Adult

Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. One day, a slip of paper containing the word bondmaid flutters beneath their sorting table. Esme rescues the slip, and when she learns that the word means “slave girl,” she begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so, she must venture out to meet the people whose words will fill those pages.

Joe Goldberg is done with the cities. He’s done with the muck and the posers, done with Love. Now he’s saying hello to nature, to simple pleasures on a cozy island in the Pacific Northwest. For the first time in a long time, he can just breathe. He gets a job at the local library, and that’s where he meets her: Mary Kay DiMarco. Librarian. Joe won’t meddle, he will not obsess. He’ll win her the old-fashioned way…by providing a shoulder to cry on, a helping hand. Over time, they’ll both heal their wounds and begin their happily ever after. The trouble is, Mary Kay already has a life. She’s a mother. She’s a friend. She’s…busy. Hopefully, with Joe’s encouragement and undying support, Mary Kay will do the right thing and make room for him.

Jhumpa Lahiri’s narrator, a woman questioning her place in the world, wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home acts as a companion and interlocutor. We follow her to the pool she frequents, and to the train station that leads to her mother, who is mired in her own solitude after her husband’s untimely death. Among those who appear on this woman’s path are colleagues with whom she feels ill at ease, casual acquaintances, and “him,” a shadow who both consoles and unsettles her. Until one day at the sea, both overwhelmed and replenished by the sun’s vital heat, her perspective will abruptly change.

Jane falls in love with Duncan easily. Unfortunately, he has slept with nearly every woman in Boyne City, Michigan, and she sees his old girlfriends everywhere. His ex-wife, Aggie, still has Duncan mow her lawn. His coworker, Jimmy, comes and goes from his apartment at the most inopportune times. Sometimes Jane wonders if a relationship can even work with three people in it --- never mind four. Five if you count Aggie's eccentric husband, Gary. But any notion Jane had of love and marriage changes with one terrible car crash. Soon her life is permanently intertwined with Duncan's, Aggie's and Jimmy's, and she knows she will never have Duncan to herself. But could it be possible that a deeper kind of happiness is right in front of Jane's eyes?

When someone falls tragically to her death at The Seafarer, a glamorous Boston hotel, the event ripples through the lives of four very different people. Bride-to-be Riley is at the hotel to plan her wedding. Her bossy mother-in-law has taken charge, and her fiancé hasn’t seemed to notice. Jean-Paul, the hotel’s manager, must devote all his energy to this latest scandal at work. Claire, recently widowed, comes to town to connect with a long-lost love, but has too much changed in the last 30 years? And then there’s Jason, whose romantic getaway with his girlfriend has not exactly gone the way he'd hoped. Over three sun-drenched days, as the truth about the woman who died --- and the secret she was hiding --- is uncovered, these four strangers become linked in the most unexpected of ways.

August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London. Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed --- a force that triumphs over even the darkest nights of the war.

In ANTIQUITIES, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for 34 years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage, he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. Included alongside this wondrous tale are four additional stories weaving myth and mania, history and illusion: "The Coast of New Zealand," "The Bloodline of the Alkanas," "Sin" and "A Hebrew Sibyl."

Ted Molloy was once a high-powered Manhattan lawyer, but after a spectacular fall from grace, he has found himself back on his home turf in Queens, scraping by as a foreclosure profiteer. It’s a grubby business, but a safe one --- until Ted’s case sourcer, a mostly reformed small-time conman named Richie Rubiano, turns up murdered shortly after tipping Ted off to an improbably lucrative lead. With Richie’s widow on his back and shadows of the past popping up at every turn, Ted realizes he has gotten himself embroiled in a murder investigation. His quest for the truth will take him all over Queens, plunging him into the machinations of greedy developers, mobsters, enraged activists, old litigator foes and old-school New York City operators.

Nobody robs banks in Belfast without the IRA getting a cut --- not even former Provo James “Ructions” O'Hare. But when word gets around that O'Hare may be up to something, the pressure from the IRA begins. Ructions trusts his crack squad of former paramilitary compadres, and has full confidence in his audacious plan: To literally empty the biggest bank in Belfast by kidnapping the families of two employees --- known as a "tiger" kidnapping --- in order to force them to help Ructions and his crew get into the bank's vault. But keeping the plan --- and the money --- from the IRA is another plan entirely, one requiring all of Ructions' cunning and skill.

The eight stories in FIRST PERSON SINGULAR are all told in the first person by a classic Haruki Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator may or may not be Murakami himself. Is it memoir or fiction? The reader decides.