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Robbie Steinhardt lives a peaceful life. A fixture of his small alpine village, he tends cattle, minds his own business, and doesn’t dwell on his former life and the family and lover he left behind --- back when he was Mac Dekker, CIA. But when he learns his son, Will, died following in his footsteps, he needs answers. What mission took Will up into the alpine heights, and why is Ilya Ivashka on the same trail? Ilya --- his close friend, his rival in love. Ilya, who framed Mac for treason and sent him into hiding. Wiping away the years, Mac returns to the field to find the secrets Will hid and finds himself facing the Herculean task of stopping a terrorist plot that threatens thousands. But in a field of double agents, who can he trust?

The end is nigh. It has been nearly 200 years since Hadrian Marlowe assaulted the person of the Emperor and walked away from war. From his Empire. His duty. From the will and service of the eldritch being known only as the Quiet. The galaxy lies in the grip of a terrible plague, and worse, the Cielcin have overrun the realms of men. A messenger has come to Jadd, bearing a summons from the Sollan Emperor for the one-time hero. A summons, a pardon and a plea. HAPSIS, the Emperor’s secret first-contact intelligence organization, has located one of the dreadful Watchers, the immense, powerful beings worshipped by the Pale Cielcin. Called out of retirement and exile, the old hero --- accompanied by his daughter, Cassandra --- must race across the galaxy and against time to accomplish one last, impossible task: To kill a god.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Ian's childhood with his gifted brother, Peter, and his extraordinary mother set the pattern for his ambition to be “the complete man,” and he would strive for the means to achieve this “completeness” all his life. Nicholas Shakespeare’s talent for uncovering material that casts new light on his subjects is fully evident here. His unprecedented access to the Fleming archive and his nose for a story make this a fresh and eye-opening picture of the man and his famous creation.

In SOMEHOW, Anne Lamott explores the transformative power that love has in our lives: how it surprises us, forces us to confront uncomfortable truths, reminds us of our humanity and guides us forward. “Love just won't be pinned down,” she says. “It is in our very atmosphere” and lies at the heart of who we are. We are, she says, creatures of love. In each chapter, Lamott refracts all the colors of the spectrum. She explores the unexpected love for a partner later in life. The bruised (and bruising) love for a child who disappoints, even frightens. The sustaining love among a group of sinners, for a community in transition, in the wider world. The lessons she underscores are that love enlightens as it educates, comforts as it energizes, sustains as it surprises.

Dick and Doris Goodwin were married for 42 years --- and married to American history even longer. In his 20s, Dick was one of the brilliant young men of John F. Kennedy’s New Frontier. In his 30s, he both named and helped design Lyndon Johnson’s Great Society and was a speechwriter and close advisor to Robert Kennedy. Doris Kearns was a 24-year-old graduate student when selected as a White House Fellow. She worked directly for Lyndon Johnson and later assisted on his memoir. The Goodwins’ last great adventure involved finally opening the more than 300 boxes of letters, diaries, documents and memorabilia that Dick had saved for more than 50 years. They soon realized they had before them an unparalleled personal time capsule of the 1960s, illuminating public and private moments of a decade when individuals were powered by the conviction that they could make a difference.

Caleb Carr has had special relationships with cats since he was a young boy in a turbulent household, where his steadiest companions were the adopted cats that lived with him in both the city and the country. As an adult, he has had many close feline companions, with relationships that have outlasted most of his human ones. But only after building a three-story home in rural, upstate New York did he enter into the most extraordinary of all of his cat pairings: Masha, a Siberian Forest cat who had been abandoned as a kitten and was languishing in a shelter when Caleb met her. She had hissed and fought off all previous carers and potential adopters, but somehow she chose Caleb as her savior. For the 17 years that followed, Caleb and Masha were inseparable.

NEGATIVE SPACE follows a week in the life of an English teacher at a New York private school. At home, her two increasingly restless children ask constant questions about mortality and find hidden wisdom in the cartoons they watch on television. Her husband tends to his plants and offers occasional counsel between Zoom calls to Hong Kong and Australia. And at school, as she navigates the currents between wealthy, increasingly disconnected students and bewildered faculty, she accidentally witnesses an ambiguous, possibly inappropriate interaction between a teacher and a student. She feels compelled to say something, but how can she be sure of what she saw?

An autobiography usually requires a justification. The great autobiographies --- those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin and Henry Brooks Adams --- were justified by their authors living in interesting times, harboring radically new ideas or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways and far from dramatic. But it also has been emblematic of the great changes in our country since World War II. NEVER SAY YOU'VE HAD A LUCKY LIFE is an intimate look at one life steeped in radical change: from a traditionally moral culture to a therapeutic one, from an era when the extended family was strong to its current diminished status, from print to digital life featuring the war of pixel on print, and on.

Annabel Hayes --- born, baptized and orphaned in the sleepy conservative town of Dayton, Tennessee --- is thrilled to find herself falling quickly and deeply in love with George Craig, a sophisticated attorney newly arrived from Knoxville. But before the end of their first year of marriage, their lives are beset by losses. The strain on their relationship is only intensified when John T. Scopes is arrested for teaching Charles Darwin’s theory of evolution at the local high school. Foreshadowing today’s culture wars, the trial against Scopes is a spectacle unlike any the country has seen. When George joins the team defending Scopes, Annabel begins to question both her beliefs and her vows. As the ongoing trial divides neighbor against neighbor, it also divides the Craigs in unexpected ways.

