Adult

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films and TV shows: "Hairspray," "Fiddler on the Roof," Mrs. Doubtfire, Independence Day, "Cheers," "La Cage Aux Folles," "Torch Song Trilogy," "Newsies" and "Kinky Boots." While he has never shied away from the spotlight, Mr. Fierstein says that even those closest to him have never heard most of the tales --- of personal struggles and conflict, of sex and romance, of his fabled career --- revealed in these wildly entertaining pages.

In more than 50 pieces, Margaret Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This rollercoaster period brought the end of history, a financial crash, the rise of Trump and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.

The seven Shaw siblings have long been haunted by two early and profoundly consequential events. Told in turns from the early 20th century through the 1950s, each sibling relays their own version of the memories that surround both their mother’s mysterious death and the circumstances of one sister’s scandalous teenage pregnancy. As they move into adulthood, the siblings assume new roles: caretaker to their aging father, addict, enabler, academic, decorated veteran, widow, and mothers and fathers to the next generation. Entangled in a family knot, the Shaw siblings face divorce, drama and death while haunted by a mother who was never truly there.

In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of BEYOND GOOD AND EVIL. The growing heaps of other books in which she loses --- and finds --- herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world.

Emma loves her husband, Leo, and their young daughter, Ruby. But almost everything she's told them about herself is a lie. And she just might have gotten away with it if it weren’t for her husband’s job. Leo is an obituary writer; Emma is a well-known marine biologist. When she suffers a serious illness, Leo copes by doing what he knows best --- researching and writing about his wife’s life. But as he starts to unravel the truth, he discovers that the woman he loves doesn’t really exist. Even her name isn’t real. When the very darkest moments of Emma’s past finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was. But first, she must tell him about the other love of her life.

Beginning in 1915 with D. W. Griffith's The Birth of a Nation --- which glorified the Ku Klux Klan and became Hollywood's first blockbuster --- Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen. He considers the films themselves, including Imitation of Life, Gone with the Wind and Do The Right Thing. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Sidney Poitier, Alex Haley, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay and Jordan Peele, among many others.

On an otherwise uneventful afternoon when Liz Scheier was 18, her mother sauntered into the room and dropped two bombshells. First, that she had been married for most of the previous two decades to a man Liz had never heard of. And second, that the man she had claimed was Liz’s dead father was entirely fictional. She’d made him up --- his name, the stories, everything. Now, decades later, armed with clues to her father’s identity --- and as her mother’s worsening dementia reveals truths she never intended to share --- Liz attempts to uncover the real answers to the mysteries underpinning her childhood. Trying to construct a “normal” life out of decidedly abnormal roots, she navigates her own circuitous path to adulthood: a bizarre breakup, an unexpected romance, and the birth of her son and daughter.

At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can’t take it anymore --- the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she’s stepped out. Kate planned only a quick walk --- a stretch of the legs, a breath of fresh air --- on paths she knows too well. But somehow she falls. Injured and unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case.

Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories. But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time to return. Callie is terrified of her mother. Rob digs holes in the backyard late at night and tells disturbing stories about growing up on the ranch. Soon Callie begins to fear that only one of them will leave Sundial alive.

Now that she’s no longer a private detective, Molly Murphy Sullivan is looking forward to a time of settled tranquility with friends and family. Back in New York, where her own story began, Molly decides to accompany some friends to Ellis Island to help distribute clothing to those in need. This journey quickly stirs up memories for Molly. That evening, her policeman husband, Daniel, comes home with a tale to tell: there was a murder on Ellis Island that day, and the main suspect is the spitting image of Molly. The circumstances are eerily similar to when Molly herself arrived on Ellis Island, and she can’t help but feel a sense of fate. Molly was meant to be there that day so that she can clear this woman’s name.