Adult

Described as “a 21st-century Virginia Woolf” in the Literary Review (UK), Man Booker-longlisted author Siri Hustvedt displays her expansive intellect and interdisciplinary knowledge in this collection that moves effortlessly between stories of her mother, grandmother and daughter to artistic mothers, Jane Austen, Emily Brontë and Lousie Bourgeois, to the broader meanings of maternal in a culture shaped by misogyny and fantasies of paternal authority. MOTHERS, FATHERS, AND OTHERS is a polymath’s journey into urgent questions about familial love and hate, human prejudice and cruelty, and the transformative power of art.

In 2011, Zoe Nolan walked out of her dormitory in Manchester and was never seen or heard from again. Her case went cold. Her story was sad, certainly, but hardly sensational, crime writer Joseph Knox thought. He wouldn't have given her any more thought were it not for his friend, Evelyn Mitchell. Another writer struggling to come up with a new idea, Evelyn was wondering just what happened to all the girls who go missing. What happened to the Zoe Nolans of the world? Evelyn began investigating herself, interviewing Zoe's family and friends, and emailing Joseph with chapters of the book she was writing with her findings. Uneasy with the corkscrew twists and turns, Joseph Knox embedded himself in the case, ultimately discovering a truth more tragic and shocking than he could have possibly imagined.

Cuban-born Mercedes Spivey and her American husband, Nolan, win a five-day cruise to Cuba. Although the circumstances surrounding the prize seem a little suspicious to Mercedes, Nolan’s current unemployment and their need to spice up their marriage make the decision a no-brainer. Once aboard, Mercedes is surprised to see two people she met through her ex-boyfriend, Lorenzo: former University of Havana professor Selfa Segarra and down-on-his-luck Spanish writer Javier Jurado. Even stranger: they also received a free cruise. When Selfa disappears on their first day at sea, Mercedes and Javier begin to wonder if their presence on the cruise is more than coincidence.

Travis Wren has an unusual talent for locating missing people. Hired by families as a last resort, he requires only a single object to find the person who has vanished. When he takes on the case of Maggie St. James --- a well-known author of dark, macabre children’s books --- he’s led to a place many believed to be only a legend. Called Pastoral, this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore…and soon after Travis stumbles upon it, he disappears. Unraveling the mystery of what happened reveals secrets that Theo, a lifelong member of Pastoral; his wife, Calla; and her sister, Bee, keep from one another.

When it’s announced that 1958 will be the last year debutantes are to be presented at court, thousands of eager mothers and hopeful daughters flood the palace with letters seeking the year’s most coveted invitation: a chance for their daughters to curtsey to the young Queen Elizabeth and officially come out into society. In an effort to appease her traditional mother, aspiring university student Lily Nichols agrees to become a debutante and do the Season, a glittering and grueling string of countless balls and cocktail parties. But the glorious effervescence of the Season evaporates once Lily learns a devastating secret that threatens to destroy her entire family.

Anyone who has seen Sharon Gless act in “Cagney and Lacey,” “Queer as Folk,” “Burn Notice” and countless other shows and movies knows that she’s someone who gives every role her all. She holds nothing back in APPARENTLY THERE WERE COMPLAINTS, which delves into her remarkable career and explores her complicated family, her struggles with alcoholism and her fear of romantic commitment, as well as her encounters with some of Hollywood’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived --- never with moderation.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church. Already a bestseller in France and certain to be read worldwide for generations to come, SMALL THINGS LIKE THESE is a deeply affecting and inspiring story of hope, quiet heroism and empathy from one of our most critically celebrated and iconic writers.

Since William the Conqueror, duke of Normandy, crossed the English Channel in 1066 to defeat King Harold II and unite England’s various kingdoms, 41 kings and queens have sat on Britain’s throne. Ironically, during very few of these 955 years has the throne’s occupant been unambiguously English. Appealing to the intrinsic fascination with British royalty, Tracy Borman lifts the veil to reveal the remarkable characters and personalities who have ruled and, since the Glorious Revolution of 1688, have more ceremonially reigned --- a crucial distinction explaining the staying power of the monarchy as the royal family has evolved and adapted to the needs and opinions of its people, avoiding the storms of rebellion that brought many of Europe’s royals to an abrupt end.

When 91-year-old Amelia Hoffman dies in her top-floor flat on a busy London road, it’s considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system. But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs. Hoffman was once a government security expert, though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed. Mrs. Hoffman wasn’t the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge.

Someone has put a blade in the back of the Amazing Tattooed Woman, and Willowjean “Will” Parker’s former knife-throwing mentor has been stitched up for the crime. To uncover the truth, Will and her boss, world-famous detective Lillian Pentecost, travel to the circus, where they find a snake pit of old grudges, small-town crime and secrets worth killing for. Will called Hart & Halloway’s Traveling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse, the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia.