Lucy Young is 26 and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, she closes her eyes and wishes with all her might: Please, let me skip to the good part of my life. When she wakes the next morning to a handsome man, a ring on her finger, a high-powered job and two storybook-perfect children, Lucy can’t believe this is real. As she begins to embrace new relationships and the perks of maturity, Lucy will have to ask herself: Can she go back to her previous life? If so, can she stand to leave the good part behind?

In this delightfully chilling collection, the iconic Jeanette Winterson turns her fearless gaze to the realm of ghosts, interspersing her own encounters with the supernatural alongside hair-raising fictions. Lifting the veil between the living and the dead, Winterson spirits us away to a haunted estate that ensnares a nomadic young couple in its own dark past, a staged immersive ghost tour gone awry, a West Village séance that threatens the bounds between AI and reality, and a vacation home in the metaverse where a widow visits an improved version of her deceased husband. Gloriously gothic and unnervingly contemporary, Winterson examines grief, revenge, and the myriad ways in which technology can disrupt the boundary between life and death.

Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984. One day, Julia finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe.

Not long ago, celebrated activist and public intellectual Naomi Klein was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? In DOPPELGANGER, Klein turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical and political crises.

Grace Henderson has been a star of the US Women’s National Team for 10 years. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. The last thing Grace expects is to become teammates with benefits with this class clown she sees as her rival. Phoebe is too focused on her first season as a professional soccer player to think about seducing her longtime idol. But when Grace ends up making the first move, they can’t keep their hands off of each other. As the World Cup approaches and Grace works her way back from injury, a miscommunication leaves the women with hilariously different perspectives on their relationship. But they’re on the same page on the field, realizing they can play together instead of vying for the same position.

In 1874, in the wake of the War, erasure, trauma and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives. They get swept up in the life of the facility --- the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; and the remarkable doctor at the head of the institution.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at 22 Nell leaves her mother Carmel’s orderly home to find her own voice as a writer. As she chases obsessive love, damage and transcendence, her grandfather’s poetry seems to guide her home. Carmel knows the magic of her Daddo’s poetry too well. In his poems to her, Phil envisions his daughter as a bright-eyed wren ascending in escape from his hand. But it is Phil who departs, abandoning his wife and two young daughters. Carmel struggles to reconcile “the poet” with the father whose desertion scars her life, along with that of her fiercely dutiful sister and their gentle, cancer-ridden mother.

In NORMAL RULES DON’T APPLY, nothing is quite as it seems. We meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a lost man who bets on a horse that may --- or may not --- have spoken to him. Everything that readers love about the novels of Kate Atkinson is here: the inventiveness, the verbal felicity, the sharp observations of human nature, and the deeply satisfying emotional wallop.

When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror --- and the great shimmering depths (and demons) that lurk on the other side of the glass.

Grace Adams gave birth, blinked, and now suddenly she is 45, perimenopausal and stalled --- the unhappiest age you can be, according to the Guardian. And today she’s really losing it. Stuck in traffic, she finally has had enough. To the astonishment of everyone, Grace gets out of her car and simply walks away. Grace sets off across London, armed with a £200 cake, to win back her estranged teenage daughter on her 16th birthday. Today is the day she’ll remind her daughter that no matter how far we fall, we can always get back up again. Because Grace Adams used to be amazing. Her husband thought so. Her daughter thought so. Even Grace thought so. But everyone seems to have forgotten. Grace is about to remind them...and, most important, remind herself.