The word atavism, coined by a botanist and popularized by a criminologist, refers to the resurfacing of a primitive evolutionary trait or urge in a modern being. This inventive collection from Lydia Millet offers overlapping tales of urges ranging from rage to jealousy to yearning. The titular atavists include an underachieving, bewildered young bartender; a middle-aged mother convinced that her gentle son-in-law is fixated on geriatric porn; a bodybuilder with an incel’s fantasy life; an arrogant academic accused of plagiarism; and an empty-nester dad determined to host refugees in a tiny house in his backyard. As they pick away at the splitting seams in American culture, Millet’s characters shimmer with the sense of powerlessness we share in an era of mass overwhelm.

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide if she can open up to love for them --- or herself --- while there’s still time.

In 1480, the arrival of a well-dressed stranger from London upends John Collan’s life forever. John is not John Collan, the son of Will Collan, but Lambert Simnel, the son of the long-deceased Duke of Clarence. Lambert has been hidden in the countryside after a brotherly rift over the crown --- and because Richard III has a habit of making his nephews disappear. He is removed from his humble origins and sent to Oxford to be educated in a manner befitting the throne’s rightful heir. There he encounters the intractable Joan, the delightfully strong-willed daughter of his Irish patrons, who is imbued with both extraordinary political savvy and occasional murderous tendencies. Together Lambert and Joan form an alliance that will change the fate of the English monarchy.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, Jess slowly comes to a horrifying understanding of the butchery that follows them --- the boy can turn his every fear into reality. And when the wolf finally comes home, no one will be spared.

A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister, Abigail, is throwing him a jazz-age Murder Mystery-themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken. In the morning, all of them wake up --- except Benjamin. As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer. In this mansion, suddenly complete with a butler, gardener and housekeeper, everyone is a suspect, and nothing is quite as it seems. Will the culprit be revealed? And how can Abigail piece herself back together in the wake of this loss?

Rosemary Woodruff Leary has been known only as the wife of Timothy Leary, the Harvard professor-turned-psychedelic high priest, whose jailbreak captivated the counterculture and whose life on the run with Rosemary inflamed the government. But Rosemary was more than a mere accessory. She was a beatnik, a psychonaut, and a true believer who tested the limits of her mind and the expectations for women of her time. Long overlooked by those who have venerated her husband, Rosemary spent her life on the forefront of the counterculture, working with Leary on his books and speeches, sewing his clothing, and shaping the media’s narrative about LSD. Ultimately, Rosemary sacrificed everything for the safety of her fellow psychedelic pioneers and the preservation of her husband’s legacy.

After losing her job and her fiancé, and moving back from the city to live with her parents, Shell Pine needs some help. And according to the sign in the window, the florist shop in the mall does too. Shell gets the gig, and the flowers she works with are just the thing she needs to cheer up. Or maybe it’s Neve, the beautiful shop manager, who is making her days so rosy. But you have to get your hands dirty if you want your garden to grow --- and Neve’s secrets are as dark and dangerous as they come. In the back room of the flower shop, a young sentient orchid actually runs the show. He is hungry...and he has a plan for them all.

After Baz Luhrmann’s movie, Elvis, hit theaters, audiences and critics alike couldn't help but question the Black origins of Elvis Presley’s music and style, reigniting a debate that has been circling for decades. In BEFORE ELVIS​, author Preston Lauterbach answers these questions definitively, based on new research and extensive, previously unpublished interviews with the artists who blazed the way and the people who knew them. Within these pages, Lauterbach examines the lives, music, legacies and interactions with Elvis of the four innovative Black artists who created a style that would come to be known as Rock ’n’ Roll: Little Junior Parker, Big Mama Thornton, Arthur “Big Boy” Crudup, and mostly unknown eccentric Beale Street guitarist Calvin Newborn.