From minor-hockey phenomenon to Hall of Fame sensation, Wayne Gretzky rewrote the record books, his accomplishments becoming the stuff of legend. Dubbed “The Great One,” he is considered by many to be the greatest hockey player who ever lived. No one has seen more of the game than he has --- but he has never discussed in depth just what it was he saw. For the first time, Gretzky discusses candidly what the game looks like to him and introduces us to the people who inspired and motivated him: mentors, teammates, rivals, the famous and the lesser known.

In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. Late one night, she fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside. The next morning, her husband Theo wakes up to discover his wife is missing. Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form.

In this follow-up to the acclaimed IN THE COMPANY OF SHERLOCK HOLMES, expert Sherlockians Laurie R. King and Leslie S. Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson.

After a harrowing, otherworldly confrontation on the shores of Exmouth, Massachusetts, Special Agent A.X.L. Pendergast is missing, presumed dead. Sick with grief, Pendergast's ward, Constance, retreats to her chambers beneath the family mansion at 891 Riverside Drive --- only to be taken captive by a shadowy figure from the past. Proctor, Pendergast's longtime bodyguard, springs to action, chasing Constance's kidnapper through cities, across oceans, and into wastelands unknown. And by the time Proctor discovers the truth, a terrifying engine has stirred --- and it may already be too late.

Forensic anthropologist Bill Brockton has spent 25 years solving brutal murders, but none so bizarre and merciless as his latest case. A ravaged set of skeletal remains is found chained to a tree on a remote mountainside. As Brockton and his assistant, Miranda, dig deeper, they uncover warning signs of a deadly eruption of hatred and violence. But the shocking case is only the beginning of Brockton’s trials. Mid-case, the unthinkable happens: The deadliest criminal Brockton has ever foiled --- the sadistic serial killer Nick Satterfield --- escapes from prison, bent on vengeance. But simply killing Brockton isn’t enough. Satterfield wants to make him suffer first, by destroying everything he holds dear.

The terrorist organization ISIS is after a deadly toxin that could be the ultimate weapon of mass destruction. The same toxin holds the potential to eradicate cancer. There is a frantic race to see who can get to it first, even as Caitlin Strong begins to assemble the disparate pieces of a deadly puzzle. At the center of that puzzle is an Indian reservation where a vengeful tycoon is mining the toxin, disguising his effort as an oil-drilling operation. This is the same reservation where Caitlin’s great-great-grandfather, also a Texas Ranger, once waged a similar battle against the forces of John D. Rockefeller.

When Commander Monk of the Thames River Police is called to investigate the drowning of an escaped prisoner, he’s forced to contend with customs officer McNab, who clearly bears a bitter grudge against him. But the reason is a mystery in itself. Monk’s memory loss --- a secret he guards closely --- leaves him vulnerable to repercussions from his missing past, especially his exploits overseas in the tumultuous Gold Rush days of San Francisco. And now McNab appears intent on using whatever damning facts he can find to his advantage to ruin Monk’s future as an officer of the law.

We never know what will happen next in Florida. We know only that, any minute now, something will. Every few months, Dave Barry gets a call from some media person wanting to know, “What the hell is wrong with Florida?” Somehow, the state has acquired an image as a subtropical festival of stupid, and as a loyal Floridian, Dave begs to differ. It is a great state, and Dave is going to tell you why. Join him as he celebrates Florida from Key West at the bottom to whatever it is that’s at the top, from the Sunshine State’s earliest history to the fun-fair of weirdness that it is today.

New York, 1888. Gas lamps still flicker in the city streets, but the miracle of electric light is in its infancy. The person who controls the means to turn night into day will make history --- and a vast fortune. A young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win. Paul’s client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country? As Paul takes greater and greater risks, he’ll find that everyone in his path is playing their own game, and no one is quite who they seem.

As guests arrive for a party at her Irish mansion, Lady Athelinda Playford has decided to cut off her two children without a penny and leave her vast fortune to an invalid who has only weeks to live. Among her visitors are the famous Belgian detective Hercule Poirot and Inspector Edward Catchpool of Scotland Yard. Neither knows why he has been invited --- until Poirot begins to wonder if Lady Playford expects a murder. But why does she seem so determined to provoke a killer? And why --- when the crime is committed despite Poirot's best efforts to stop it --- does the identity of the victim make no sense at all?