Annie “Anh Le” Shaw grew up poor but seems to have it all now: a dream career, a stunning home, and a devoted husband and daughter. When Annie’s mother, a Vietnam War refugee, dies suddenly one night, Annie’s carefully curated life begins to unravel. Her obsessive-compulsive disorder comes roaring back. But this time, the disturbing fixations swirling around in Annie’s brain might actually be coming true. A prominent art patron disappears, and the investigation zeroes in on Annie. Spiraling with self-doubt, she distances herself from her family and friends, only to wake up in a hotel room --- naked, next to a lifeless body. The police have more questions, but with her mind increasingly fractured, Annie doesn’t have answers. All she knows is this: She will do anything to protect her daughter --- even if it means losing herself.

Our society is obsessed with achievement. Young people are pushed toward the next test or the “best” grammar school, high school or college they can get into. Adults push themselves toward the highest-paying, most prestigious jobs, seeking promotions and public recognition. As Adam Gopnik points out, the result is not so much a rat race as a rat maze, with no way out. Except one: to choose accomplishment over achievement. Achievement, Gopnik argues, is the completion of the task imposed from outside. Accomplishment, by contrast, is the end point of an engulfing activity one engages in for its own sake. In ALL THAT HAPPINESS IS, Gopnik demonstrates that while self-directed passions sometimes do lead to a career, the contentment that flows from accomplishment is available to each of us.

As a teenager, Ella Fitchburg found love that consumed both her and her boyfriend, Jude, as they wandered the streets of New York City together. But her glorious life was pulled out from beneath her after she was accused of trying to murder Jude’s father, an imperious superior court judge. When she learns she’s pregnant shortly after receiving a long prison sentence, she reluctantly decides to give up the child. Ella is released from prison after serving only six years and is desperate to turn the page on a new life, but she can’t seem to let go of her past. With only an address as a possible lead, she moves to Ann Arbor, Michigan, determined to get her daughter back. Yet a central mystery endures: neither Jude nor Ella can remember the events leading up to the attempted murder --- that fateful night that led to Ella’s conviction.

As kids, Amelia and Kylee were found unharmed in their upstairs bedroom the night their teenage cousin Grace, who was babysitting them, vanished from the farmhouse in Beaumont, Missouri, leaving blood all over the kitchen. Grace, the first in their family to go to college instead of getting married and working at the meatpacking plant, had been on the verge of escaping their dead-end town. Her disappearance is a warning to any local girl who dared hope for better. Now, as their own high school graduation looms, Amelia and Kylee dream about fleeing Beaumont, but the likelihood of that happening seems as low as that of Grace being found. When human remains are discovered in town, the sisters think they finally know who took Grace --- but as they dig deeper into her past, they unearth long-buried secrets and a growing list of suspects.

In 2016, Amy Tan grew overwhelmed by the state of the world: Hatred and misinformation became a daily presence on social media, and the country felt more divisive than ever. In search of peace, Tan turned toward the natural world just beyond her window and, specifically, the birds visiting her yard. But what began as an attempt to find solace turned into something far greater --- an opportunity to savor quiet moments during a volatile time, connect to nature in a meaningful way, and imagine the intricate lives of the birds she admired.

The relics of St. Nicholas are among the most divine and prized possessions in the Christian world, said to hold the power to heal the most incurable diseases. Biblical archaeologist Maggie Shepherd has a chance to extract and study one of these priceless artifacts buried in the tomb of the man who is now known as Santa Claus. In just a few weeks, on Christmas Eve, the Pope will present the venerated relic of St. Nicholas to the head of the Eastern Orthodox Church in Moscow in the hope of reuniting East and West after a 1,000-year schism. Driven by rumors of the relic’s legendary power, many people want to control it, including a Russian mob boss who coerces Malachi Popov into stealing it for him before the ceremony. Once in possession of the miraculous relic, Popov witnesses its awesome power and regrets his action. But before he can set things right, it vanishes.

It was supposed to be a romantic getaway weekend in New York City. Breanna’s new boyfriend, Ty, took care of everything. But when Bree comes downstairs their final morning, she’s shocked. There’s a stranger laying dead in the foyer, and Ty is nowhere to be found. A Black woman alone in a new city, Bree is stranded and out of her depth --- especially when it becomes clear the dead woman is none other than Janelle Beckett, the missing woman the entire internet has become obsessed with. There’s only one person Bree can turn to: her ex-best friend, a lawyer with whom she shares a very complicated past. As the police and a social media mob close in, all looking for #JusticeForJanelle, Bree realizes that the only way she can help Ty --- or herself --- is to figure out what really happened that last night.

