In this spirited account, Billie Jean King details her life's journey to find her true self. She recounts her groundbreaking tennis career --- six years as the top-ranked woman in the world, 20 Wimbledon championships, 39 grand slam titles, and her watershed defeat of Bobby Riggs in the famous "Battle of the Sexes." She poignantly recalls the cultural backdrop of those years and the profound impact on her worldview from the women's movement, the assassinations and anti-war protests of the 1960s, the civil rights movement and, eventually, the LGBTQ+ rights movement.

When journalist Amelia Buxton discovers that a cluster of embryos belonging to her childhood friend Parker and his late wife Greer have been deemed “abandoned,” she’s put in the unenviable position of telling Parker --- and dredging up old wounds in the process. Parker has been unable to move forward since the loss of his beloved wife three years ago. He has all but forgotten about the frozen embryos. But once Amelia reveals her discovery, he knows that if he ever wants to get a part of Greer back, he’ll need to accept his fate as a single father and find a surrogate. Each dealing with their own private griefs, Parker and Amelia slowly begin to find solace in one another as they navigate an uncertain future against the backdrop of the pristine waters of their childhood home, Buxton Beach.

Ada promised herself she would never go back to the Trace, to her hard life on the swamp and her harsh father. But now, after running away to Baton Rouge and briefly knowing a different kind of life, she finds herself with nowhere to go but back home. Matilda, daughter of a sharecropper, is from the other side of the Trace. Doing what she can to protect her family from the whims and demands of some particularly callous locals is an ongoing struggle. She forms a plan to go north, to pack up the secrets she's holding about her life in the South and hang them on the line for all to see in Ohio. As the two girls are drawn deeper into a dangerous world of bootleggers and moral corruption, they must come to terms with the complexities of their tenuous bond and a hidden past that links them in ways that could cost them their lives.

When Savannah history professor Everly Winthrop is asked to guest-curate a new museum collection focusing on artifacts recovered from the steamship Pulaski, she's shocked. The ship sank after a boiler explosion in 1838, and the wreckage was just discovered, 180 years later. Everly's research leads her to the astounding history of a family of 11 who boarded the Pulaski together, and the extraordinary stories of two women from this family: a known survivor, Augusta Longstreet, and her niece, Lilly Forsyth, who was never found, along with her child. These aristocratic women were part of Savannah's society, but when the ship exploded, each was faced with difficult and heartbreaking decisions.

The entire world knows Michael J. Fox as Marty McFly, the teenage sidekick of Doc Brown in Back to the Future; as Alex P. Keaton in “Family Ties”; as Mike Flaherty in “Spin City”; and through numerous other movie roles and guest appearances on shows such as “The Good Wife” and “Curb Your Enthusiasm.” Diagnosed at age 29, Fox is equally engaged in Parkinson’s advocacy work, raising global awareness of the disease and helping find a cure through The Michael J. Fox Foundation for Parkinson’s Research. In NO TIME LIKE THE FUTURE, Michael shares personal stories and observations about illness and health, aging, the strength of family and friends, and how our perceptions about time affect the way we approach mortality.

Bud Threadgoode grew up in the bustling little railroad town of Whistle Stop with his mother, Ruth, and his Aunt Idgie. Together they ran the town’s popular Whistle Stop Cafe, known far and wide for its fun and famous fried green tomatoes. But sadly, as the railroad yards shut down and Whistle Stop became a ghost town, nothing was left but boarded-up buildings and memories of a happier time. Then one day, Bud decides to take one last trip, just to see what has become of his beloved Whistle Stop. In so doing, he discovers new friends, as well as surprises about Idgie’s life and the town itself. He also sets off a series of events that change his life and the lives of his daughter and many others.

For more than 25 years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is absurd and moving about our daily existence. And it is almost impossible to read without laughing. Now, for the first time collected in one volume, the author brings us his funniest and most memorable work. In these stories, Sedaris shops for rare taxidermy, hitchhikes with a lady quadriplegic, and spits a lozenge into a fellow traveler’s lap. He also explores falling in love and staying together, recognizing his own aging not in the mirror but in the faces of his siblings, losing one parent and coming to terms --- at long last --- with the other.

Seduced by her employer’s son, Evangeline, a naïve young governess in early 19th-century London, is discharged when her pregnancy is discovered and sent to the notorious Newgate Prison. Months later, she is sentenced to Van Diemen’s Land, a penal colony in Australia. During the journey on a repurposed slave ship, the Medea, Evangeline strikes up a friendship with Hazel, who was sentenced to seven years transport for stealing a silver spoon. Though Australia has been home to Aboriginal people for more than 50,000 years, the British government considers its fledgling colony uninhabited and unsettled. By the time the Medea arrives, many of them have been forcibly relocated, including Mathinna, who has been adopted by the new governor of Van Diemen’s Land.

Stephanie and Patrick are adjusting to life with their colicky twin girls. The babies are a handful, but even as Stephanie struggles with the disorientation of sleep deprivation, there's one thing she's sure of: she has all she ever wanted. Then Erica, a woman from Patrick's past, appears and makes a disturbing accusation. Patrick had always said his first wife's death was an accident, but now Erica claims it was murder. Patrick insists he's innocent, that this is nothing but a blackmail attempt. Still, Erica knows things about Patrick --- things that make Stephanie begin to question her husband. Stephanie isn't sure what, or who, to believe. As Stephanie's trust in Patrick begins to falter, Patrick stands to lose everything. Is Erica the persuasive liar Patrick says she is? Or has Stephanie made a terrible mistake?

On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom: handsome and charming, a rising television star. The bride: smart and ambitious, a magazine publisher. The cell phone service may be spotty and the waves may be rough, but every detail has been expertly planned and will be expertly executed. But as the champagne is popped and the festivities get underway, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. The groomsmen begin the drinking game from their school days. The bridesmaid not-so-accidentally ruins her dress. The bride’s oldest (male) friend gives an uncomfortably caring toast. And then someone turns up dead. Who didn’t wish the happy couple well? And, perhaps more importantly, why?