Exiled to a far-flung island after being abused by powerful Gods, Medusa has little company other than the snakes that adorn her head instead of hair. Haunted by the memories of a life before everything was stolen from her, she has no choice but to make peace with her present: she is Medusa the Monster. But when the charmed and beautiful Perseus arrives on the island, her lonely existence is blown open, unleashing desire, love --- and betrayal.

Eli Ward hasn’t been back to his suffocating hometown of New Port Stephen, Florida, in ages. Post-transition and sober, he’s a completely different person from the one who left years ago. But when a scandal threatens his career as a TV writer and comedian, he has no choice but to return home for the holidays. Just when he thinks this trip couldn’t get any worse, Eli bumps into his high school ex, Nick Wu, who’s somehow hotter than ever. Divorced and in his 40s, Nick’s world revolves around his father, his daughter and his job. But even a busy life can’t keep him from being intrigued by the reappearance of Eli. Against the backdrop of one weird Floridian Christmas, the two must decide whether to leave the past in the past…or move on together.

Light and dark. This is the cursed birthright placed upon Clara and Natasha by their godfather, Drosselmeyer. Charming Clara grows into a life of beauty and ease, while Natasha is relegated to her sister’s shadow. But Natasha seizes the opportunity for revenge one Christmas Eve, when Drosselmeyer arrives at the family gala with the Nutcracker, an enchanted gift that offers entry into an alternate world: the Kingdom of Sweets. Following Clara into the glittering land of snow and sugar, Natasha discovers a source of power far greater than Drosselmeyer: the Sugar Plum Fairy. But as Natasha uncovers the truth about a dark destiny crafted long before her birth, she must reckon with forces both earthly and magical, human and diabolical, and decide to which world she truly belongs.

A former actress, Vivian Parry now works as the junior theater critic at a major Manhattan magazine. Her nights are spent beyond the lights, in a reserved seat, giving herself over to the shows she loves. By day, she savages them. Angling for a promotion, she reluctantly agrees to an interview, a conversation that reveals secrets she thought she had long since buried. Then her interviewer disappears, and she learns --- from his devastated fiancée --- that she was the last person to have seen him alive. When the police refuse to investigate, Vivian does what she promised herself she would never do again: she plays a part. Assuming the role of amateur detective, she turns her critical gaze toward an unsanitary private eye, a sketchy internet startup, a threatening financier, fake blood and one very real corpse.

In Boston, as the Golden Age of Piracy comes to a bloody close, Hannah Masury is ready to take her life into her own hands. When a man is hanged for piracy in the town square and whispers of a treasure in the Caribbean spread, Hannah is forced to flee for her life, disguising herself as a cabin boy in the pitiless crew of the notorious pirate Edward "Ned" Low. To earn the freedom to choose a path for herself, Hannah must hunt down the treasure and change the tides. Meanwhile, professor Marian Beresford pieces Hannah’s story together in 1930, seeing her own lack of freedom reflected back at her as she watches Hannah's transformation. At the center of Hannah’s account lies a centuries-old mystery that Marian is determined to solve, just as Hannah may have been determined to take it to her grave.

The once-rising literary star Olivia Fitzgerald is down on her luck. Her most recent novel --- a retelling of Daphne du Maurier’s REBECCA --- was a flop, her boyfriend of nine years just dumped her, and she’s battling a bad case of writer’s block. So when her agent calls her with a high-paying ghostwriting opportunity, Olivia is all too willing to sign the NDA. At first, the write-for-hire job seems too good to be true. All she has to do is interview Henry “Ash” Asherwood, a reclusive mega billionaire, twice named People’s Sexiest Man Alive, who wants her help in writing a book that reveals a shocking secret about his late grandmother and Daphne du Maurier. But when Olivia arrives at his Malibu estate, nothing is as it seems --- and before she knows it, she’s trapped in a gothic mystery of her own.

Barely able to walk and rendered mute by the cancer metastasizing in his throat, Ulysses S. Grant is scratching out words, hour after hour, day after day. Desperate to complete his memoirs before his death so his family might have some financial security and he some redemption, Grant journeys back in time. He had once been the savior of the Union, the general to whom Lee surrendered at Appomattox, a twice-elected president who fought for the civil rights of Black Americans and against the rising Ku Klux Klan, a plain farmer-turned-business magnate who lost everything to a Wall Street swindler, a devoted husband to his wife Julia, and a loving father to four children. In THE GENERAL AND JULIA, Grant rises from the page in all of his contradictions and foibles, his failures and triumphs.

Evelyn is a witch with a perfect storm of impulses: terrible taste in bed partners, sticky fingers and a lust for danger. After she steals from her vampire ex and falls through a portal to another realm, she’s fished out of the waters by a band of seafarers and their telekinetic captain. She’s immediately given a choice --- join their ship’s crew or die. Bowen has no memory of his life before he became one of the Cŵn Annwn. He and his band of pirates are bound by vow to patrol through Threshold, the magical sea in between realms, keeping the portals to other worlds safe. When he rescues Evelyn, he doesn’t expect to be attracted to the unflappably brassy pickpocket. The longer he spends in her presence, the more he begins to question if his heart is the next thing she’ll steal.

San Francisco, 1952. Detective Evander “Andy” Mills has started a new life for himself as a private detective, but his business hasn’t exactly taken off. It turns out that word spreads fast when you have a bad reputation, and no one in the queer community trusts him enough to ask an ex-cop for help. When James, an old flame from the war who had mysteriously disappeared, arrives in his offices above the Ruby, Andy wants to kick him out. But the job seems to be a simple case of blackmail, and Andy’s debts are piling up. He agrees to investigate, despite everything it stirs up. The case will take him back to the shadowy, closeted world of the Navy, and then out into the gay bars of the city, where the past rises up to meet him, like the swell of the ocean under a warship.

When Stephanie Land set out to write her memoir, MAID, she never could have imagined what was to come. Handpicked by President Barack Obama as one of the best books of 2019, it was called “an eye-opening journey into the lives of the working poor.” Later it was adapted into the hit Netflix series “Maid.” MAID was a story about a housecleaner, but it also was a story about a woman with a dream. In CLASS, Land takes us with her as she finishes college and pursues her writing career. Facing barriers at every turn --- including a byzantine loan system, not having enough money for food, navigating the judgments of professors and fellow students who didn’t understand the demands of attending college while under the poverty line --- Land finds a way to survive once again.