Adult

Edie is stumbling her way through her 20s --- sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage --- with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home --- though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.

When Nancy Hennessy is murdered, she leaves behind two best friends, an adoring husband and daughter, and a secret lover whose identity she took to the grave. Nancy was gorgeous, wealthy and cherished by those who knew her --- from the outside, her life was perfect. But as the investigation into her death flounders, and Eleanor and Mary wrestle with their grief, dark details surface that reveal how little they knew their friend, each other and maybe even themselves.

A lonely and vulnerable high school senior, Alisson finds solace only in her writing --- and in a young, charismatic English teacher. Mr. North gives Alisson a copy of LOLITA to read, telling her it is a beautiful story about love. The book soon becomes the backdrop to a connection that blooms from a simple crush into a forbidden romance. But as Mr. North’s hold on her tightens, Alisson is forced to evaluate how much of their narrative is actually a disturbing fiction. In the wake of what becomes a deeply abusive relationship, Alisson is faced again and again with the story of her past, from rereading LOLITA in college to working with teenage girls to becoming a professor of creative writing.

Franny Stone has always been the kind of woman who is able to love but unable to stay. Leaving behind everything but her research gear, she arrives in Greenland with a singular purpose: to follow the last Arctic terns in the world on what might be their final migration to Antarctica. Franny talks her way onto a fishing boat, and she and the crew set sail, traveling ever further from shore and safety. But as Franny’s history begins to unspool --- a passionate love affair, an absent family, a devastating crime --- it becomes clear that she is chasing more than just the birds. When Franny's dark secrets catch up with her, how much is she willing to risk for one more chance at redemption?

England, 1580: The Black Death creeps across the land, an ever-present threat, infecting the healthy, the sick, the old and the young alike. The end of days is near, but life always goes on. A young Latin tutor --- penniless and bullied by a violent father --- falls in love with an extraordinary, eccentric young woman. Agnes is a wild creature who walks her family’s land with a falcon on her glove and is known throughout the countryside for her unusual gifts as a healer, understanding plants and potions better than she does people. Once she settles with her husband on Henley Street in Stratford-upon-Avon, she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose career on the London stage is just taking off when his beloved young son succumbs to sudden fever.

Just when Isabel and Jamie finally seem to have some time to connect and unwind, a wealthy Edinburgh resident comes to Isabel with an unusual request --- he would like her to become the executor of his large Highland estate. He has only a short time to live and, without any direct heirs, is struggling to determine which of his three cousins would be the best caretaker. Should the estate go to the bohemian artist, the savvy city property developer, or the quiet, unassuming bachelor? All the while, Isabel is also busy helping her niece, Cat, who, though perennially unlucky in love, appears to have finally found her match in the leonine Leo. But Isabel is beginning to suspect that Leo might be interested in more than Cat’s charms --- namely, her access to the family trust.

Faye has loved Jack since they were students at business school. Jack, the perpetual golden boy, grew up wealthy, unlike Faye, who has worked hard to bury a dark past. When Jack needed help launching a new company, Faye left school to support him, waitressing by day and working as his strategist by night. When the business took off, Faye stayed home and cared for their daughter. Now, she is wealthier than she ever imagined, but more and more removed from the excitement of the business world. And none of the perks of wealth make up for the fact that Jack has begun to treat her coldly. When Faye discovers that he's having an affair, the polished façade of their life cracks wide open.

Miles Lambert breaks the devastating news that Pete Riley’s son, Theo, isn’t actually his son --- he is the Lamberts’, switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they’ve been raising for the past two years, life will never be the same again. The two families take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents --- or even each other?

Clay Edison has his hands full. He has a new baby who won't sleep and is working the graveyard shift. Then comes the first call. Workers demolishing a local park have made a haunting discovery: the decades-old skeleton of a child. But whose? And how did it get there? No sooner has Clay begun to investigate than he receives a second call --- this one from a local businessman, wondering if the body could belong to his sister. She went missing fifty years ago, the man says. Or at least I think she did. It’s a little complicated. Clay’s relentless search for answers will unearth a history of violence and secrets, revolution and betrayal. Because in this town, the past isn’t dead. It’s very much alive. And it can be murderous.

Utopia Avenue is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, it embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on “Top of the Pops,” the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon and San Francisco during the autumn of ’68. David Mitchell’s novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times; of fame’s Faustian pact and stardom’s wobbly ladder; of the families we choose and the ones we don’t; of voices in the head, and the truths and lies they whisper; of music, madness and idealism. Can we really change the world, or does the world change us?