassed by fame, delighted by the smallest things, the first songwriter to read at the Library of Congress, and winner of the Pen Award for Literary Excellence, Prine saw the world unlike anyone else. The songs from 1971’s John Prine remain spot-on takes of the human condition today, and his writing only got richer, funnier and more incisive. The interviews in PRINE ON PRINE trace his career evolution, his singular mind, his enduring awareness of social issues, and his acute love of life.

In WHY WE LOVE BASEBALL, Joe Posnanski writes of major moments that created legends, and of forgotten moments almost lost to time. It's Willie Mays’ catch, Babe Ruth’s called shot and Kirk Gibson’s limping home run; the slickest steals; the biggest bombs; and the most triumphant no-hitters. But these are also moments raw with the humanity of the game, the unheralded heroes and the mesmerizing mistakes drenched in pine tar. Every story, from the immortal to the obscure, is told from a unique perspective. Whether of a real fan who witnessed it, or the pitcher who gave up the home run, the umpire, the coach, the opposing player --- these are fresh takes on moments so powerful they almost feel like myth.

In baseball, there are superstars, stars and everyday players...and then there are the rest. Within the rest are role players, specialists and journeymen...and then there are the backup catchers. THE TAO OF THE BACKUP CATCHER is about them, the backup catchers, who exist near the bottom of the roster, the end of the bench, and between the numbers in a sport --- and a society --- increasingly driven by cold, hard analytics. It is a story of grown men who once dreamed of stardom and generational wealth. Instead, they were handed a broom and a deeper understanding of who wins and why, who stands tall and who folds, and who will invest their own lives in catching bullpens and the back ends of doubleheaders.

Coogan’s Bar and Restaurant opened in New York City’s Washington Heights in 1985 and closed its doors for good in the pandemic spring of 2020. Sometimes called Uptown City Hall, it became a staple of neighborhood life during its 35 years in operation --- a place of safety and a bulwark against prejudice in a multi-ethnic, majority-immigrant community undergoing rapid change. LAST CALL AT COOGAN’S tells the story of this beloved saloon --- from the challenging years of the late ’80s and early ’90s, when Washington Heights suffered from the highest crime rate in the city, to the 2010s, when gentrification pushed out longtime residents and nearly closed Coogan's itself. Only a massive community mobilization including local politicians and Lin-Manuel Miranda kept the doors open.

Songs that sell the most copies become hits, but some of those hits become something more --- iconic recordings that not only inspire a generation but also change the direction of music. In ANATOMY OF 55 MORE SONGS, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind 55 rock, pop, R&B, country and soul-gospel hits through intimate interviews with the artists who wrote and recorded them. The book ranges from Creedence Clearwater Revival’s “Bad Moon Rising” to Dionne Warwick’s “Walk On By,” The Beach Boys’ “Good Vibrations” and Black Sabbath’s “Paranoid.” Through an absorbing, chronological, song-by-song analysis of the most memorable post-war hits, Myers provides a sweeping look at the evolution of pop music between 1964 and today.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly 3,000 interviews, involving 400 voices from the industry, HOLLYWOOD lets a reader “listen in” on candid remarks from the biggest names in front of the camera (Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd) to the biggest behind it (Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele), as well as the lesser known individuals who shaped what was heard and seen on screen. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It’s the insider’s story.