Adult

Unflinching, intoxicating, heartfelt and propelled by an exceptional energy, WILL is the long-awaited memoir by Will Self, whose works have been shortlisted for the Booker Prize and translated into over 20 languages. It spins the reader from Self’s childhood in a quiet North London suburb to his mind-expanding education at Oxford, to a Burroughsian trip to Morocco, an outback vision in Australia, and, finally, a surreal turn in rehab. Echoing the great Modernist writers of the early 20th century in its psychedelic stream of consciousness, WILL is vividly imagistic and mordantly witty. It is both kunstlerroman and confessional, a tale of excess and degradation, a karmic cycle that leads back to the author’s own lack of...will.

A grieving woman asks war veteran Peter Ash to find her eight-year-old grandson. The woman's daughter has been murdered. Erik, the dead daughter's husband, is the sole suspect, and he has taken his young son and fled to Iceland for the protection of Erik's lawless family. Finding the boy becomes more complicated when Peter is met at the airport by a man from the United States Embassy. For reasons both unknown and unofficial, it seems that Peter's own government doesn't want him in Iceland. The police give Peter two days of sightseeing in Reykjavik before he must report back for the first available seat home. But when they realize Peter isn't going home until he accomplishes his mission, they start hunting him, too.

In August of 1939, as Britain watches the headlines in fear of another devastating war with Germany, three childhood friends must choose between friendship or country. Erstwhile socialite Nora is determined to find her place in the Home Office’s Air Raid Precautions Department, matchmaker Hazel tries to mask two closely guarded secrets with irrepressible optimism, and German expat Marie worries that she and her family might face imprisonment in an internment camp if war is declared. When Germany invades Poland and tensions on the home front rise, Marie is labeled an enemy alien, and the three friends find themselves fighting together to keep her free at any cost.

It doesn't take long for the students on Fielding campus to become obsessed with Hannah, Leslie and Jimmy. The three graduate students are mysterious, inaccessible and brilliant. After Simone --- young, bestselling author and erstwhile model --- shows up as a visiting professor, and after everything that happened with her, the trio only become more notorious. Love. Death. Revenge. These age-old tropes come to life as the semesters unfold. The threesome came to study writing, to be writers, and this is the story they've woven together: of friendship and passion, of competition and envy, of creativity as life and death.

A ship captain, unfettered from time. A mute child, burdened with unimaginable power. A millennia-old woman, haunted by lifetimes of mistakes. In this captivating debut of connection across space and time, these outsiders will find in each other the things they lack: A place of love and belonging. A safe haven. A new beginning. But the past hungers for them, and when it catches up, it threatens to tear this makeshift family apart.

Ahead of the German Blitz during World War II, English parents from every social class sent their children to the countryside for safety. In THE SECRET GUESTS, the British royal family takes this evacuation a step further, secretly moving the princesses to the estate of the Duke of Edenmore in “neutral” Ireland. A female English secret agent, Miss Celia Nashe, and a young Irish detective, Garda Strafford, are assigned to watch over “Ellen” and “Mary” at Clonmillis Hall. Soon suspicions about the guests’ true identities percolate, a dangerous boredom sets in for the princesses, and, within and without Clonmillis acreage, passions as well as stakes rise.

A masked stranger stands in the shadows. He watches his victim through the window. He will kill him slowly --- make him pay. Soon the Rabbit Hunter has claimed another three victims. This predator will stop at nothing to reap his ultimate revenge. It’s up to Joona Linna and Saga Bauer to untangle one of the most complex cases of their career, and follow the killer’s trail of destruction back to one horrific night of violence.

Days after a young pageant queen named Jenny is found murdered, her small town grieves the loss alongside her picture-perfect parents. At first glance, Jenny's tragic death appears clear-cut for investigators. The most obvious suspect is one of her fans, an older man who may have gotten too close for comfort. But Jenny's half-sister, Virginia --- the sarcastic black sheep of the family --- isn't so sure of his guilt and takes matters into her own hands to find the killer. But for Jenny's case and Virginia's investigation, there's more to the story. Virginia, still living in town and haunted by her own troubled teenage years, suspects that a similar darkness lay beneath the sparkling veneer of Jenny's life.

When her dreams of rising through the Accra police ranks crash around her, 26-year-old Emma Djan is unsure what will become of her career. Through a sympathetic former colleague, she gets an interview with a private detective agency that takes on cases of missing persons, theft and infidelity. Meanwhile, Gordon Tilson, a middle-aged widower in Washington, DC, has found solace in an online community after his wife’s passing. Through the support group, he’s even met a young Ghanaian widow he’s come to care about. When her sister gets into a car accident, he sends her thousands of dollars to cover the hospital bill --- to the horror of his only son, Derek. Then Gordon decides to surprise his new love by paying her a visit --- and disappears.

In this second thrilling installment of the Gunnie Rose series, Lizbeth Rose is hired onto a new crew for a seemingly easy protection job: transporting a crate into Dixie, just about the last part of the former United States of America she wants to visit. But what seemed like a straightforward job turns into a massacre as the crate is stolen. Up against a wall in Dixie, where social norms have stepped back into the last century, Lizbeth has to go undercover with an old friend to retrieve the crate as what’s inside can spark a rebellion...if she can get it back in time.