Adult

MACHINES LIKE ME takes place in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first synthetic humans and --- with Miranda's help --- designs Adam's personality. The near-perfect human that emerges is beautiful, strong and clever. It isn't long before a love triangle soon forms, and these three beings confront a profound moral dilemma.

Oliver Sacks, scientist and storyteller, is beloved by readers for his neurological case histories and his fascination and familiarity with human behavior at its most unexpected and unfamiliar. EVERYTHING IN ITS PLACE is a celebration of Sacks' myriad interests --- from his passion for ferns, swimming and horsetails, to his final case histories exploring schizophrenia, dementia and Alzheimer's --- told with his characteristic compassion and erudition, and in his luminous prose.

When itinerant cave diver James Tighe receives an invitation to billionaire Nathan Joyce's private island, he thinks it must be a mistake. But Tighe's unique skill set makes him a prime candidate for Joyce's high-risk venture to mine a near-earth asteroid --- with the goal of kick-starting an entire off-world economy. The potential rewards and personal risks are staggering, but the competition is fierce and the stakes couldn't be higher. Isolated and pushed beyond their breaking points, Tighe and his fellow 21st-century adventurers --- ex-soldiers, former astronauts, BASE jumpers and mountain climbers --- must rely on each other to survive not only the dangers of a multi-year expedition but also the harsh realities of business in space.

Selahattin Demirtaş’ arresting stories capture the voices of ordinary people living through extraordinary times. A cleaning lady is caught up in a violent demonstration on her way to work. A five-year-old girl attempts to escape war-torn Syria with her mother by boat. A suicide bombing shatters a neighborhood in Aleppo. And in the powerful story “Seher,” a young factory worker is robbed of her dreams in an unimaginable act of violence.

When Mary Todd meets Abraham Lincoln, he is on no one's shortlist to be president. Rough and reticent, he’s a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. It’s not long, though, before she sees the Lincoln that his roommate, Joshua Speed, knows: a man who, despite his awkwardness, is amiable and profound, with a gentle wit to match his genius and a respect for her keen political mind. But as her relationship with Lincoln deepens, she must confront his inseparable friendship with Speed, who has taught his roommate how to dance, dress and navigate the polite society of Springfield.

WHITE is Bret Easton Ellis' first work of nonfiction. Already the bad boy of American literature, from LESS THAN ZERO to AMERICAN PSYCHO, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy.

Helen Ellis has a mantra: “If you don't have something nice to say, say something not-so-nice in a nice way.” Say “weathered” instead of “she looks like a cake left out in the rain” and “I’m not in charge” instead of “they’re doing it wrong.” In these 23 raucous essays, Ellis transforms herself into a dominatrix Donna Reed to save her marriage, inadvertently steals a Burberry trench coat, avoids a neck lift, and finds a black-tie gown that gives her the confidence of a drag queen. While she may have left Alabama for New York City, Ellis is clinging to her Southern accent like mayonnaise to white bread, and offering readers a hilarious, completely singular view on womanhood for both sides of the Mason-Dixon.

Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation --- awkward but electrifying --- something life-changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world, while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.

In a small town in Virginia, a group of people know each other because they’re part of a special treatment center, a hyperbaric chamber that may cure a range of conditions from infertility to autism. But then the chamber explodes, two people die, and it’s clear the explosion wasn’t an accident. A powerful showdown unfolds as the story moves across characters who are all maybe keeping secrets, hiding betrayals. Chapter by chapter, we shift alliances and gather evidence: Was it the careless mother of a patient? Was it the owners, hoping to cash in on a big insurance payment and send their daughter to college? Could it have been a protester, trying to prove the treatment isn’t safe?

FEAST YOUR EYES, framed as the catalogue notes from a photography show at the Museum of Modern Art, tells the life story of Lillian Preston. After discovering photography as a teenager through her high school’s photo club, Lillian rejects her parents’ expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter Samantha, Lillian is arrested, thrust into the national spotlight and targeted with an obscenity charge. Mother and daughter’s sudden notoriety changes the course of both of their lives, and especially Lillian’s career, as she continues a life-long quest for artistic legitimacy and recognition.