Adult

LeBron James is the greatest basketball player of the 21st century, and he’s in the conversation with Michael Jordan as the greatest of all time. The reigning king of the game and the first active NBA player to become a billionaire, LeBron wears the crown like he was born with it. Yet his ascent has been anything but effortless and predetermined. What makes LeBron’s story so compelling is how he won his destiny despite overwhelmingly long odds, in a drama worthy of a Dickens novel. LeBRON tells the full, riveting saga of how a child adrift found the will to become a titan. Jeff Benedict paints a vivid picture of LeBron’s epic origin story, showing the gradual rise of a star who, surrounded by a tight-knit group of teenage friends and adult mentors, accelerated into a speeding comet during high school.

John Turner receives a call from an old college friend who makes him an odd job offer: move to Ukraine to teach customer service agents at a startup how to sound American. In Ukraine, John understands very little --- the language and social customs are impenetrable to him. At work, his employees are fluent in English but have difficulty grasping the concept of “small talk.” And although he told himself not to get romantically involved while abroad, he can’t help but be increasingly drawn to one of his colleagues. Most distressing, however, is the fact that John can hear his neighbor beating his wife. Desperate to help, John decides to offer the neighbor 100,000 hryvnias to stop. It’s a plan born out of the best intentions, but one that has disastrous repercussions that no amount of money or altruism can resolve.

Emily writes for women’s catalogs for a living, but she’d rather be writing books. She has a handsome photographer boyfriend, but she actively wonders how and when they will eventually hurt each other. Her best work friend Megan is her lifeline, until Megan is abruptly laid off. When her world is further upended by an unplanned pregnancy, Emily is forced to make tough decisions that will change her life forever. What will she sacrifice from her old life to make room for a new one? What fires will she be forced to extinguish, and which will keep burning?

In her memoir YOU COULD MAKE THIS PLACE BEAUTIFUL, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes. With the spirit of self-inquiry and empathy she’s known for, Smith interweaves snapshots of a life with meditations on secrets, anger, forgiveness and narrative itself. The power of these pieces is cumulative: page after page, they build into a larger interrogation of family, work and patriarchy.

Richmond, Virginia, 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the long and arduous journey to the capital. At the city’s only theater, the Charleston-based Placide & Green Company puts on two plays a night to meet the demand of a populace that’s done looking for enlightenment at the front of a church. On the night after Christmas, the theater is packed with more than 600 holiday revelers. When it goes up in flames in the middle of the performance, four theatergoers make a series of split-second decisions that will affect not only their own lives but those of countless others. And in the days following the fire, the paths of these four people will become forever intertwined.

In a tough neighborhood on the outskirts of Toronto, Omer Aziz struggles to find his place as a first-generation Pakistani Muslim boy. He fears the violence and despair of the world around him, and sees a dangerous path ahead. In his senior year of high school, Omer quickly begins to realize that education can open up the wider world. He searches for community and identity, asking questions of himself and those he encounters, and soon finds himself in difficult situations. Yet the more books Omer reads and the more he moves through elite worlds, his feelings of shame and powerlessness only grow stronger, and clear answers recede further away. In BROWN BOY, Aziz wrestles with the contradiction of feeling like an Other and his desire to belong to a Western world that never quite accepts him.

In remote northern Canada, a team led by a visionary American architect is break­ing ground on a building project called Camp Zero, intended to be the beginning of a new way of life. A clever and determined young woman code-named Rose is offered a chance to join the Blooms, a group hired to entertain the men in camp --- but her real mission is to secretly monitor the mercurial architect in charge. In return, she’ll receive a home for her climate-displaced Korean immigrant mother and herself. Rose quickly secures the trust of her target, only to discover that everyone has a hidden agenda, and nothing is as it seems.

For actress Meribel Mills, disturbing fan mail is part of the price of fame. So when she starts getting creepy letters written in fruit-scented marker, she’s mostly unfazed. But there’s something different about Marker Man. Meribel’s sheets smell of unfamiliar cologne, and objects are changing places inside her house. She and her daughter move from Los Angeles to Atlanta for a fresh start --- but no distance is great enough. Years of being in front of a camera have given Meribel a superpower. She can feel eyes on her, and someone definitely has her in their sights. Could Marker Man have followed her all the way across the country? Suddenly, every man in her life is a suspect, and Meribel finds herself in the fight of her life, desperate to protect those she loves as danger closes in from all sides.

Emma Carpenter lives in isolation with her golden retriever, Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules. One day, she reads a poorly written --- but gruesome --- horror novel by H. G. Kane and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night. To Emma, this can’t just be a coincidence. Could he be stalking her? When Emma digs into Kane’s life and work, she learns that he has published 16 other novels, all similarly sadistic tales of stalking and murder. But who is he? How did he find her? And what else is he capable of?

For three years, women have been going missing --- and eventually turning up dead in the small bayou town of St. Augustine, Louisiana. Police detective Beau Hebert is the only one who seems to care, but with every witness quickly silenced and a corrupt police department set on keeping the cases unsolved, Beau’s investigation stalls at every turn. With nobody else to trust, Beau calls in a favor from his friend on the FBI’s Mobile Response Team. While LAPD detective Kara Quinn works undercover to dig into the women’s murders and team leader Matt Costa officially investigates the in-custody death of a witness, Beau might finally have a chance at solving the case. But it’s going to take the entire team working around the clock to unravel the truth.