On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. Southern extremists were moving ever closer to destroying the Union, with one state after another seceding and Lincoln powerless to stop them. Slavery fueled the conflict, but somehow the passions of North and South came to focus on a lonely federal fortress in Charleston Harbor: Fort Sumter. Erik Larson offers a gripping account of the chaotic months between Lincoln’s election and the Confederacy’s shelling of Sumter --- a period marked by tragic errors and miscommunications, inflamed egos and craven ambitions, personal tragedies and betrayals. Lincoln himself wrote that the trials of these five months were “so great that, could I have anticipated them, I would not have believed it possible to survive them.”

After her mother dies, Hannah doesn’t know how to exist without her. In fact, Hannah isn’t even certain that she does exist. No one seems to see or hear her, and she finds herself utterly alone. Grief-stricken and confused, Hannah sets out to find new purpose in life --- and answers about who (and what) she really is. Hannah’s only remaining family is her older sister, Leah. Yet even Leah doesn’t seem to notice her. And while Hannah can see and hear her sister, she also sees beautiful and terrible things that don’t --- or shouldn’t --- exist. She learns there’s much more to this world than meets the eye and struggles to make sense of it all. When Hannah sees Leah taking the same dangerous path that consumed their own mother --- where lies supplant reality --- she’s desperate to get through to her.

A young woman puts on a white coat for her first day as a student doctor. So begins A HISTORY OF PRESENT ILLNESS, which follows our unnamed narrator through cadaver dissection, surgical rotation, difficult births, sudden deaths and a budding relationship with a seminarian. In the troubled world of the hospital, where the language of blood tests and organ systems so often hides the heart of the matter, she works her way from one bed to another --- from a man dying of substance use and tuberculosis, to a child in pain crisis, to a young woman, fading from confusion to aphasia to death. The long hours and heartrending work begin to blur the lines between her new life as a physician and the lifelong traumas she has fled.

As a columnist for the Washington Post, Alexandra Petri has watched in real time as those who didn’t learn from history have been forced to repeat it. And repeat it. And repeat it. If we repeat history one more time, we’re going to fail! Maybe it’s time for a new textbook. ALEXANDRA PETRI’S US HISTORY contains a lost (invented!) history of America (a history for people disappointed that the only president whose weird sex letters we have is Warren G. Harding). Petri’s “historical fan fiction” draws on real events and completely absurd fabrications to create a laugh-out-loud, irreverent takedown of our nation’s complicated past.

Cara moves to Martha’s Vineyard after graduating from college, determined to make sense of her mother’s death and decide what direction she wants to take her life as an artist. There she meets Brendan, who sweeps her away with his humor, charisma and an intoxicating secret. When Cara gets pregnant with their son, she’s sure their happy ending is underway. But she’s thrown by Brendan’s dramatic moods, unexplained disappearances and the weight of his secrets. When he vanishes with their child, she is left desolate and questioning everything she thought was true. Five years later, Cara is married to another man and trying to rebuild her life, when she hears rumors of two people who sound a lot like her lost love and child.

Darcy Clipper has returned home to Murbridge, Massachusetts, after her life takes an unwelcome left turn. Murbridge, Darcy is convinced, will welcome her home and provide a safe space in which she can nurse her wounds and harbor grudges, both real and imagined. But Murbridge, like so much else Darcy thought to be fixed and immutable, has changed. And while Darcy’s first instinct might be to hole herself up in her childhood bedroom, it is human nature to do two things: seek out meaningful human connection and respond to anonymous internet postings. As Murbridge begins to take shape around Darcy, both online and in person, Darcy will consider the most fundamental of American questions: What can she ask of her community? And what does she owe it in return?

A day spent locked in a room by border officials without any explanation as to why. A riddle that seemingly has no answer: curlew or curfew, you choose. A phone call from a college friend who hasn't been in touch in years. And all of it is somehow inextricably linked to the life of a young blacksmith hounded from her trade and branded a vagrant nearly 500 years ago. Award-winning author Ali Smith shines a guiding light through the nightmarish now with a provocative novel that intertwines our atomized present and the uncannily parallel era of the Black Plague. In the hope that our medieval past may unlock the answers we seek to understand our hazy future, COMPANION PIECE is a kaleidoscope of human history and experience, and a stunning addition to Smith's gorgeous canon.

Anna Victoria Alcott is desperate to have a family. But as she tries to balance her increasingly public life as an indie actress with a grueling IVF journey, she starts to suspect that someone is going to great lengths to make sure that never happens. Crucial medicines are lost. Appointments get swapped without her knowledge. Cryptic warnings have her jumping at shadows. And despite everything she's gone through to make this pregnancy a reality, not even her husband is willing to believe that someone is playing twisted games with her. Then her doctor tells her she's had a miscarriage --- except Anna is convinced she's still pregnant despite everything the grave-faced men around her claim. Vague warnings become direct threats as someone stalks her through the bleak ghost town of the snowy Hamptons.

Granted special access by Queen Elizabeth II to her parents’ letters and diaries and to the papers of their close friends and family, Sally Bedell Smith brings the love story of King George VI and Queen Elizabeth to vibrant life. This deeply researched and revealing book shows how a loving and devoted marriage helped the King and Queen meet the challenges of World War II, lead a nation, solidify the public’s faith in the monarchy, and raise their daughters, Princess Elizabeth and Princess Margaret.