It’s the spring of 1917, and change is in the air. American women have done something remarkable: they’ve banded together to create military-style training camps for women who want to serve. These so-called National Service Schools prove irresistible to the Kopp sisters, who leave their farm in New Jersey to join up. When an accident befalls the matron, Constance reluctantly agrees to oversee the camp --- much to the alarm of the Kopps’ tent-mate, the real-life Beulah Binford, who is seeking refuge from her own scandalous past under the cover of a false identity. Will she be denied a second chance? And after notoriety, can a woman’s life ever be her own again?
Back when Harry Bosch was just a rookie homicide detective, he had an inspiring mentor who taught him to take the work personally and light the fire of relentlessness for every case. Now that mentor, John Jack Thompson, is dead, and his widow gives Bosch a murder book, one that Thompson took with him when he left the LAPD 20 years before --- the unsolved killing of a troubled young man. Bosch takes the murder book to Detective Renée Ballard and asks her to help him discover what about this crime lit Thompson's fire all those years ago. As she begins her inquiries, Ballard finds aspects of the initial investigation that just don't add up. They soon arrive at a disturbing question: Did Thompson steal the murder book to work the case in retirement, or to make sure it never got solved?
From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades. In THE QUEENS OF ANIMATION, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon.
In HOME, Julie Andrews recounted her difficult childhood and her emergence as an acclaimed singer and performer on the stage. With this second memoir, HOME WORK, Andrews picks up the story with her arrival in Hollywood and her phenomenal rise to fame in her earliest films: Mary Poppins and The Sound of Music. Andrews describes her years in the film industry, from the incredible highs to the challenging lows. Not only does she discuss her work in now-classic films and her collaborations with giants of cinema and television, she also unveils her personal story of adjusting to a new and often daunting world.
Now that her father is on his deathbed, strong-headed lawyer Alex Tuchman feels she can finally unearth the secrets of who Victor is and what he did over the course of his life and career. As her mother Barbra fends off Alex’s unrelenting questions, she reflects on her tumultuous life with Victor. Meanwhile, Gary, Alex’s brother, is incommunicado, trying to get his movie career off the ground in Los Angeles. And Gary’s wife, Twyla, is having a nervous breakdown, buying up all the lipstick in drugstores around New Orleans and bursting into crying fits. As each family member grapples with Victor’s history, they must figure out a way to move forward --- with one another, for themselves and for the sake of their children.
In the sweltering summer of 1915, Pin, the 14-year-old daughter of a carnival fortune-teller, dresses as a boy and joins a teenage gang that roams the famous Riverview amusement park, looking for trouble. Unbeknownst to the well-heeled city-dwellers and visitors who come to enjoy the midway, the park is also host to a ruthless killer who uses the shadows of the dark carnival attractions to conduct his crimes. When Pin sees a man enter the Hell Gate ride with a young girl, and emerge alone, she knows that something horrific has occurred. The crime will lead her to the iconic outsider artist Henry Darger, a brilliant but seemingly mad man. Together, the two navigate the seedy underbelly of a changing city to uncover a murderer few even know to look for.
On a hot July night on Cape Cod when Adrienne was 14, her mother, Malabar, woke her at midnight with five simple words that would set the course of both of their lives for years to come: Ben Souther just kissed me. Adrienne instantly became her mother’s confidante and helpmate, blossoming in the sudden light of her attention, and from then on, Malabar came to rely on her daughter to help orchestrate what would become an epic affair with her husband’s closest friend. The affair would have calamitous consequences for everyone involved, impacting Adrienne’s life in profound ways, driving her into a precarious marriage of her own and then into a deep depression. Only years later will she find the strength to embrace her life --- and her mother --- on her own terms.
For as long as they can remember, Cyrus Grace Dunham felt like a visitor in their own body. Their life was a series of imitations --- lovable little girl, daughter, sister, young gay woman --- until their profound sense of alienation became intolerable. Moving between Grace and Cyrus, Dunham brings us inside the chrysalis of gender transition, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about who we are and how we are constituted.
In 2003, already an older father, Tim O’Brien resolved to give his young sons what he wished his own father had given to him --- a few scraps of paper signed “Love, Dad.” Maybe a word of advice. Maybe some scattered glimpses of their rapidly aging father, a man they might never really know. For the next 15 years, the author talked to his sons on paper, as if they were adults, imagining what they might want to hear from a father who was no longer among the living. O’Brien traverses the great variety of human experience and emotion, moving from soccer games to warfare to risqué lullabies, from alcoholism to magic shows to history lessons to bittersweet bedtime stories, but always returning to a father’s soul-saving love for his sons.
Your mom probably told you it's what's on the inside that counts. Well, then she was never a competitive figure skater. Olympic medalist Adam Rippon has been making it pretty for the judges even when, just below the surface, everything was an absolute mess. From traveling to practices on the Greyhound bus next to ex-convicts to being so poor he could only afford to eat the free apples at his gym, Rippon got through the toughest times with a smile on his face, a glint in his eye, and a quip ready for anyone listening. BEAUTIFUL ON THE OUTSIDE looks at his journey from a homeschooled kid in Scranton, Pennsylvania, to a self-professed American sweetheart on the world stage and all the disasters and self-delusions it took to get him there.
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Coming Soon
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May's Books on Screen roundup includes the series premieres of "The Better Sister" on Prime Video, "Dept. Q" and "Forever" on Netflix, and "Miss Austen" on PBS "Masterpiece"; the season premieres of Hulu's "Nine Perfect Strangers," Max's "And Just Like That..." and AMC's "The Walking Dead: Dead City"; the series finales of "The Handmaid's Tale" on Hulu and "The Last Anniversary" on Sundance Now and AMC+; the season finales of CBS's "Tracker" and "Watson," as well as ABC's "Will Trent"; the films Juliet & Romeo and Fear Street: Prom Queen; and the DVD/Blu-ray releases of Captain America: Brave New World, Mickey 17 and Being Maria.