Adult

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.” The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.

A year after her child is born, Jane suffers a series of strange episodes: amnesia, premonitions, hallucinations and an inexplicable sense of dread. Three days after her first visit to a psychiatrist, Jane suddenly goes missing. A day later she is found unconscious in Brooklyn’s Prospect Park, in the midst of what seems to be an episode of dissociative fugue. When she comes to, she has no memory of what has happened to her. Are Jane’s strange experiences the result of being overwhelmed by motherhood, or are they manifestations of a long-buried trauma from her past? Why is she having visions of a young man who died 20 years ago and who warns her of a disaster ahead? Jane’s symptoms lead her psychiatrist ever deeper into the farthest reaches of her mind and cause him to question everything he thinks he knows about so-called reality --- including events in his own life.

In her second story collection, Curtis Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long-held beliefs are overturned. In “The Patron Saints of Middle Age,” a woman visits two friends she hasn’t seen since her divorce. In “A for Alone,” a married artist embarks on a creative project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can’t spend time alone together without lusting after each other. And in “Lost but Not Forgotten,” Sittenfeld gives readers of her novel PREP a window into the world of her beloved character Lee Fiora, decades later, when Lee attends an alumni reunion at her boarding school.

Although Birdie gets a little hungover sometimes and has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for. She finds herself falling for Arthur and the land he knows so well. Against the warnings of those who care about them, Birdie and Emaleen move to his isolated cabin in the mountains. But soon Birdie discovers that Arthur is something much more mysterious and dangerous than she ever could have imagined.

In the aftermath of a harrowing journey, Silla Nordvig’s dreams of a simple life have been shattered. Beaten, betrayed and reeling from the revelation of her true name, she flees Kopa with Reynir Galtung, the ruthless leader of the Bloodaxe Crew. But when they're forced into hiding together, Silla soon discovers that Rey has been keeping secrets of his own. Stuck in a shield-home with the murderous man she thought she knew, Silla forms a new plan: master the magic flowing through her veins to save her sister. But before she can do that, Silla must face her most formidable opponent yet --- her own inner demons. Saga Volsik has nothing to lose. They’ve murdered her family. Stolen her throne. And now they expect her to marry their son, but not if she can dismantle Queen Signe’s plans first. The only problem? The handsome Zagadkian dignitary who knows far too many of her secrets.

The body of an aspiring actress is found dumped near a hospital emergency room. She’s been drugged and murdered, and the motive for the callous crime remains maddeningly out of reach. Until a prime suspect materializes. Another Hollywood hopeful. Only to be shot dead by a sniper using a weapon that turns out to have been catalogued in a previous murder. And another before that. It’s not long before more bodies begin piling up. What makes the murderous spree baffling is the apparent lack of connection among the victims. Is this the work of a random thrill killer, the toughest of all cases to unravel? But as psychologist Alex Delaware and homicide detective Milo Sturgis dig deeper, they’re faced with an even knottier scenario: a highly complex killer with deep-seated motivation that will require all of their highly honed skills to decipher.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners.” Her Life Ruiner, Toni Morrison’s THE BLUEST EYE, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?

Gail Baines is having a bad day. To start, she loses her job --- or quits, depending on whom you ask. Tomorrow her daughter, Debbie, is getting married, and she hasn’t even been invited to the spa day organized by the mother of the groom. Then, Gail’s ex-husband, Max, arrives unannounced on her doorstep, carrying a cat, without a place to stay and without even a suit. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband to be. It will not only throw the wedding into question but also stir up Gail and Max’s past.

By all accounts, Carl and Roy Opgard are doing quite well for themselves. Or at least they’re doing as well as can be expected in a small town like Os. Carl manages the area’s swanky and successful spa and hotel, while Roy runs a nearby gas station and harbors grand plans to build it out into an entire amusement park, complete with a roller coaster. But when news breaks about a new highway to be built nearby, bypassing Os and leaving the town cutoff and isolated, it’s clear that something has to be done…even if the methods are bound to be dirty. Fortunately, Carl and Roy have experience with just that kind of work. Meanwhile, the town sheriff has gotten his hands on new technology that will enable him to take a deeper look at a slate of unsolved murders from years past --- including that of his own father.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, GLIFF explores how and why we endeavor to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data --- something easily categorizable and predictable --- Ali Smith shows us why our humanity, our individual complexities, matter more than ever.