Adult

July 1950: Mick Mulligan has just hung out his shingle as a private investigator in New York’s sweaty Hell’s Kitchen. A former Hollywood cartoonist who was blacklisted during a communist witch hunt, Mick is in need of a paying gig to make his child support payments. But maybe not this gig. Last year, universally reviled cab company owner Irwin Johnson was murdered. One of his drivers, an African American Communist Party member named Harold Williams, was arrested, tried and found guilty, despite scant evidence. Now his execution date is two weeks away. New York City labor leader Duke Rogowski asks Mick to find fresh evidence that might buy Harold a stay of execution. Lots of people might have wanted Irwin dead, but no one has any reason to help Mick exonerate Harold. Yet Mick can’t abandon a potentially innocent man to the electric chair. Can he pull off a miracle?

When successful Rhode Island real estate agent Lucy Mendoza vanishes, leaving her baby behind in a grocery store parking lot, the news quickly makes national headlines. Lucy’s best friend, Michelle, is devastated, and terrified that Lucy’s life is at stake. But she knows something that could complicate the police investigation. Lucy had confessed something unspeakable: She regretted becoming a mother, so much so that she’d fantasized about faking her own kidnapping. If the police and media were to find out, Lucy would become a monster in the eyes of the public. Michelle is sure Lucy would never abandon her daughter. But could she be wrong? Could Lucy have been so desperate that she chose to escape her life?

Billy Collins’ DOG SHOW celebrates the joy of our canine best friends, honoring the love we feel for the animals who play such vital roles in our lives. In 25 poems, Collins distills the many ways dogs warm our hearts, from the happiness we experience as we watch a dog run unencumbered by our burdens, to the silliness of cradling a dog in our arms as we step on the scale together. Turning his inimitable eye and ear to the complexities of dog behavior, Collins ponders all that these winning creatures give us and what we learn from them about ourselves.

Following the unexpected death of her beloved husband, art gallery owner Samantha Thompson takes a trip to Paris. Once abroad, an impulsive day trip from Paris to Biarritz leads Samantha to discover the charming medieval village of Arcangues in the Basque countryside. The château is the ancestral home of Xavier de Bonport, who is trapped in a loveless marriage and trying to dig himself out financially after a business failed due to the pandemic. He needs rental income as urgently as Samantha needs a refuge. With Xavier living in a smaller house on the property, Samantha begins to transform the château into a temporary home and considers fostering some children at the request of the local Dominican nuns, whose orphanage is filled to capacity. As a newfound family begins to fill the château, Samantha and Xavier wonder if their friendship is becoming something more.

Jack Reacher will make three stops today. Not all of them were planned for. First --- a Baltimore coffee shop. A seat in the corner, facing the door. Black coffee, two refills, no messing around. A minor interruption from two of the customers, but nothing he can’t deal with swiftly. As he leaves, a young guy brushes against him in the doorway. Instinctively Reacher checks the pocket holding his cash and passport. There’s no problem. Nothing is missing. Second --- a store to buy a coat. Nothing fancy. Something he can ditch when he heads to warmer climates. Large enough to fit a man the size of a bank vault. As he pulls out his cash, he finds something new in his pocket. A handwritten note. A desperate plea for help. Third --- wherever this bend in the road takes him. Impressed by the guy’s technique and intrigued by the message, Reacher makes it his mission to find out more.

Salman Rushdie turns his extraordinary imagination to life’s final act with a quintet of stories that span the three countries in which he has made his work: India, England and America. “In the South” introduces a pair of quarrelsome old men and their private tragedy at a moment of national calamity. In “The Musician of Kahani,” a musical prodigy from the Mumbai neighborhood featured in MIDNIGHT’S CHILDREN uses her magical gifts to wreak devastation on the wealthy family she marries into. In “Late,” the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. “Oklahoma” plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. And “The Old Man in the Piazza” is a powerful parable for our times about freedom of speech.

“God whispers through a crease in the wallpaper,” writes Patti Smith in this moving account of her life. A post–World War II childhood unfolds in a condemned housing complex where we enter the child’s world of the imagination. Smith, the captain of her loyal and beloved sibling army, vanquishes bullies, communes with the king of tortoises, and searches for sacred silver pennies. The most intimate of Smith’s memoirs, BREAD OF ANGELS takes us through her teenage years where the first glimmers of art and romance take hold. Arthur Rimbaud and Bob Dylan emerge as creative role models as she begins to write poetry and then lyrics, ultimately merging both into the songs of iconic recordings such as Horses, Wave and Easter.

When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin, Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end. There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which causes three generations of abandoned Falodun women to live under the same roof. But when Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. She ill-advisedly seeks answers in older, darker spiritual corners of Lagos. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all?

Raised by ruggedly independent, scientifically minded parents --- entomologist father, dietician mother --- Margaret Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated, but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape --- from the cruel year that spawned CAT’S EYE to the Orwellian 1980s Berlin where she wrote THE HANDMAID’S TALE. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson, and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel.

December 1962: In a village deep in the English countryside, two neighboring couples begin the day. Local doctor Eric Parry commences his rounds in the village, while his pregnant wife, Irene, wanders the rooms of their old house, mulling over the space that has grown between the two of them. On the farm nearby lives witty but troubled Rita Simmons, who is also expecting. She spends her days trying on the idea of being a farmer’s wife, but her head still swims with images of a raucous past that her husband, Bill, prefers to forget. When Rita and Irene meet across the bare field between their houses, a clock starts. When the ordinary cold of December gives way --- ushering in violent blizzards of the harshest winter in living memory --- so do the secret resentments harbored in all four lives.