In Reconstruction-era Baltimore, members of the city’s elite keep turning up dead. When Jane Gray Wharton’s husband, Ned, dies unexpectedly while overnighting at his brother’s home, Jane has no reason to question the circumstances of his death. But on a visit to the same house a few weeks later, both Jane and her daughter fall gravely ill, and Jane begins to suspect foul play. Though a trained chemist and former nurse, Jane is haunted by a history of delusion, loss and institutionalization. As the unexpected and devastating deaths begin to multiply, Jane’s grip on reality starts to slip. When a respected army officer falls terribly ill after visiting the Whartons’ Baltimore home, Jane’s greatest fears become all too real. The time has come to act. But who will believe her? And can she even trust her own mind?

On a sunny morning in June, Margaret Carpenter wakes up to find a new iPhone on her doorstep. She switches it on to find a text from her best friend, Charity Atwater. The problem is, Charity has been missing for over a month. Most people in town --- even the police --- think she’s dead. Margaret and Charity have been lifelong friends. They share everything and know the most intimate details about one another. Except for the destructive secret hidden from them both. A secret that will trigger a chain of events ending in tragedy, bloodshed and death. And now Charity wants Margaret to know her story --- the real story. In a narrative that takes place over one feverish day, Margaret follows a series of increasingly disquieting breadcrumbs as she forges deeper into the mystery of her best friend --- a person she never truly knew at all.

When professor turned crime-fighter Brandt "Doc" Savage and his girlfriend, Kira Sunlight, land on a desert island in the middle of the Atlantic, they think they've found a perfect utopia. An escape from their tumultuous pasts. But they don't have long to enjoy their newfound peace before they are violently separated and dragged to opposite ends of the Earth. Doc's search for Kira takes him from the coast of Brazil to northern Europe and the jungles of the Congo, and he discovers they are entangled in a global conspiracy that is bigger than he ever could have imagined.

Scott Bradley James arrives in Annapolis, Maryland, as a plebe in the class of 1941 without a terribly good idea why he wants to be a naval officer, other than that his father was a sailor, and he wants to see the world, whatever that means. Scott and his roommate become fast friends, and, after surviving scrapes of their own making, the two fetch up at Pearl Harbor. War is brewing, and their class has graduated early. They have been sent to battle stations. Admiral James Stavridis is an acclaimed novelist, a decorated military leader and a great student of military history. He draws on it all to capture the experience of being storm-tossed by the bloody first years of the Second World War. Scott Bradley James is a talented young officer, but he has a lot to learn. And war will have a lot to teach him.

When a tragic accident separates three dogs from their human, they find themselves up for adoption --- separately. But Riggs, a dedicated, loyal Australian Shepherd, refuses to see his family torn apart. After the exuberant and fun-loving doodle Archie and quick-witted Jack Russell Luna are taken to new homes, Riggs' powerful herding instincts send him on a journey to bring his pack back together again.

A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolous --- feminine. Girls must stay small, even as they grow. Women must show restraint.  And yet. In books, in the landscape of imagination, a girl can run free. Here, with MY GOOD BRIGHT WOLF, Sarah Moss takes on these rules, these lessons from the fables of girlhood, and uses them to fearlessly investigate the nature of memory, the lure of self-control, the impact of privilege, scarcity, parents and love.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip) and killing bad men. By day, she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men --- monsters who think they've evaded justice, until they meet her. But when the evening news starts throwing around the term "serial killer" and her best friend starts dating a man who just might unravel everything Cordelia has worked for, she must come face to face with the choices she's made. The good, the bad and the murderous. Her family and her freedom depend on it.

Newly single Meadow Liu is house-sitting for his friend, artist Selma Shimizu, when he stumbles upon The Masquerade, a translated novel about a masked ball in 1930s Shanghai. The author’s name is the same as Meadow’s own in Chinese, Liu Tian --- a coincidence that proves to be the first of many strange happenings. Over the course of a single summer, Meadow must contend with a possibly haunted apartment, a mirror that plays tricks and a stranger speaking in riddles at the bar where he works, as well as a startling revelation about a former lover. And when Selma vanishes from her artist residency, Meadow is forced to question everything he knows as the boundaries between real and imagined begin to blur.