Adult

Charlotte was supposed to be looking after the children, and she swears she was. But when her three kids are all safe and sound at the school fair, and Alice, her best friend Harriet’s daughter, is nowhere to be found, Charlotte panics. Harriet, devastated by this unthinkable, unbearable loss, can no longer bring herself to speak to Charlotte again, much less trust her. Now more isolated than ever and struggling to keep her marriage afloat, Harriet believes nothing and no one. But as the police bear down on both women trying to piece together the puzzle of what happened to this little girl, dark secrets begin to surface --- and Harriet discovers that confiding in Charlotte again may be the only thing that will reunite her with her daughter.

In Riversend, an isolated rural community afflicted by an endless drought, a young priest kills five parishioners before being taken down himself. A year later, journalist Martin Scarsden arrives in Riversend. His assignment is simple: describe how the townspeople are coping as the anniversary of their tragedy approaches. But as Martin meets the locals and hears their version of events, he begins to realize that the accepted wisdom --- that the priest was a pedophile whose imminent exposure was the catalyst for the shooting --- may be wrong. Then the bodies of two German backpackers --- missing since the time of the church shootings --- are discovered. As the media flocks to the scene, Martin finds himself thrown into a whole new mystery.

When he was almost 50 years old, Tommy Tomlinson weighed 460 pounds, at risk for heart disease, diabetes and stroke. Raised in a family that loved food, he had been aware of the problem for years, seeing doctors and trying diets from the time he was a preteen. But nothing worked, and every time he tried to make a change, it didn’t go the way he planned --- in fact, he wasn’t sure that he really wanted to change. He was only one of millions of Americans struggling with weight, body image and a relationship with food that puts them at major risk. THE ELEPHANT IN THE ROOM is Tomlinson’s chronicle of meeting those people, taking the first steps towards health, and trying to understand how, as a nation, we got to this point.

When Wynter Roth is turned out of New Earth, a self-contained doomsday cult on the American prairie, she emerges into a world poised on the brink of madness as a mysterious outbreak of rapid early onset dementia spreads across the nation. As Wynter struggles to start over in a world she’s been taught to regard as evil, she finds herself face-to-face with the apocalypse she’s feared all her life --- until the night her sister shows up at her doorstep with a set of medical samples that are key to understanding the disease. Uncertain who to trust, she takes up with former military man Chase Miller, who has his own reasons for wanting to get close to the samples in her possession, and to Wynter herself.

New York, 1993. Street-smart 17-year-old Lucy Adler is often the only girl on the public basketball courts. Lucy’s inner life is a contradiction. She is by turns quixotic and cynical, insecure and self-possessed, and, despite herself, is in unrequited love with her best friend and pickup teammate, Percy, the rebellious son of a prominent New York family. As Lucy begins to question accepted notions of success, bristling against her own hunger for male approval, she is drawn into the world of a pair of provocative feminist artists living in what remains of New York’s bohemia.

Dismas Hardy knows something is amiss with his trusted secretary, Phyllis. Her out-of-character behavior and sudden disappearances concern Hardy, especially when he learns that her convict brother --- a man who had served 25 years in prison for armed robbery and attempted murder --- has just been released. Things take a shocking turn when Phyllis is suddenly arrested at work for allegedly being an accessory to the murder of Hector Valdez, a coyote who’d been smuggling women into this country from El Salvador and Mexico. That is, until recently, when he was shot to death --- on the very same day that Phyllis first disappeared from work.

In an America convulsed by political upheaval, cultural discord, environmental catastrophe and spiritual confusion, so many of us find ourselves anxious and distracted, searching desperately for peace, salvation and focus. Enter Hark Morner, a failed stand-up comic turned mindfulness guru whose revolutionary program is set to captivate the masses. But for Fraz and Tovah, a middle-aged couple slogging through a very rough patch, it may take more than the tenets of Hark’s “Mental Archery” to solve the riddles of love, lust, work and parenthood on the eve of civilizational collapse. And given the sudden power of certain fringe players, it just might be too late. But what’s the point of a world, even a blasted-out post-apocalyptic world, if they don’t try with all their might to keep their marriage alive?

Detective Dave Robicheaux has discovered the body of a young woman who’s been crucified, wearing only a small chain on her ankle. She disappeared near director Desmond Cormier’s Cyrpemort Point estate, and Robicheaux is looking for answers. Neither Cormier nor his enigmatic actor friend Antoine Butterworth is saying much, but Robicheaux knows better. As always, Clete Purcel and Davie’s daughter, Alafair, have Robicheaux’s back. Clete witnesses the escape of Texas inmate Hugo Tillinger, who may hold the key to Robicheaux’s case. As they wade further into the investigation, they end up in the crosshairs of the mob, the deranged Chester Wimple, and the dark ghosts Robicheaux has been running from for years.

It’s easier for Cara Hargraves to bury herself in the past than to confront the present, which is why working for a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: an unfinished diary from World War II and a photo of a young woman in uniform. Captivated by the hauntingly beautiful diary, Cara begins her search for the author, never guessing that it might reveal her own family’s wartime secrets.

For every homicide investigation she undertakes, Detective Davie Richards is determined to learn as much about the victim as she does about the killer. But there's nothing about 34-year-old Sara Montaine or her death that makes sense. Was Sara a saint caring for her dying husband or a gold-digger with a sketchy background? Did she commit suicide or was she murdered? Before her marriage, Sara lived comfortably without any obvious source of income, unusual for an orphan raised in foster care. As Davie digs deeper, she unearths Sara's troubled past and a viper's nest of villains who are willing to kill to keep their secrets hidden.