Adult

When 15-year-old Margot and her three sisters arrive at Applecote Manor in June 1959, they expect a quiet English country summer. Instead, they find their aunt and uncle still reeling from the disappearance of their daughter, Audrey, five years before. When the summer takes a deadly turn, the girls must unite behind an unthinkable choice or find themselves torn apart forever. Fifty years later, Jesse is desperate to move her family out of their London home, and Applecote Manor seems to be the perfect solution. But Jesse finds herself increasingly isolated in their new sprawling home, at odds with her 15-year-old stepdaughter and haunted by the strange rumors that surround the manor.

Every summer, a once-sort-of-famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a weeklong arts conference in a charming New England beachside town. Once more, Rich finds himself, in this seaside paradise, worrying about his family’s nights without him and trying not to think about his book, now out of print, or his future as an illustrator at a glossy magazine about to go under, or his back taxes, or the shameless shenanigans of his colleagues at this summer make-out festival. He can’t decide whether his own very real desire for love and human contact is going to rescue or destroy him.

When a catastrophic solar storm brings about the collapse of modern civilization, an Amish community in Pennsylvania is caught up in the devastating aftermath. Once-bright skies are now dark. Planes have plummeted to the ground. The systems of modern life have crumbled. With their stocked larders and stores of supplies, the Amish are unaffected at first. But as the English (the Amish name for all non-Amish people) become more and more desperate, they begin to invade Amish farms, taking whatever they want and unleashing unthinkable violence on the peaceable community.

Three years after the storming of the Bastille, the streets of Paris are roiling with revolution. Jean-Luc, an idealistic young lawyer, moves his wife and their infant son from a comfortable life in Marseille to Paris, in the hopes of joining the cause. André, the son of a denounced nobleman, has evaded execution by joining the new French army. Sophie, a young aristocratic widow, embarks on her own fight for independence against her powerful, vindictive uncle. As chaos threatens to undo the progress of the Revolution and the demand for justice breeds instability and paranoia, the lives of these compatriots become inextricably linked.

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor --- someone, or something, to love. In WHAT WE LOSE, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood.

Meet Sunday Night, a woman with physical and psychological scars, and a killer instinct. Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie’s help. Is the girl dead? Did someone take her? If she’s out there, why doesn’t she want to be found? It’s time for Sunnie to face her own demons --- because they just might lead her to the truth about what really happened all those years ago.

Alice is a scientist who relies on method, precision and tangible proof. But when her relationship with Oxford artist Peter Brown collapses spectacularly, she is forced to use her skills to evaluate her own life for the first time. Alice accepts an invitation to travel to the southernmost point of the earth, Antarctica. Upon arrival, she is awestruck by the strangeness of a continent painted in shades of blue and white, lit by an unearthly permanent sunlight. And nothing has prepared her for the close confines of a small base shared with eight men and one other woman. It’s in these close quarters that she develops a strong attraction to a man shrouded in danger and mystery.

When Cal Ripken Jr. began his career with the Baltimore Orioles at age 21, he had no idea he’d beat the historic record of playing 2,130 games in a row set by Lou Gehrig, the fabled “Iron Horse” of the New York Yankees. Was his streak or Gehrig’s the more difficult achievement? When did someone first think it was a good idea to play in so many games without taking a day off? THE STREAK delves into this impressive but controversial milestone, unraveling Gehrig’s at times unwitting pursuit of that goal and Ripken’s fierce determination to play the game his way. Along the way, John Eisenberg dives deep into the history of the record and offers a portrait of the pastime in different eras.

When the Oakland coroner’s office uncovers a body buried in a shallow grave in the outskirts of the city, homicide sergeant Matt Sinclair expects to find a drug dealer caught in the crosshairs of a turf war. Instead, the victim is identified as Phil Roberts, the commander of the police department’s intelligence unit and Sinclair’s former partner. Police brass want to pin the murder on a dead member of an outlaw motorcycle gang and they want the case closed quickly, but Sinclair and his current partner, Cathy Braddock, aren’t satisfied with that answer. As Sinclair delves into Roberts’s past, secrets from his work and personal life come to the surface. But Sinclair won’t stop until he finds the truth, even if it means sacrificing his former partner’s reputation and possibly his own career.

On a still summer night in a seventeenth-century canal house in Amsterdam’s old quarter, Pia de Jong gives birth to a delicate, bright-eyed baby girl with a riddle on her back --- a pale blue spot that soon multiplies. In a bare, air-conditioned hospital room, a doctor reveals the devastating answer: it is a rare and deadly form of leukemia, often treated with chemotherapy, a cure nearly as dangerous to a newborn as the disease itself. Pia and her husband Robbert make an intuitive decision. They do not subject Charlotte to chemotherapy; they bring her home. They transform their canal house into a sanctuary where Charlotte can live surrounded by love and strength, where Pia can give her a chance to live. In return, Charlotte gives her mother the greatest gift of all: purpose.